Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Justice and injustice in Les Miserables
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Justice and injustice in Les Miserables
All humans have different morals that change based on their environment and circumstance. Jean Valjean, in the novel Les Miserables(1961), changes from someone with confused morals to a man with more morals than most whom with respect learns to love and share.
The protagonist’s transformation begins when the bishop recognizes Jean Valjean’s human soul that is capable of goodness. When he is put out into the streets, Valjean goes from place to place being rejected for being a convict until he meets the bishop who sees him as a common person, “That men saw his mask, but the bishop saw his face”(75). Even though people might be good, they don’t always see someone’s true soul. The bishop’s simple act of kindness and deeper understanding leads to Valjean living a better, more moral life, “From that moment we have seen, he was another man… It was more than a transformation-it was a transfiguration” (72). Since the bishop recognizes Valjean as an “another man” (72), he fulfils what he wants Valjean to become, a better more loving person.
When Valjean is given a chance to restart his lif...
Duality in O’Connor’s short story reveals the two aspects that humans and objects can have. O’Connor presents duality in the character Mr.Shiftlet by showing that he has similarities to the person of Christ. She also shows that he has certain traits that correspond to an anti-Christ. Duality is also shown in nature, by the use of nature in a good, optimistic way. Nature is also portrayed by O’Connor as destructive and bad. O’Connor puts specific details in her story that support the use of positive and negative nature and both of Mr.Shiftlet’s personalities. “The Life You Save May Be Your Own” is filled with double-sidedness.
Diction shows the difference in Meursault’s views and beliefs as he spends more and more time in prison, adapts to his new lifestyle, and understands the future of his life. Camus diction displays Meursault’s change toward growth in self-reflection, realization of the purposelessness of his life, and unimportance of time.
At the end of the novel, the narrator has finally recognized his own invisibility; therefore finally able to redesign himself completely into a person able make a change in society. His experiences will aid him in his fight for power and acceptance in society. The narrator’s previous choices had been those of people around him urging him to define himself based on their standards. By rising above the assigned definitions of himself, the narrator is able to gain a new insight and new persona on and ultimately recreate his fate.
In Joseph McElhaney's essay, “Vincente Minnelli: Images of Magic and Transformation,” he argues that character transformation is central to Minnelli’s films and that this transformation takes place in two ways: through the process of education in a world dominated by teachers of various types; and through a process of enchantment and seduction at the hands of artists. In Emmanuel Burdeau’s essay, “Minnelli’s Message,” he argues that throughout Minnelli a “dance of hesitation” occurs in which characters change their minds about something. Vincente Minnelli’s 1958 film, Some Came Running, addresses both of these arguments in the sequence when the main character, Dave Hirsh, deals with the hesitation of a woman he wishes to marry.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
Morals are developed from the moment we are born to the moment we die, and are cultivated by what we see, hear, and do within our lives, but more importantly by the people we meet. In the world there are all manner of things for us to bear witness to, whether it be the beauty of birth or the gritty horror that is war, in either case men and women are shaped and changed by these events whether it be good or bad. The greek philosopher Aristotle is quoted as saying, “And to say what makes good morals vs what are bad ones is completely based on self, for no two people have the same upbringing, class, or position in life, for how is a slave who has known nothing but the brutality of his/her master to understand under what morals, owned by their
Hugo’s social commentary focuses on three main concepts that he believes must be reformed in the French society: criminal justice, education and the treatment of women. By showing the unreasonable punishments both Valjean and Fantine shows how the social structure has turned innocent and good people into criminals.
...ment of himself as a man, as a provider of his family and most important of what he wants to be, which draws him to a completely discomfort of who he is and lost his mind in a parallel world where he is not afraid of the men in the portrait anymore and let himself been through his transformation and finally release in his death.
First off, is the element of forgiveness. In a book of mistrust, poverty, and hate…forgiveness thrives in the world of Les Miserables. The first example of this was at the very beginning, when Jean Valjean stayed with the bishop. Valjean stole his silver…and ran off. He ends up being caught by police, but when the police questioned the bishop, he claimed to have given the silver to Valjean. Jean was confused…and the bishop claimed that with the silver, he had purchased the convicts soul, and had given it to God, and from that day forward, Valjean must be a good man. Another example of forgiveness goes two ways. Javert, in his relentless pursuit of Valjean, is captured by revolutionaries. In reward for saving the lives of a few of these revolutionaries, Valjean asks for, and gets, permission to take Javert outside, and kill him. Once outside, a small monologue occurs…and Valjean releases Javert, and lets him go free. Valjean just wanted to be left alone in peace, and hoped this act of kindness would change Javert, and make him realize that Valjean was no longer the man he was. The second way…is that in the end, after Javert finally captures Valjean, he lets him go. Since Javert had broken the law… that he loved so dearly, he kills himself shortly thereafter, by jumping into a river.
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
His search for his lost and apostate teacher, Ferreira, takes him to a few villages where he serves as priest, witnessing the struggles of Christian peasants. He is eventually captured and kept in prison in an attempt to make him apostatise.
Rick Warren once said, “Transformation is a process, and as life happens, there are ups and downs. It’s a journey of discovery-there are moments on mountain tops and moments in deep valleys of despair” (Warren 1). When a person goes through his or her own transformation, many events and influences occur that effect who he or she will become in the end. Things like personal events, family, friends, current events, and achievements in that person’s life, play a major role in a person’s transformation. Transformations can either happen for the better or for the worse. The person at the beginning of their transformation may not always be the person they wanted to be in the end. However, when most people do undergo a complete transformation, it is often for the better for that individual. Kate Chopin underwent a complete transformation in her own life because of events that took place throughout her life, the time period in which she lived in, and her writing of the stories “The Awakening,” “Story of an Hour,” and “The Storm.”
Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion. The themes of this story are important to show the growth of the young boy into a man. Without alienation, he wouldn't have understand the complexity of his feelings and learned to accept faults. With transformation, he would have continued his boyish games and wouldn't be able to grow as a person and adolescence. And finally, without understanding the religious aspects of his life, he would go on pretending he is somebody that he's not. He wouldn't understand that there is inconsistency between the real and ideal life (Brooks et al.).
In this attempt to put the critics of religious morals to the acid test, Johnson begins with Rousseau, highlighting his self-centeredness, sexual perversity (“liked to be spanked” and was a public exhibitionist of his “bottom”), his ironic abandonment of his own children at birth, and his naive political status.
Efforts to engage Meursault in secular structures of meaning are equally futile. When Meursault's boss offers Meursault a position in Paris, he expects Meursault to embrace the opportunity for career advancement. Meursault, though, lacks all ambition and turns down the boss' offer without considering it. As a student, Meursault recalls, "I had lots of ambitions…But when I had to give up my studies I learned very quickly that none of it really mattered." When Marie asks Meursault whether he wants to marry her, she expects him to take the institution of marriage seriously. Yet Meursault is indifferent towards it, thinks "it didn't mean anything" to love a person, and agrees to marry Marie simply because she wants to marry him. Though he grows fond of her, he doesn't cultivate any attachment to her more meaningful than superficial attraction. Throughout his trial, Meursault is equally bemused by the meaninglessness of the justice system and finds its attempts to impose rational, meaningful structure on his actions ridiculous. He considers the guilty verdict he eventually receives entirely arbitrary, and describes its "certainty" as "arrogant."