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Faulkner's influence
William faulkner research essay
Faulkner's major works
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The rise and industrialization of the South began with the end of the Civil War. This aided in the transition from Old to New South, from a time of poverty and slave labor to a more progressive time. The decline of the Old South was often unaccepted and ignored by southerners as they tried to cling to their past ways. Faulkner highlights the cultural shift from Old to New South through character relationships and personalities in his short stories “A Rose for Emily,” “That Evening Sun,” and “Red Leaves.” The main character in William Faulkner’s story “A Rose for Emily,” Miss Emily, is a representation of the Old South. While she is still alive, the townspeople have a certain respect for her because she has been there so long; they do not feel a need to change what has always been. Nevertheless, once she dies what is left of her, such as her house, is a disgrace to the town. “Only Miss Emily’s house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps-an eyesore among eyesores... Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town” (Faulkner, “A Rose for Emily” 119). In the same way, the people of the South followed tradition in their lifestyles. The Southerners were brought up with certain ideas and actions engrained in their minds, and they did not realize the shame behind what they did. After the transition to New Southern ways, however, the Southerners easily saw the disgrace behind these traditions. The inability to leave the past behind is a reoccurring theme in both the South and in “A Rose for Emily.” “Drawing on the tradition of Gothic literature in America, particularly Southern Gothic, the story uses grotesque imagery an... ... middle of paper ... ...tory Criticism. By Jelena Krstovic. Vol. 92. Detroit: Gale, 2006. 86-93. Literature Criticism Online. Web. 31 Mar. 2010. Kazin, Alfred. “Old Boys, Mostly American: William Faulkner, The Short Stories.” Contemporaries (1962): 154-58. Rpt. in Short Story Criticism. Ed. Laurie Lanzen Harris and Sheila Fitzgerald. Vol. 1. Detroit: Gale, 1988. 161-2. Literature Criticism Online. Web. 31 Mar. 2010. Parker, Robert Dale. “Red Slippers and Cottonmouth Moccasins: White Anxieties in Faulkner’s Indian Stories.” Faulkner Journal 18.1-2 (2002-03): 81-99. Rpt. in Short Story Criticism. Ed. Jelena Kristovic. Vol. 92. Detroit: Gale, 2006. 136-46. Literature Criticism Online. Web. 31 Mar. 2010. "William Faulkner (1897-1962)." Short Story Criticism. Ed. Jelena Krstovic. Vol. 97. Detroit: Thomson Gale, 2007. 1-3. Literature Criticism Online. Gale. Hempfield High School. 31 March 2010.
-------. "The Mirror, the Lamp, and the Bed: Faulkner and the Modernists." American Literature 57 (1985): 23-43.
Padgett, John B. "MWP: William Faulkner (1897-1962)." The University of Mississippi. 11 Nov. 2008. Web. 1 Apr. 2011. .
16. James Hinkle and Robert McCoy, Reading Faulkner: The Unvanquished. (Jackson: University Press of Mississippi, 1995), 141.
Faulkner’s father and great grandfather could be described as the embodiment of Southern masculinity. The video “A Life on Paper” made it clear that the Faulkner men were “manly men.” The “Old Colonel” was remembered as a valiant war hero and a wonderful storyteller. William’s father continued perfectly in his footsteps. He had an intense work ethic and he served in the military. He provided for his family and he never turned down a good fight. Together they set the mold for the perfect Southern man, a role that William could never hope to fulfill.
The end of the American Civil War also signified the end of the Old South's era of greatness. The south is depicted in many stories of Faulkner as a region where "the reality and myth are difficult to separate"(Unger 54). Many southern people refused to accept that their conditions had changed, even though they had bitterly realized that the old days were gone. They kept and cherished the precious memories, and in a fatal and pathetic attempt to maintain the glory of the South people tend to cling to old values, customs, and the faded, but glorified representatives of the past. Miss Emily was one of those selected representatives. The people in the southern small-town, where the story takes place, put her on a throne instead of throwing her in jail where she actually belonged. The folks in town, unconsciously manipulated by their strong nostalgia, became the accomplices of the obscene and insane Miss Emily.
Pouillon, Jean. "Time and Destiny in Faulkner." Ed. Robert Penn Warren. Faulkner: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, Inc., 1966. 79-93.
Sullivan, John Jeremiah. "How William Faulkner Tackled Race — and Freed the South From Itself." The New York Times. The New York Times, 30 June 2012. Web. 08 May 2014. .
As a person one might find that we follow a specific routine on the day to day basis. Sudden changes to these routines feels weird and out of place. In William Faulkner’s “A Rose For Emily” based in a fictional town called Jefferson taking place during the twentieth century. The time period is indeed an important factor because southern tradition was above all of the highest importance. This short story gives the audience details of life during that time in which they followed the values of southern tradition and the importance to never stray away from those traditions. The context of the story is laced with subliminal messages of humanities resistance to change.
1. What type of narrative structure is Faulkner using here? Why does he “tell” the story this way? If you were the author, what would you do?
Growing up in Mississippi in the late Nineteenth Century and the early part of the Twentieth Century, young William Faulkner witnessed first hand the struggles his beloved South endured through their slow progression of rebuilding. These experiences helped to develop Faulkner’s writing style. “Faulkner deals almost exclusively with the Southern scene (with) the Civil War … always behind his work” (Warren 1310. His works however are not so much historical in nature but more like folk lore. This way Faulkner is not constrained to keep details accurate, instead he manipulate the story to share his on views leading the reader to conclude morals or lessons from his experience. Faulkner writes often and “sympathetically of the older order of the antebellum society. It was a society that valued honor, (and) was capable of heroic action” (Brooks 145) both traits Faulkner admired. These sympathetic views are revealed in the story “A Rose for Emily” with Miss Emily becoming a monument for the Antebellum South.
In Faulkner’s tale “A Rose for Emily” there are many historical elements throughout the story; Faulkner uses them to give an authentic feel to the story and to add to the setting. A recurring theme that I found was reference to the reconstruction of the South after the Civil War. The setting of the South after their demise in the Civil War adds character to the story and to the characters. The attitudes people had and the way people treated Emily with respect was a tradition of the “Old South” that is presented throughout this tale.
4. Strandberg, Victor. "William Faulkner: Overview." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. Literature Resource Center. Web. 4 Mar.
In William Faulkner’s A Rose for Emily, the author exemplifies the old south in the character of Emily Grierson. He uses the decay to show the south deteriorated after the Civil War. Emily represents the refusal of the old south to let go time-honored traditions and adapt to the changing culture. Even when Emily desperately makes an attempt to move forward, but devout traditionals hold her back.
Kinney, Arthur F. Faulkner’s Narrative Poetics Style as Vision. Amherst: University of Massachusetts Press, 1978
Vickery, Olga. The Novels of William Faulkner: A Critical Interpretation. Bear, Man, and God. Ed, Francis Lee Utley, Lynne Bloom, Arthur F. Kinney, New York (1964); 209-212.