What makes a hero? In our society, a hero is thought of as a tall man who wears a cape and has super powers, but to the Greeks, it was very different. In every Greek tragedy, there is the tragic hero, defined by Aristotle as a character who is an extraordinary person, with both good and bad qualities. Although the character reaches a level of insight, a tragic flaw, such as hamartia, leads to their failure in the end. A perfect example of this can be found in Sophocles’ trilogy, The Theban Plays which follows the struggling city of Thebes and the efforts of its rulers to escape their misfortune. Antigone, the third play is an excellent example of this. As the title is Antigone, one would assume that she is the tragic hero, or heroine, but this is not the case. In the tragedy Antigone, Creon fills the role of tragic hero.
Creon’s power sets him apart from the average man. As he is king of Thebes, he claims privileges not granted to an ordinary citizen. Creon has the power to make laws, and decide how to punish those who break them. He has only ruled Thebes for a short time, yet already he has sentenced his niece to death. His intolerance intimidates the Thebans, “All these / Would say that what I did was honourable, But fear locks up their lips,” (Antigone 139-140). This shows that despite his short time as king, Creon has inspired the fear of his subjects. His power is strengthened by their resistance to confront him, and this power is what makes him an extraordinary person.
Creon is often labeled as the “bad guy” in Antigone, but this classification characterization ignores his qualities that make him a more complex character with good and bad traits. He takes his position of power seriously, working hard to keep order in Thebe...
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...owledge of his failure.
In Antigone, we see that Creon fits Aristotle’s definition of a tragic hero. As king of Thebes, he has the character traits that make him an extraordinary person and a tragic flaw that leads to his ultimate downfall. Although many dislike him, Creon’s journey as a tragic hero makes the audience pity him. Unlike comic book superheros, Creon is human. His mistakes are ones we can connect with. In life, we aren’t handed happy endings, and tragic heros like Creon show us this.
Works Cited
Sophocles. Antigone. Trans. E.F. Watling. Sophocles: The Theban Plays. London: Penguin Books. 126-162. 1974. Print.
Sophocles. King Oedipus. Trans. E.F. Watling. Sophocles: The Theban Plays. London: Penguin Books. 25-68. 1974. Print.
Sophocles. Oedipus at Colonus. Trans. E.F. Watling. Sophocles: The Theban Plays. London: Penguin Books. 71-124. 1974. Print.
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Sophocles. The Three Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus. Trans. Robert Fagles. New York: Penguin Books, 1984.
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
Other critics argue that Creon is the tragic hero of Antigone. They say that his noble quality is his caring for Antigone and Ismene when thier father was persecuted. Those who stand behind Creon also argue that Antigone never had a true epiphany, a key element in being a tragic hero. Creon, on the other hand, realized his mistake when Teiresias made his prophecy. He is forced to live, knowing that three people are dead because of his ignorance, which is a punishment worse than death.
Sophocles. The Three Theban Plays Antigone, Oedipus the King, Oedipus at Colonus. Trans. Robert Fagles. New York: Penguin, 1984.
Sophocles. The Three Theban Plays: Antigone, Oedipus The King, Oedipus At Colonus. Penguin Books. New York, New York. 1982, 1984.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
Power- something so potent, yet so easy to misuse. Not everyone can obtain power, however those who possess it often acquire arrogance. Louis XIV held total control of France, abusing his dominance. Louis called himself ‘the Sun King’, believing that everything revolved around him. His pompousness led him to making foolish decisions, as he considered himself to be superior. If you don’t use your brain, you will ultimately lose it, as Louis was beheaded by the determined citizens of France. Likewise, in Antigone, King Creon is the ruler of Thebes. Creon makes an arbitrary ruling, swearing the ‘disloyal’ Polyneices should never be buried. When Antigone goes against this, Creon is infuriated. Creon lets his arrogance take over, and continuously makes unwise decisions. Power simply creates narcissism, as Creon’s pride causes him to commit foolish actions.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Sophocles. Four Plays by Sophocles. Trans. Thomas H. Banks. New York: Oxford University Press, 1966.
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
The throne of the king of Thebes was passed from King Laius to Oedipus to Creon, making Creon a noble and royal figure. Being a part of the nobility is the first part of the requirement of being a tragic hero involving being a noble and having noble character. Along with having a noble title, Creon possesses the attribute of being noble and honorable. Putting aside Creon’s pride and selfishness for now, he still has the wellbeing and safety of his country, Thebes, at heart. Creon explain...