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Essays on ownership
Essays on ownership
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What would it feel like to be treated as an interchangeable piece of property? In The Reeve’s Tale there is no way to escape the undeniable theme of ownership. There are many situations in the tale that strips the two female characters of their identity. Symkyn’s wife and daughter, Malyne, lack their own voice making it easy for them to become victims of the patriarchal ideology, that females have to be obedient and subordinate. In The Reeve’s Tale, ownership is used to objectify the two female characters by forcing them to be viewed as property instead of human beings. Malyne and her mother are subjected to many forms of mistreatment by the men in this tale further proving how powerless they are when seen as something owned. In their assumed, …show more content…
Symkyn makes it perfectly clear that he makes the decisions pertaining to his spouse, “For Symkyn wolde no wyf, as he sayde, / But she were wel ynorissed and a mayde” (3947-3948). Symkyn wants to control every aspect of his wife: mind, body, and soul. Therefore, he does not marry a woman who is tarnished, neither intellectually or physically, ensuring his wife is his in every way. In this ownership through marriage, Symkyn inherits the social status of his wife’s family which pleases him, “A wyf he hadde, ycomen of noble kyn; / The person of the toun hir fader was. / … / For that Symkyn sholde in his blood allye” (3942-3945). Her lineage is equally as important to Symkyn as her intelligence and purity. These qualities are easily dominated and owned by Symkyn since his wife is without a voice. If he wants to maintain the patriarchal image, his wife must be kept under control which may be why she is not given a name. By leaving the wife nameless it prevents her from gaining a personal identity, making it clear that the only role she has is to be Symkyn’s wife. This act of ownership does more harm than
As women, there has always been an issue with equality between themselves and men. Even though there has been a significant amount of progress in the United States throughout the years, there are women that still suffer with equal rights around the world. In A Doll’s House by Henrik Ibsen, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, and “Hills Like White Elephants” by Ernest Hemingway, there are many aspects throughout them that relate to each other in numerous ways. The main theme between them is the way woman are treated and how they appear to be less equal of the men in their lives. Even though men are presumed to be the more dominate gender, women should be just as equal socially, financially, and academically, and not feel pressured by men. For the women and girl in A Doll’s House, “Where Are You Going, Where Have You Been?”, and “Hills Like White Elephants”, they suffer with the idea of feeling compelled to do what the men say and follow his direction of how their life should be.
Before we begin to answer who was more sympathetically depicted in the story or whether it seemed to be at all important to the plot or overall meaning, let’s take a look at the gender relations within the story. Specifically, the depiction of women within the story.
We come to scene which is most important when talking about dependency on male counterparts. Evey is caught in the act of prostitution by fingermens who then decide to do whatever they want with her and even kill her but that’s when V a character from V for Vendetta comes to rescue Evey as a damsel in distress (Moore and Lloyd 6). This shows how Evey’s character is defenseless and couldn’t take on a masculine role and is instead waiting for someone in a masculine role to come and save her. By showing that scene Moore and Lloyd have separated male from a female according to their bodies and their representation of masculine and feminine. In an article about gender stereotyping and under-representation of female character in children’s picture
...ve been suffering mental abuse by their husband. This play presents the voice of feminism and tries to illustrate that the power of women is slightly different, but can be strong enough to influence the male dominated society. Although all women are being oppressed in the patriarchal society at that time, Glaspell uses this play as a feminist glory in a witty way to win over men. Mrs. Hale and Mrs. Peters solve the crime by reflecting on Minnie Wright’s unhappy marriage that leads her to murdering. Using the relationship between female and male characters throughout the play, Glaspell speaks up to emphasize how the patriarchal society underestimated women’s rights and restricted women’s desires.
In all three stories women are represented in a tragic, pitiful light. In a society, those today supports women's abilities to be independent and live their lives as they chose once lived subordinate, dependent women. Stories such as these have helped to shape the present day's understanding of women's place in society.
In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70) For instance, Elizabeth is given to Victor as a gift without any consideration for her feelings. As a result, Victor has the power to “protect, love and cherish” (Pg. 21) Elizabeth or neglect and isolate her. As well, Elizabeth’s main role in this novel is to comfort and alleviate Victor’s feeling of guilt and sadness. She is always there for Victor as a source of comfort. In contrast, Victor leaves Elizabeth to explore his passions. For instance, after Victor goes to university, he doesn’t come back for two years. During this time, he expects Elizabeth to wait for him as if she was his property. Moreover, Elizabeth is not the only female character who is under Victor’s control. In fact, Victor presents the female monster to the creature as a bargaini...
Before focusing on the most extreme example of male ownership that is Almasy’s ownership of Katharine, I want to first exa...
