The Trials of Othello
In Shakespeare's Othello there are three main trials that build the plot of the play. In each of these "trials", Iago though not always the judge tries to be the puppet master. He does this by focusing on each characters fatal flaw.
In the play the three main trails go as follows. First there is Othello's trial were he is being judged by the Duke and Brabantio regarding what happened with himself and Desdemona. The second and main trial is that of Othello judging Cassio, though it is not much of a trial per say because Othello is merely listening to what Iago has to say and does not even confront Cassio. The third and most dramatic trial is when at the end of the play Othello confronts Desdemona for the last time only to find out after he's killed her that Iago had been tricking him all along.
When the play begins we are given Iago and Rodrigo in the street outside of Brabantios window debating if they should tell him what they had heard about Othello and Desdemona. This is where the first trial begins. Iago tells Brabantio that he had been "robbed... of half his soul... by a black ram." (1.3.82-85) Iago bakes sure to word everything he says as best he can, stretching any small truth into a lie but one that would appear true, given the circumstances. In this case Iago says to Brabantio that Othello has kidnapped Desdemona and goes on exaggerated everything he says so that when Brabantio gives his testimony to the Duke It sounds a lot like Iago is speaking. When told to answer to this accusation that he has abused and stolen Desdemona from Brabantio all Othello can say is "that I have ta'en aw...
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...o confronts Desdemona while she is alone in her room. He asks Desdemona if there is anything she wants to tell him to try and get rid of her sins. He also says that this would be best for her because his mind is made up and she is going to die anyway. At this point Othello has convinced himself that what he is dong is fully justified because Desdemona will betray other men if he does not go through with it. Desdemona pleads for just one more day but he says that he just cannot grant this and that she must die now. Othello proceeds to suffocate Desdemona in her own pillow and though Othello hated to have to do it he at least feels that she can do no more harm but this all changes when everyone enters the room. After a few short dialogues Othello is informed that Iago had been lying the entire time and Othello proceeds to kill himself.
Film Analysis of Psycho When ‘Psycho’ was first screened in New York on 16th June 1960, it was
For this paper I chose to explore Alfred Hitchcock’s Psycho because it has remained the only horror movie I’ve seen to date. I went into a couple others but immediately left; let’s just say horror is not my favorite genre of film. People may or may not always call Psycho a horror film, it may be more of a thriller to people nowadays, but I still believe the correct genre analysis is horror because it should always refer to the genre at the time the film was created and released. I chose Psycho because I spent multiple weeks in high school studying Hitchcock, and Psycho specifically, so I feel comfortable writing on it. I also thoroughly enjoy the film, its backstory, and the character development. Plus, it’s been roughly adapted into one of my favorite shows: Bates Motel, which I will also briefly explore.
In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
...uinely sweet on her. When Desdemona asks Iago to distract her from worrying about Othello, who may be lost at sea, Iago obliges by plying his wit upon her. This particular conversation does not serve to further his plot by causing his good image to increase, as he praises people of ill-manner, nor does it set up a future situation. It is simply conversation. However, Iago recognizes his love will forever go unrequited even if Othello were to die, and so his passion turned bitter and he jealously decided that if he can’t have her, no one can. Goading Othello into blind jealousy, he also restrains the Moor with cautionary words- like holding back a rabid dog whilst prodding it with a stick, so that once released, there is no chance of the madness wearing off mid-bite. Iago wants to ensure that when Othello says, “I’ll tear her all to pieces” (3,3, 447), he really will.
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
The crucial moment in the play is the scene where Iago deceives Othello and induces him to fall. He does this by expanding the tactics used in prior scenes. Iago plants the seed of doubt in the Moor’s mind when he says, “Ha! I like that not “ (III, iii) as they came upon Cassio and Desdemona talking. He then retreats into a guise as “honest Iago” as he did in the brawl (II, ii). When he was the reluctant truth teller who must have unpleasant news dragged from him by a determined Othello.
In the end Othello kills Desdemona, and then realises that she was telling the truth all along, unable to deal with this he kills himself. Iago ends up murdering Emilia and tries to flee, but he is stopped by Lodovico and Montano. After that he is sentenced to death.
Newton was born in Woolsthorpe-by-Colsterworth, United Kingdom on January fourth, 1643. He was the only son of a prosperous local farmer, also named Isaac Newton, who died three months before he was born. A premature baby born tiny and weak, Newton was not expected to survive. When he was 3 years old, his mother, Hannah Ayscough Newton, remarried a minister, Barnabas Smith, and went to live with him, leaving Newton behind. The experience left an imprint on Newton, later manifesting itself as an acute sense of insecurity. He anxiously obsessed over his published work, defending its ideas with irrational behavior. Newt...
punishments must be proportional to the gravity of the crime, and that murder being the
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
death penalty though? The death penalty is a legal process where an individual is sentenced to
The tone of the story is tragic and serious. Meanwhile, there isn't any point of view because this is a play and a play doesn't normally have a narrator. Shakespeare lets the reader make up his/her own imagination with the characters' words and behavior. Since Othello is the protagonist, he is explained in more detail. Although Othello is a brave warrior, he is a jealous person; his jealousy also prevails over his good sense. The whole play depicts the fact that jealousy causes corruption. There are many conflicts found in Othello, and person vs. person is one of them. An example is when Iago seeks revenge against Othello and Cassio because of his anger and jealousy. Person vs. society appears when Desdemona's father Brabantio, disapproves her marriage to Othello because he is several years older than Desdemona, from a different class, and a different race. An internal conflict of person vs. himself is found when Othello is in a dilemma about whether or not should he believe that Desdemona is being unfaithful to him. Othello loves and trusts Desdemona until his jealousy is aroused by the cruel manipulations of Iago. Iago's intention was to persuade Othello to believe that Desdemona is having an affair with Cassio. As Iago succeeds in convincing Othello that Desdemona is guilty of adultery, it leads to the climax of the play. And so Othello must face emotions he can't deal with. His jealousy drives him insane, and his judgment is replaced with anger and hate. At this time, the reader notices that the death of Desdemona is inevitable. Othello smothers her, and he eventually kills himself when he knows that Iago falsely accused Desdemona. This also represents the tragedy of the play.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Othello, being the titular character, occupies fifteen positions in our fictional court, each one quite powerful. He brings the case against Desdemona, and he tries, sentences and executes her: thus he occupies the judge’s chair, wields Death’s scythe, and forms the jury, all the while seated to the judge’s right as the prosecution. Furthermore, despite being the main character, Othello is quite passive until the end, his character arc fully engineered by Iago. Therefore, his courtroom roles are largely inactive: the judge and jury see what they are shown by the counselors (Iago) and make their final judgement based off that. In the same manner, Iago is the character who drives the plot forward, more so than any other, with the counselors bearing the same responsibility in the courtroom. The relative positions of the characters also serve to illustrate this, with Iago being the central figure and Othellos lining the sides. Desdemona sits in one corner, an afterthought in the dynamic between these two
Psycho was a film unique to its era and had a lasting impression on cinematography. Psycho is considered the first “slasher” film and inspired the entire sub genre of horror. This film portrayed a level violence that