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Attitude towards women during the renaissance
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The Treasure of the City of Ladies by Christine de Pisan
Christine de Pisan’s book, The Treasure of the City of Ladies, explains in detail the various aspects of women’s lives during the late Medieval and Renaissance culture. She addresses all women of this time from those with power and authority to the poorest peasant women. Christine de Pisan focuses on three main areas of a women’s life during this time period. First she discusses the role of knowledge and education in the lives of the various women. Then she offers her advice to all the different women of varied backgrounds and social standards. She relates how all of these women are in fact connected due to common concerns. Finally, she depicts how men and women interact with one another. By describing the way in which women are treated by the men during this time, she portrays the typical relationship between men and women during Renaissance times. Women were expected to lead a very specific life, focusing on the men of their society.
Throughout Christine de Pisan’s book, she refers to the three ladies of Virtue: Reason, Rectitude, and Justice. These ladies are the foundations of her teachings. She uses them to explain the relationship between men and women and how they view one another.
The lady Prudence teaches all the women of that society about the “rules” they should follow in order to be good Renaissance women, specifically in their relations with men. “Now we would like to advance for their edification seven principal teachings, which according to Prudence are necessary to those who desire to live wisely and wish to have honour” (62). These teachings say that the women should love their husbands; they should live in peace with men. If they f...
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...d the chance to lead a respectable life according to the “rules” of the ladies of Virtue.
In the late Medieval and Renaissance time period, women had a strict standard to live up to. They should love their husbands, respect them, and obey their commands. The men in return fulfilled the women’s needs by supplying them with whatever they needed. The men and women lived with a mutual respect between themselves.
Works Cited
Author: Christine, de Pisan, ca. 1364-ca. 1431
Uniform Title: Livre des trois vertus. English
Title: The treasure of the city of ladies, or, The book of
the three virtues / Christine de Pisan ; translated
with an introduction by Sarah Lawson.
Published: Harmondsworth, Middlesex, England ; New York, N.Y.,
U.S.A. : Penguin, 1985.
ISBN: 014044453X (pbk.)
In the book, Giovanni and Lusanna, by Gene Bucker, he discusses the scandalous actions of a Florentine woman taking a wealthy high status man to court over the legality of their marriage. Published in 1988, the book explains the legal action taken for and against Lusanna and Giovanni, the social affects placed on both persons throughout their trial, and the roles of both men and women during the time. From the long and complicated trial, it can be inferred that women’s places within Florentine society were limited compared to their male counterparts and that women’s affairs should remain in the home. In this paper, I will examine the legal and societal place of women in Florentine society during the Renaissance. Here, I will argue that women were the “merchandise” of humanity and their main objective was to produce sons.
Christine De Pizan’s work in The Book of The City of Ladies pioneers a new genre of feminist literature that exposes a time period from the perspective of its female population. Due to this, De Pizan justifiably earns the title of a revolutionary author. However, to say that De Pizan revolutionized the conditions of women in the medieval ages and onward is an overstatement. In her book, De Pizan critiques sexist arguments in order to defend women against misogyny. The change that De Pizan presented in medieval culture was gradual because she was attempting to amend people’s perspectives on women rather than offer any institutional rectifications. She worked to establish that women can be just as mighty as men, and thus, they are not innately inferior. However, her goal was not to ensure that women have equal access to exercise and pursue their virtuous roles. Therefore, if observed
In Chrétien de Troyes' Ywain, women represent the moral virtue and arch of all mid-evil civilization. Women of this time had to be an object of love, which meant they had to have beauty, goodness, and be truthful. They had to be a representative of all chivalrous ideals. They also act as civilizing influences throughout the story. Women are put in the story to give men a reason for acting brave and noble. Men become knights in order to demonstrate to women that they are strong and capable of defending themselves against danger. This, they hope, will win the women's heart.
In the traditional political history of Italy the people outside of the ruling class of the society were rarely studied. Only with the use of social history did the issues of class and gender begin to be debated by scholars. Numerous recent articles have done a great job of analysing particularly men of high status. In this paper I will look at the lower classes of Renaissance Florence. More specifically, I will center my focus on the lives of women during this era, how they were treated and viewed by people of other classes and how women were viewed and treated by men.
During this time period women were not respected at all and were belittled by all med in their lives. Even though men don’t appreciate what women they still did as they were told. In particular, “Women have an astoundingly long list of responsibilities and duties – th...
Naivety as well as the longing to fit into society with a loving man and stable, well-to-do peasant family deceived an honorable woman. Bertrande de Rols’ young marriage had difficulties from the start. With the guidance from family, the Catholic Church and Basque customs, Bertrande attempted to follow the sixteenth-century expectations for women, but was misled by her own fear, loneliness and catastrophic past.
Baumgarten, Elisheva, Oxford Handbook of Women and Gender in Medieval Europe (New York: Oxford University Press, 2013)
Robin, Diana, Anne B. Larsen, and Carole Evans, eds. Encyclopedia of Women in the Renaissance: Italy, France and England. Santa Barbara: Abc Clio, 2007.
It is apparent as to how this notion that the women of the noble class led lives of fortune. Social parties and balls were common festivities, which these women regularly attended. For many, dancing was a favorite pastime. To an outsider, it seemed that a lady of the gentry class had nothing short of an enviable existence.
Within the domus, or home, women exerted their control over the rest of the individuals in the house. Women were seen as “the centers of power and authority in the household” because they knew how to handle certain situations that was not suitable for the males (Orsi 132). For example, mother “were the disciplinarians of the family, either meting out punishment themselves or instructing their husbands or older sons to administer it” (Orsi 133). The fact that the women told the men how to punish their children is quite interesting because the women were administering their control over the whole family. In today’s society, men will be the head figures who discipline their children because they are the head of the household. Another interesting role that the women played in the family was that they were the ones who “greeted their children’s dates and determined whether or not they were acceptable to the domus” (Orsi 133). Again, the women held the authority for deciding if another person was able to join the family or not. This description proves just how influential and how dominant the women were in the household. Compared to earlier, women now held all the power within the house. The issue was that these rights and privileges did not exist when it was applied to community events that were held in Italian
Cloud, Amanda. Gender Roles of Women in the Renaissance. n.d. Web. 7 Nov. 2009. < http://www2.cedarcrest.edu/academic/eng/lfletcher/shrew/acloud.htm >.
III. The Obedience of Women Introduction Not only are women expected to lead lives in which they depend on men to be happy and wealthy, but they are expected to do so with total obedience to the expectations of men. It is important to see how women react to the requests of men and how much freedom for thought and action they are allowed to have and what consequences occur when a woman disobeys what is asked of her. Cinderella In the Brothers Grimm, the first characterization of Cinderella is a description that “she was always good and said her prayers” (Grimm 122).
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
The first source, Christine de Pizan’s book ‘The Treasure of The City of Ladies’ contains a handful of sections on how differing demographics of women, elderly, young, property owning, should behave in order to cultivate a virtuous character and play the role of mediator between conflicting parties. It should be mentioned that this is definitely a prescriptive source, not an accurate portrayal of what was actually happening at the time, simply an ideal of what the author wanted to be happening and potentially observed. The document addresses women of middle and lower class in how they should be forging relations with both other women and men as a demographic. It has been contended that medieval shared “striking” similarities in experiences with class despite other cultural differences. Christine herself was a famous intellectual in the 13th c...
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?