A daughter’s first love is usually her father, an observation Shakespeare heavily relied on as he wrote many of his plays. He successfully mastered the art of explaining the traditional Elizabethan marriage ritual as well as the importance of father-daughter relationships. Although, as Lynda E. Boose author of “The Father and the Bride in Shakespeare” explains, Shakespeare’s creation of many father-daughter relationships and wedding rituals in his plays were not always successful and some tended to distort or make fun of the expectations held by Elizabethan society, especially in the case of Romeo and Juliet where her wedding scene to Romeo violates all aspects of the traditional marriage ceremony.
Geoffrey Chaucer is, to this day, one of the most famous Middle-English writers. His view of corrupt societies and how things "may not always be as they seem" was incredibly accurate and has even carried over its accuracy into the modern era. His writings are highly controversial and bring out the faults in the most conservative aspects of society—especially when it comes to sexism and the church. In The Canterbury Tales, by Geoffrey Chaucer, he speaks about 31 people going on a pilgrimage. The entire selection is heavily weighted and based on one key thing, which is how it is structured. The entire story is split up into sections which entails many to call it a "story within a story." Better yet, it is more accurately described as stories
“The noble knight slays the dragon and rescues the fair maiden…and they live happily ever after.” This seemingly cliché finale encompasses all the ideals of courtly love, which began in the Medieval Period and still exists today. While these ideals were prevalent in medieval society, they still existed with much controversy. Geoffrey Chaucer, a poet of the period, comments on courtly love in his work The Canterbury Tales. Through the use of satiric elements and skilled mockery, Chaucer creates a work that not only brought courtly love to the forefront of medieval society but also introduced feministic ideals to the medieval society. At times, Chaucer even makes readers question his beliefs by presenting contrasting elements of principle in The Knight’s Tale and The Wife of Bath’s Tale, both tales told in his profound, multifaceted The Canterbury Tales.
Most women, especially in the seventeenth-century, are not given the right to choose their own destiny. Women are expected to serve for others, whether it is a husband, or owner, and not to have real fulfilling, genuine roles in the world. This restrain against women detains them from living the independent and free life that everyone deserves. In the novel, A Mercy, by Toni Morrison, the main female characters, Rebekka, Florens, Lina, and Sorrow, are victims of a controlled lifestyle, and are forced to live in a world that is shaped for them. Toni Morrison reveals the inferior, degraded, and vulnerable role of women during the late-seventeenth-century.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
During the Middle Ages using the method of courtly love was very common. It was defined as a way of worshiping a woman to get their attention and love in a noble way by doing heroic deeds or just by giving the women gifts. Back then the most known courtly lovers were the knights for being known as very chivalrous and noble men. In “the Miller’s Tale”, the use of courtly love is the complete opposite of what it usually is. The story telling the story, in other words the miller makes a complete parody of courtly love and what it stands for, he makes it seem very vulgar by the way he talks about the characters in a very sexual manner and the deeds that the characters do throughout the story. I think this story was made for that purpose, to make a fool of what courtly love really is, because in reality the miller thinks that courtly love is just a waste of time and thinks it’s just foolishness to believe that love is really like that.
The men in this play see women as possessions to own. Nora points out that women aren’t supposed to do things to save the lives of the men that they care for. Nora says, “A daughter hasn’t the right to protect her dying father from anxiety and care? A wife hasn’t a right to save her husband’s life?”
“Cultural trauma refers to a dramatic loss of identity and meaning, a tear in the social fabric, affecting a group of people that has achieved some degree of cohesion” (Day 2). This quote by Ron Eyerman in “Cultural Trauma” references a large theme within the novel “Beloved”; Alienation of the self with its own identity. As the cultural trauma of slavery took its toll on the populations of each and every state where it persisted, it culminated in the same outcome in every instance. Put quite simply, the institution of slavery forms concrete and seemingly immovable walls between slave and master. Within this practice, members of these societies became locked into their respective roles. Erikson defines identity as “the conception of who one is and what one is over time and across situations”, (Day 3). Yet slaves in this day did not live through any variety of “situations”. Second only to the harsh conditions and emotional trauma of slavery was its consistency. Each day from dawn to dusk consisted of the same schedule of work with variety rarely occurring. With this in mind, it is hardly a stretch to say that the slave was deprived of identity through their inability to see themselves in a variety of real life situations. The slave only knew the life of a slave. It is only when Paul D and Sethe escape this life that they are forced to stop alienating themselves from the world around them and come to terms with their own identity. The slave-masters throughout “Beloved” whether seemingly benevolent or not, have one effect on their slaves, they alienate them from all around them, even to the point (in the words of Fredrick Douglass) that they crush (the natural affection of the mother for the child”, (Da...