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Gender and sexuality in literature
Symbolism of marriage
Sexuality in literature
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Recommended: Gender and sexuality in literature
Katherine Mansfield is a writer that has had a lot experience with love, respect, and other things. She shows it in her short stories and poems. One short story in particular is “Bliss”, this story takes place in the life and times of Bertha Young, and wife that is struggling with her feelings. Bertha is in the stage of her life where she is trying to figure out who she loves. Bertha along with Harry, her husband, and Pearl Fulton all go through different situations, and the theme of marriage is developed through the use of symbols, love triangles, and displacement.
“Bliss” written by Katherine Mansfield is a story unlike many others. On every page she brings in a different meaning and symbol to show her theme of marriage. One of the first
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Mansfield depicts a love triangle that is hidden to the readers until the end of the story. Walter E. Anderson wrote a nine page literary analysis on the love triangle between Miss Fulton and Bertha and then on Harry and Miss Fulton. Anderson explains the relationship between Bertha, the main character, and Miss Fulton as being one of the homosexual nature (401). Anderson marks that “[p]revious critics generally seem to agree that `Bliss` embodies a provocative study in the mood and feeling within a conventional love-triangle plot” (397). In the Anderson’s writings readers find not only that Bertha is growing a liking to Miss Fulton but that Miss Fulton is aware and flirtatiously leading Bertha on. Mansfield depicts that Bertha and Miss Fulton were aware when she writes, “Miss Fulton held her hand a moment longer. “`Your lovely pear tree! ` she murmured” (98). This exchange takes place at the end of the story, but it still shows that there is an unspoken and spoken kindling between Bertha and Miss Fulton. The ending gives the reader that last hint of the love-triangle that Mansfield is developing throughout the short story. The interpretation that readers get at the end is that Bertha does not come out to her husband that she has homosexual feelings towards Miss Fulton, but readers get the sense that the story cannot be done because readers do not know how Harry …show more content…
The displacement throughout “Bliss” is worded in a way that most readers will miss over it. Thomas Dilworth writes a literary essay on the garden and the Darwinism that is present in the characters and scenes throughout Mansfield’s “Bliss”. Dilworth tells on how Bertha looks through the windows and sees the garden and the pear tree in the middle with the cat sliding on its belly is a representation of the Garden of Eden, from the Judeo-Christian religion (149). In “Bliss” Bertha sees two animals a grey cat and a black cat Dilworth explains that, “[t]he cat is associated with Miss Fulton at the end of the story, when she follows Warren out `like the black cat following the grey cat `. She may be the serpent in this paradisal garden, bringing about Bertha’s fall from bliss” (149). Mansfield illustrates the Garden differently than some readers see it. In “Bliss” Mansfield writes, “[t]he windows of the drawing-room opened on to a balcony overlooking the garden. At the far end, against the wall, there [is] a tall, slender pear tree in fullest, richest bloom; it stood perfect, as though becalmed against the jade-green sky” (89). This scene is when Bertha comes home and she is so excited about everything; that when she sees the garden that has been there since she has been in the house she feels an overwhelming feeling of ecstasy. During this part
All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives including happiness, overall quality of life whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice first to Joe sparks, and to Vergile Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.
Mrs. Ames from “The Astronomer’s Wife” and Elisa Allen from “The Chrysanthemums”, two women in their best ages, did share similar lives. They were loyal wives, of decent beauty and good manners. They were married for some time, without any children and they were fighting the dullness of their marriages. At first, it looked like they were just caught in marriage monotony, but after the surface has been scratched deeper, it was clear that these two women were crying for attention: but they had different reasons.
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
Where there is a strengthening of the idea of love and companionship (Briggs, 2016b). That marriage should be based on friendship and a more intimate type of love. The capable women who were able to succeed in a “precarious male venture,” (Sleeper-Smith, 2000, p.440) that Sleeper-Smith presents contradicts the ideal women of the 19th century as being nurturing, gentle and in need of protection and support (Briggs, 2016b). Which reinforced the patriarchal model of marriage that native women worked hard to
...r. Secondly, in “The Story of an Hour”, Mrs. Mallard, representing a typical married women in today’s world, believes her relationship has gotten monotonous with her husband. She does not get to enjoy the freedom which she truly desires. Desperation took over her life which led to her own death. Lastly, in the story of “The Chrysanthemums”, Elisa realizes there is no future in her marriage, which makes her understand her life has become a miserable one. The frustration of this woman caused by her husband soon allows her to recognize no one will ever see her as a valuable and smart person. The absence of attention which men have towards their respective women in the stories mentioned above provoke them to not reach the happiness they wish. It makes them feel like unworthy human beings with trapped dreams which turn out being the main cause of their endangered lives.
