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“Some of the kids at school thought she was weird, but she didn’t care a bit.” (28) This is how David Shannon describes his character Camilla
Cream at the end of the book A Bad Case of Stripes, but that wasn’t always the case for Camilla Cream. In fact, at the beginning of this book,
Camilla fears being different and even denies eating her favorite food, lima beans, in order to fit in. It takes a bad case of stripes, cured only by being true to herself and her love of lima beans, to teach her not to care that others might find her weird. This story of Camilla Cream creatively demonstrates that a person should be who he or she wants to be despite what others might think.
Camilla’s stripes demonstrate this theme by representing her concern for what others think about her. As Camilla tries on outfit after outfit to try to be perfect for the first day of school, the author reveals that Camilla never eats lima beans, even though she loves them, just because she wants to fit in with her friends who hate them. “Camilla was always worried about what people thought about her,” ...
In “Confetti Girl”, the narrator disagrees with her father and questions how much he cares about her and in “Tortilla Girl”, the narrator questions if her mother was taking her into account of her new plans. Tension is shown to be caused in the stories “Confetti Girl” and “Tortilla Sun” due to the parent and narrator not having the same point of view. In this story, a young girl named Izzy lives alone with her mother. One day, the mother surprises her by explaining that she is going to Costa Rica to do some research, and that Izzy is going to her grandmother’s house while she is away.
The Outsiders identified the 60’s, often there would be violence between groups and often involving a group’s social class. For instance, the tensions between the Socs and Greasers is violent, and this will lead to Bob’s death, Johnny’s death, as well as many injuries throughout both gangs. The book The Outsiders is written by S.E. Hinton and is portrayed through the eyes of a high school student in Tulsa, OK where S.E. Hinton grew up. Hinton began writing The Outsiders in 1965 at the age of 17 and the book was finally published in 1967 when she was 19. The difference in perspective upon the society and social class creates issues throughout The Outsiders and they assume the problems will be solved with violence,
”Because most people identify as separate from other people, they have what we call some "concept" of themselves. Self-concept refers to how people “think about, evaluate, or perceive” themselves.” Self-concept can be split into categories that make people who they are. Throughout “The Outsiders”, Ponyboy the protagonist, describes his brother and his friends in relation to him, giving insight on what makes each of them who they are. After reading an article on this topic “Self-Concept “by Saul McLeod (1), and reading chapters 1-3 of the novel “The Outsiders” (2). One can see the major reasons that make people who they are: self-image and self-esteem/self-worth.
Summary: how it feels to be colored me In ‘How it feels to be colored me’ Neale Hurston opens up to her pride and identity as an African-American. Hurston uses a wide variety of imagery, diction using figurative language freely with metaphors. Her tone is bordering controversial using local lingo. Hurston begins the essay in her birth town: Eatonville, Florida; an exclusively Negro town where whites were a rarity, only occasionally passing by as a tourist.
The essay How You See Yourself by Nicholas Mirzoeff discusses the evolution of art. The author discusses the use of art to represent changing identities over the years including cultural practices and societal expectations. The selfie, according to Nicholas Mirzoeff’s essay, is the equivalent of a self-portrait in the previous centuries preceding the technological development required for the present day selfie. The essay explores the different periods and the significance of art, particularly self-portraits, the selfies of the time, and their development over time. The author focuses on different themes including heroism, gender definition, and the focus of an image. Mirzoeff effectively provides examples illustrating and reinforcing the themes he highlights in his essay.
Claudia MacTeer in Toni Morrison's The Bluest Eye looks longingly upon society from the outside. Growing up the youngest in the family as well as in a racial minority leaves Claudia feeling excluded and left out. She desires a place within the group society has formed without her. She desires to fit in and be accepted. Claudia desperately wants to experience life to the fullest. She does not want to miss out on any event. Claudia's curiosity is often her conscious motivation to get involved, but the reasons that she acts the way she does go deeper than that. Her personality and character traits make fitting in unfortunately hard to accomplish.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
In Sophocles' Oedipus as well as Sir Gawain and the Green Knight, the main character embarks on a journey to self-discovery, ultimately gaining the knowledge of his own flaws. Yet the differences in their failings cause the two characters to have very different endings. After Oedipus learns of his true identity, he realizes that he has cursed himself with his arrogance and pride, and the play ends tragically. Sir Gawain, on the other hand, has good reason for his mistakes as he simply fears for his own life and his story ends on a lighter note. While self-discovery can humble a character, the nature of his flaws ultimately determine his end.
In "The Yellow Wallpaper", a story by Charlotte Perkins Gilman, the conflict centers around the protagonist's inability to maintain her sanity in a society that does not recognize her as an individual. Her husband and brother both exert their own will over hers, forcing her to conform to their pre-set impression an appropriate code of behavior for a sick woman. She has been given a "schedule prescription for each hour in the day; [John] takes all care from me" (155). This code of behavior involves virtually no exertion of her own free-will. Rather, she is expected to passively accept the fact that her own ideas are mere fancy, and only the opinions of the men in her life can be trusted. She is expected to take their own uninformed opinions on her mental state over her own. While "Wallpaper" presents a powerful argument in favor of the feminist movement, the true issue behind the conflict is even more fundamental: the resiliency of human will in the face of social negation.
Balls, formal dinners, and social gatherings dominate people’s view of the nineteenth century. Upper-class women lived a life of splendor and grandeur, and the white, gentle hands of those women hardly lifted to do any work. Most would strive to attain such a life because of its outward appearance; however, masked behind the smiles and parties, suppression ran high. Men dominated their households, and they repressed their wives. Life did not live up to the expectation of many women as they struggled against the controlling and authoritative male figures in their lives.
In Toni Morrison's The Bluest Eye, published in 1970, the struggle begins in childhood. Two young black girls -- Claudia and Pecola -- illuminate the combined power of externally imposed gender and racial definitions where the black female must not only deal with the black male's female but must contend with the white male's and the white female's black female, a double gender and racial bind. All the male definitions that applied to the white male's female apply, in intensified form, to the black male's, white male's and white female's black female. In addition, where the white male and female are represented as beautiful, the black female is the inverse -- ugly.
Women have struggled for decades to carve out their place in society, but before they could do that they were tasked with standing their ground in their own marriages. Charlotte Perkins Gilman is a journalist, feminist and women’s rights activist who used her writing to shed light on women’s unequal status in the institution of marriage. In Gilman’s time it was a social norm that women were concerned only with the domestic trappings of the marriage, while the husband took the active role. In Gilman’s most famous short story “The Yellow Wallpaper”, Gilman uses a captivating plot, the symbolism of some frustrating wallpaper, and an overall theme of the importance of self expression to articulate the sometimes harmful aspects of a woman’s place
Individualism is defined as many different things, but one definition of individualism became very popular in the early 19th century especially in many of the literary works of the time period: the pursuit of individual rather than common or collective interests. This new idea was expressed by many early American authors in their writings.
As citizens of the contemporary world, we apt to regard ourselves as unique and nonpareil individuals. We regard our personal identity as something to which we alone have privileged access and in which we are especially entitled to speak. We, citizens of the free world, think of ourselves as singular beings, who are capable of self-knowledge and who can differentiate between the authentic self and the unauthentic self. So therefore with this self-knowledge, we tend to project our own belief onto the less fortunate. In The Bluest Eye by Toni Morrison, one of the main characters, Pecola Breedlove wants blue eyes. In the 21st century, this is possible, but in 1941, the dream was not feasible. Pecola bought into the conviction that a person who has blond hair and blue eyes can achieve success because of their appearance.