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Film and gender roles
Cultural view of whale rider
Film and gender roles
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The breaking of tradition usually results in a family falling apart, but sometimes families become closer. The film, Whale Rider, opens with a woman giving birth to twins. Sadly the mother and one twins die during childbirth. The grandfather, Koro, wanted a male gandson to become the next chief of the village. Tradition states that the first born son becomes the next chief but Koro’s first son does not want to become chief, the the next best thing is his grandson. However, the twin that died was male and the female twin survived. The female twin, Paikea, when she gets older, fights the tradition of a male chief, and eventually becomes chief. This idea of breaking tradition almost tears her family apart. Koro is a firm believer in traditional …show more content…
When Koro is working on his boat engine, him and Pai talk. He talks about how the ignition rope represents the ancestors and how the individual strands are strong when they are tied together, like how when the people are united they are strong. The rope breaks, when Koro tries to start the engine, but Pai fixes the rope, symbolizing her right to lead the people. When Koro sees that Pai fixed the rope, he yells at her saying what she has done is dangerous. Later on in the movie a similar even happens. When the villagers are trying to save the beached whales, that Pai called for when was chanting to the ancestors. Koro tries to pull the biggest whale’s tail with a tractor while the villagers push the it, to turn the whale around. They fail because Koro was forcing the whale to go back. Also he does not allow Pai to help, because he blames her for all the bad things that have happened to the village. The whale recognizes Pai had the right to lead and that Koro was doing things the wrong way, therefore the whale rejects the rope used by Koro, and accepted the “rope” used by Pai. From Pai trying to help and doing some good, like fixing the rope, Koro is prideful and does not accept her help, he breaks her heart and in turn will break his when Pai almost dies, when she saves the
Rountree starts the book by "setting the scene," she introduces the Indians and attempts to explain the complexities of the Powhatan society. This may be the hardest part of the book for most readers to follow, because the system of leadership and the leadership line is quite complicated. It is explained the Powhatan, the king of the Powhatan people, ascended to the throne through a matrilineal system, Powhatan being his mothers oldest son would rule first, then his next brother and so on. Once his mother had no more sons to rule leadership would be passed on to the son of his mothers eldest daughter, and so on. This system, while difficult to understand is easily justified; a man could possibly have two children at the same instant but no matter what a woman can only have one child at a time.
In “The Boat” by Alistair MacLeod, the mother shows the importance of tradition to her, which has been cemented in her since youth. Throughout the piece, the reader realizes that the mother comes from a large traditional family of fisherman, which in effect the mother’s most defining characteristic was that she “was of the sea, as were all her people, and her horizons were the very literal ones she scanned with her dark and fearless eyes”. Tradition and her inherited family values shaped her personality that was shown throughout the piece, such as her diligence during her husband’s fishing excursions to her stubbornness throughout the family’s hardships. In a sense, a large part of her identity came directly from her traditions, which she felt
Antigone, a play written by Sophocles, and Whale Rider directed by Niki Caro are stories that taking place in different eras and location but are very similar in storylines. The text Antigone and share a similar storyline and even share major themes. Both are about a young girl whose brother dies and she tries to uphold tradition but is constrained by her gender.
*Paragraph Break*"Indian Camp" opens with an all-male convoy of rowboats heading across the lake, with young Nick, his doctor father and his Uncle George off to see an "Indian lady [who is] very sick." As they disembark on the other side and follow a young Indian bearing a lantern to the camp where childbirth is taking place, the men's guiding interest is not in the mother-to-be as a person, but in her physiology as a case study. When they find her screaming in bed, Nick's father dehumanizes her by saying: "[Her] screams are not important. I don't hear them because they are not important."
Family therapy is often needed when families go through transitions such as separations between parents and divorce. According to research, “the power of family therapy derives from bringing parents and children together to transform their interactions” (Nichols, & Davis, p.18), as problems need to be addressed at their source. The children who are the most vulnerable, when parents decide to separate, exhibit symptoms which are exaggerations of their parent’s problems (Nichols, & Davis, p.18). Frank and Walt Berkman are the examples of how children cope and adapt to the stressors of family separations such as marital separations and
“…animals, plants and even “inert” entities such as stones and rivers are perceived as being articulate and at times intelligible subjects, able to communicate and interact with humans for good or ill. In addition to human language, there is also the language of birds, the wind, earthworms, wolves and waterfalls – a world of autonomous speakers whose intents (especially for hunter-gatherer peoples) one ignores at one’s peril” (Manes 15).
