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Paper about the depression of the great depression
Great depression history paper
Paper about the depression of the great depression
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The first seven chapters of Tobacco Road paint a picture of the life of impoverished families in the American South between the 1920s and 1940s. Specifically, the story focuses on a family, the Lesters, and their struggle to establish a means of survival. The narrative also highlights the life of a coal miner, Lov Bensey, who is married to the Lesters’ youngest daughter. There are couple of overlying themes found in the first seven chapters, including: desperation, a lack of self control, and distrust. “Women ain’t good for nothing but to marry and work for men, and when one of them has that kind of thing on her, there ain’t no man I ever heard of who’s going to use her” (Caldwell 36). This statement was made by Ada Lester in reference to …show more content…
For example, Lov decided to reach out for his father-in-law’s help when struggling in his relationship with Pearl. Lov had become so desperate for Pearl to sleep in his bed that he went as far as consider “taking some plow-lines and tying Pearl in the bed at night” (Caldwell 4). Similarly, Jeeter and his family acted out in desperation when they worked together to steal Lov’s turnips. The family’s grave need for food drove them to steal from Lov; therefore, they had fallen into to such a state of depravity and desperation that they acted unethically as that was the only means of survival available to them. Lastly, Jeeter’s older children all acted out of desperation when they left home in order to better their lives. This can be seen in Ada’s statement: “Even the children has got more sense than you has-- didn’t they go off and work in the mills as soon as they was big enough? They had better sense than to sit here and wait for you to put food in their empty, mouths and bellies” (Caldwell 41). In short, desperation for any improvement in their lifestyle was the major motivating factor in the decision-making process of the
What would one expect to be the sentiment of a young women who worked in the Lowell textile mills? It is just such a depressing story; and the sad heroines are the young women of Lowell - Lucy Larcom- who Stephen Yafa portrays in his excerpt “Camelot on the Merrimack.” A perception through the eyes of a thirteen-year-old Lucy Larcom reveals that, “For her and the other young girls, the long and tedious hours they spent tending to demanding machines robbed them of their childhood.” The imagery in “Camelot on the Merrimack,” from Big Cotton by Stephen H. Yafa disclose the working conditions in those sordid mills.
Taylor only had two goals in her life at the start of this book and these were to not get pregnant and leave Pittman, Kentucky one day. She fulfills one of these by leaving the only home she has ever known and drives west with little money and no real plan on what she is going to do. Taylor is determined to avoid being tied down. She says, “I knew the scenery of Greenup Road, which we called Steam-It-Up-Road, and I knew what a pecker looked like, and none of these sights had so far inspired me to get hogtied to a future as a tobacco farmer's wife" (3). She is filled with ambition and drive. Taylor wants more than what Pittman offers. Taylor leaving Kentucky is showin...
A young 12-year-old boy by the name of Aaron Kurlander faced many hardships when he was left to fend for himself while his family was separated from him in the 1930’s depression era in St. Louis at the Empire hotel. Aaron uses his imagination and sense of reality to survive and he never seems to let his spirits sink. While Aaron was left to fend for himself, his father seems to think he had good reasons for the families absences; Aaron’s brother Sullivan was shipped off to go live with relatives, his mother (Mrs. Kurlander) admitted to a sanitarium for tuberculosis, and his father (Mr. Eric Kurlander) who was a door-to-door sales man who sold wickless candles left town to travel for a watch
People come to being on the road for countless reasons and though there is no real certainty on the road, there are two things that are certain, the road stands in opposition to home and your race and ethnicity plays a major role on the trajectory and the way others treat you on the journey. African Americans have an especially strong connection to road narratives. This is because, from the beginning, the race’s presence in America was brought by forcing them on to the road against their will. It is for this reason that there are countless narratives, fictional and non-fictional, of black peoples on the road. For Birdie Lee, a literary character, the beginning of the road marks the end of her comfortable home life and the beginning of her racial
George Saunders, a writer with a particular inclination in modern America, carefully depicts the newly-emerged working class of America and its poor living condition in his literary works. By blending fact with fiction, Saunders intentionally chooses to expose the working class’s hardship, which greatly caused by poverty and illiteracy, through a satirical approach to criticize realistic contemporary situations. In his short story “Sea Oak,” the narrator Thomas who works at a strip club and his elder aunt Bernie who works at Drugtown for minimum are the only two contributors to their impoverished family. Thus, this family of six, including two babies, is only capable to afford a ragged house at Sea Oak,
In many of Faulkner’s stories, he tells about an imaginary county in Mississippi named Yoknapatawpha. He uses this county as the setting for his story “Barn Burning” and it is also thought that the town of Jefferson from “A Rose for Emily” is located in Yoknapatawpha County. The story of a boy’s struggle between being loyal to his family or to his community makes “Barn Burning” exciting and dramatic, but a sense of awkwardness and unpleasantness arrives from the story of how the fictional town of Jefferson discovers that its long time resident, Emily Grierson, has been sleeping with the corpse of her long-dead friend with whom she has had a relationship with.