While it has traditionally been men who have attached the "ball and chain" philosophy to marriage, Kate Chopin gave readers a woman’s view of how repressive and confining marriage can be for a woman, both spiritually and sexually. While many of her works incorporated the notion of women as repressed beings ready to erupt into a sexual a hurricane, none were as tempestuous as The Storm.
The writers of Much Ado about Nothing, Wuthering Heights, and A Streetcar Named Desire all incorporate conflict in relationships as reoccurring theme in their texts. There are a number of different forms of relationships in the texts such as marital, romantic and family relationships and they are all presented with complexity by the authors as their opinions on the subject matter will be influenced differently due to the era they live in and their personal experiences. For example, in Much Ado about Nothing marriage is a means of creating a happy ending which is typical in Shakespearean plays but it is also a means of social advancement similarly to Wuthering Heights where couples married to either maintain or advance social class or property and not necessarily because they loved each other, Catherine openly says she wants to marry Edgar because “he will be rich”. In contrary marriage in A Streetcar Named Desire is a means of survival for Stella and Blanch having “lost Belle Reve”.
In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs literary devices such as antithesis of ideas, and the motif of repetition to reveal the destructiveness of wild love versus a domestic love.
Through the use of literary devices, Pride and Prejudice reveals Jane Austen’s attitude towards the novel’s theme of true love through the actions of the suitors; the process of courtship in the 1800s articulates characterization, foreshadowing, and irony. The novel opens with the line, “it is a truth acknowledged, that a single man in possession of a good fortune must be in want of wife,” (Austen 1) which foreshadows the conflict of finding a significant other . During the Victorian age, men and women courted others of the same education, wealth, and social status; it was considered uncommon for someone to marry beneath them or to marry for love. Jane Austen uses Elizabeth Bennett’s encounters with different characters of varying social statuses to criticize the traditional class system; she illustrates a revolutionary idea that marriage should be based on love. In the resolution of the plot, Austen demonstrates the perfect qualities in a marriage; she incorporates Aristotle's philosophy of friendship to prove the validity of the having an affectionate relationship.
Since the beginning of time, marriage exists as a large part of life. The values of marriage change on a year to year basis and as trends continue to change so will marriage. There have been numerous reasons for marriage throughout time such as arranged, wealth, love or many others. In the 18th century, many marriages were based on one’s class and wealth and not true love. Today, many marriages do not take wealth or class into account they focus on that person’s inner self and love. Marriage exists as an overlying theme throughout Pride and Prejudice and every marriage appears for a different reason.
Love and Friendship, contained within Juvenilia, is an example of a parody of sentimentalism. Jane Austen describes overly dramatic scenes, similar to those that one would have read in a sentimental novel. She starts off by addressing the sentimentalist concept of the “perfect heroine.” Laura, the main character who fulfills this stereotype, describes herself early in the novel. “In my Mind, every Virtue that could adorn it was centered; it was the Rendezvous of every good Quality & of every noble sentiment” (p.78,...
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
In Katherine Mansfield’s “The Garden Party,” the fourth reasons that show the rich Sheridans think they are better than the poor Scotts. However, the Sheridans thought the Scotts wanted their hand-me-downs. Since the Scotts were poor and the Sheridans were rich, they thought they were giving them goods of value. “There on the table were all those sandwiches, cakes, puffs, all un-eaten, all going to be wasted. Mrs. Sheridan had one of her brilliant ideas. I know, she said. “Let’s make up a basket. Let’s send that poor creature some of this perfectly good food. At any rate, it will be the greatest treat for the children. Again, how curious, she seemed to be different from them all. To take scraps from their party. Would the poor woman really
Social and internal dialogue is representative of the enculturation process that Laura and Miss Brill have been exposed to. Both of Mansfield’s short stories represent a binary: Laura’s realizations of...
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.