During the time in the 1950’s, the escalation of mass media with the use of television shows had greatly emphasized the idealist family standards: a white nuclear family standard of living within conventional gender roles that stresses on family hierarchy that became a societal norm as a “perfect family” today. In Gary Soto’s “Looking for Work” and Roger Jack’s “An Indian Story”, bother short stories contest against familial customs. Soto describes how the media shapes the idea of a “family” to the young narrator that inspires him to push his family and himself to assimilate into the while culture. Roger conveys a story of a young Indian boy defying against both his Indian and familial ethics. Together, these stories share a common theme. Both
Religion and tradition are two ways that families come together. However in Norman Maclean’s novella, A River Runs Through It, the Maclean family’s devotion to their Presbyterian religion and their tradition of fly-fishing is what undeniably brought the family together. Under the father’s strict Presbyterian values, his sons, Norman and Paul used fly-fishing as the link that brought them closer together and helped them bond with their father on a different level. The family’s hobby of fly-fishing was started just for fun. It was a sport that was taken up every Sunday after church to take their minds off of the worries in life. After a while, going fly-fishing every Sunday turned into a tradition and soon a learning experience for the father and his two sons. The sport brought the men of the family together and it was an activity that gave them structure in their lives. It was used as a guideline as to how to handle different situations and how to let go of the worries of life for a day and just relax. It is clear to say that fishing has a big meaning to the member of the Maclean family, but fishing held a meaning to each person in that family.
Showboat is a 1936 musical film inspired by the musical play by Jerome Kern and Oscar Hammerstein II. The film mostly focuses on two of the main characters, Magnolia Hawks and Julie LaVerne. Julie and Magnolia are traveling on Magnolia’s parents’ showboat, the Cotton Palace, which travels the Mississippi River performing shows. Julie and her husband are the leading acts in the shows. During the film, there are two parallel plots happening between Magnolia and Julie. Magnolia falls in love with a gambler, Gaylord Ravenal, who she eventually marries. However, after giving birth to her daughter, Gaylord leaves Magnolia under the pretense that he has ruined her life due to his losses in gambling. Nevertheless, their plot ends in a happy ending
When she is born, Koro immediately tells Nanny Flowers to “Take her away,” as because of her gender, she has no used to him, as he wished her to be a leader, yet could not let go of the tradition of a male leader. When Pohorangi tells him that her name is Paikea, Koro says "No, not that name." as Paikea was the name of a male leader of their tribe. There are many close-ups of Pai with whale tooth, which Koro states will only be obtained by the new rightful leader of their tribe, yet he still refuses to accept Pai being their leader, even though it has been made clear that she is destined to become their new leader. This helps the viewers to appreciate how hard Pai has worked throughout the film, yet Koro still refuses to accept the part that she must play as the tribe leader.
“… building a tank the size of Rhode Island wouldn’t be large enough for a six-ton male killer whale such as Tilikum, an animal capable of swimming 100 miles a day,” states an anonymous whale expert. Whales have been in captivity since 1861 when P.T. Barnum displayed the first live whale that was captured in Canada. However, Barnum had no idea how to care for the mammal and it died after only a week in captivity. (Animal Legal and Historical Center, 2014) Being up close with killer whales could give us some clues about how they interact with each other, including physical behavior, their dialect, and how their pods work together as a family unit. However, what we are finding is that whales who belong in the wild are suffering in captivity. Killer whales have no record of ever harming a human being in the wild. In captivity, there have been many incidents of killer whales harming or even killing their trainers. What would cause them to do this in captivity, but not in the wild? They have been known to resort to aggression toward themselves and each other, in what scientist believe to be a stress induced behavior. (Animal Legal and Historical Center, 2014) Evidence against having these wild animals in captivity is increasing and we need reevaluate the value of capturing and holding killer whales for our educational purposes, enjoyment, and profit.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Tayo’s aunt (Auntie) is the personification of the Pueblo culture’s staunch opposition to change. She is bound to her life and the people around her; more so because of the various “disgraces” brought upon her family by her nephew Tayo being a “half-breed”, her brother Josiah’s love af...
master at his art and he keeps practicing it in order to better himself. The
The book “In the Heart of the Sea: The Tragedy of the Whaleship Essex” by Nathaniel Philbrick is tragic, eyes widening and heart wrenching where all the morals and ethics are gravely subjected to situation and questioned when it comes to survival. What they must do for survival? How man love their lives and no matter what strikes upon them, holler from behind, ambush their morale, yet they want to keep going just for the sake of living. The book is epitome of such a situation that encounters survival over morality. However, in the thrust of knowledge and oceans of secrets locked inside the chambers of this world, there is a heavy price men have to pay in the ordeal of yearning for knowledge.