The story is told through the eyes of seven year old Luke Chandler. Luke lives with his parents and grandparents on their rented farmland in the lowlands of Arkansas. It takes place during the harvest season for cotton in 1952. Like other cotton growers, these were hard times for the Chandlers. Their simple lives reached their zenith each year with the task of picking cotton. It’s more than any family can complete by themselves. In order to harvest the crops and get paid, the Chandlers must find cotton pickers to help get the crops to the cotton gin. In order to persevere, they must depend on others. They find two sets of migrant farm workers to assist them with their efforts: the Mexicans, and the Spruills - a family from the Arkansas hills that pick cotton for others each year. In reading the book, the reader learns quickly that l...
On the Road by Jack Kerouac, author during the Beats’ generation, is largely considered a novel that defined a generation. Despite this consideration, however, there are very many controversies linked to this book. Though many call the novel offensive, unexciting, and poorly written, Kerouac deserves the entirety of the acclamations he has received over the years as the result of his roman á clef. Along with literary classics such as The Great Gatsby, The Catcher in the Rye, To Kill a Mockingbird, and The Grapes of Wrath; On the Road has historically been challenged and even banned in classroom settings. If a novel is challenged, that means it has a message that breaks the status quo and pushes the boundaries of literature. On the Road objects stigmas about casual sex, the drug culture, poverty, capitalism and what it meant to be living in 1960’s America.
The Valley of Ash, the least described region of the book, is an impoverished region connecting the prosperous, the wealthy New York City and the wealthier Long Island. The neighborhood is a “dismal scene” (23), which Nick Caraway is forced to view every time he rides the train into the city. The name valley of ash is an informal name deriving from the sheer quantity of ash, littering the city. Ashes cover and define everything in the city: the “ridges and hills and grotesque gardens”, the “houses and chimneys”, and the “men”. Similarly, the residents of the valley are hardly characterized by Caraway, because he cannot understand them. The smoke “obscures” and “obfuscates” the actions of these men both literally and figurative: a rich man like Caraway cannot understand the pure and intolerable poverty. The residents of the valley are plain and not very interesting. Most predominately featured ...
Thirdly, the setting of the story is set in Salinas, California. Ironically, the author was born in Salinas. It is the time of the Great Depression and middle-class has been hit hard. The story begins in Weed, a California mining town.
Faulkner uses the view point of an unnamed town member while he uses a third person perspective to show the general corrosion of the southern town’s people.
Faulkner portrays the townspeople and Emily in the southern town of Jefferson during the late 1800's to early 1900's. The town is more than just the setting in the story; it takes on its own characterization alongside Emily the main character. It is the main reasoning behind Emily's attitude and actions. It gives the reader an easier understanding into why Emily makes the decisions she does as the story unwinds.
Sal Paradise, main character of the book On the Road by Jack Kerouac, is a young writer living the American dream in the 1950s. Sal and his friends, all mad writers (especially Dean Moriarty that he considers as his hero), are hitchhiking from the east coast and driving back to the west coast during summer. They arrange their plans to meet up with each other in different cities of America. At the end of the book, they will even drive down to Mexico. During their journey on the road, alcohol, drugs, music and sex are highly represented. Also, it is common for them to “knock up” women and leave them to hit the road in search for other women, to whom they make promises to come visit them again to get married, knowing they will not be able to fulfil their promises.
Growing up in Mississippi in the late Nineteenth Century and the early part of the Twentieth Century, young William Faulkner witnessed first hand the struggles his beloved South endured through their slow progression of rebuilding. These experiences helped to develop Faulkner’s writing style. “Faulkner deals almost exclusively with the Southern scene (with) the Civil War … always behind his work” (Warren 1310. His works however are not so much historical in nature but more like folk lore. This way Faulkner is not constrained to keep details accurate, instead he manipulate the story to share his on views leading the reader to conclude morals or lessons from his experience. Faulkner writes often and “sympathetically of the older order of the antebellum society. It was a society that valued honor, (and) was capable of heroic action” (Brooks 145) both traits Faulkner admired. These sympathetic views are revealed in the story “A Rose for Emily” with Miss Emily becoming a monument for the Antebellum South.
Filled with a plethora of themes and convictions, Cormac McCarthy’s No Country for Old Men excels in its endeavor to maintain the reader’s mind racing from cover to cover. The setting is the Texas-Mexico boarder; the story embodying a modernized western-themed Greek tragedy filled with drug runners and automatic weapons. Llewelyn Moss, a Vietnam veteran, finds himself on the run from forces that seem to be an instrument of karmic consequence. While on the run, Llewelyn is given the opportunity to end the madness that has arisen so immediately in his life. But he doesn’t. Instead he braves on, defying his own advice, and persistent on luck, only leaving him a misfortunate ending. To fully recognize the circumstance the novel surrounds itself in the reader must digress into the thoughts of the town’s Sheriff, an old vet just like Llewelyn, named Ed Tom Bell. From there and with a deep analysis of Llewelyn Moss, McCarthy succors light to why such an assessment was made amongst the lawless violence that has entered this town.