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Power in the tempest
Nature vs. nurture essay
Nature vs. nurture essay
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Throughout the entirety of human existence, people have been contemplating the effects of nature versus nurture. Are people born with the ability to live with unselfish concern, then corrupted by society? Or are humans essentially evil. If so, how does one define what is good or bad? Considering the subjectivity that follows humanity 's perception of altruism, it is arguable that humans are simply an amalgamation of the environment they are exposed to. In Shakespeare 's The Tempest, humans are depicted as neither inherently good or bad as displayed within the themes of ambition for power, man versus monster and the illusion of justice. The way a human perceives power is a direct result of their upbringing. As said by John Dalberg-Acton, "absolute
In the play, there is a drastic difference between the human characters and Caliban and Ariel. Throughout the play, Caliban and Ariel remain as static characters while the human characters experience character development and change. Ariel is a spirit that exists on an unearthly realm, incapable of feeling human emotion. Caliban is at the opposite end of the spectrum, in which he has a more animalistic approach on life. Caliban is described as a "A devil, a born devil, on whose nature nurture can never stick" (4.1.188-192). Shakespeare writes Caliban as inherently brutish, and evil regardless of Miranda and Prospero 's nurturing. The intention of Caliban is to show the stark contrast between humanity and all other life. Unlike Prospero, Caliban is unable to change his inherent nature. In act I, Miranda says, "Abhorred slave! Which any print of goodness wilt not take being capable of all ill" (1.2.355-356). In this quote, Miranda clearly exemplifies her disrespect for Caliban. Although it proves that Caliban is monstrous, it also contradicts Miranda 's character and her treatment towards the rest of the characters. Throughout the play, Miranda is depicted as a naive, innocent character. Yet she treats Caliban with contempt. Her usual kind demeanor is masked by her irrational hatred for Caliban. Evidently, Miranda has subconsciously picked up many of Prospero 's traits, therefore insinuating that one 's behaviour is a direct result of the environment they are exposed
Are humans naturally good, or evil? Many people argue both ways. It has been argued for centuries, and many authors have written about it. One example of this is Samuel Clemens's, more commonly known as Mark Twain, Adventures of Huckleberry Finn. The book follows a young boy, named Huckleberry, and a runaway slave, named Jim, as they both run away. Huck runs away to escape being civilized, while Jim runs away from slavery. Together, they talk about life, philosophy, and friends. As they travel down the Mississippi River, both Huck and Jim learn various life lessons. In The Adventures of Huckleberry Finn, Huck witnesses the depravity of human nature on his journey on the Mississippi River.
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
Miranda is so merciful towards the shipwreck victims, but only has contempt and hatred for Caliban because he tried to rape her, and shows no remorse for his actions. She develops the ideas of Caliban through the observation of his behaviour. Even after Prospero punishes Caliban, Caliban continues to speak to him with foul language. This is shown when Caliban says, "All the charms of Sycorax, toads, beetles, bats, light on you!" (Act I, ii, 345-346) which suggests that Caliban is very rude. Shakespeare makes use of a technique known as connotation. It is used when a word contains an implied meaning additional to the dictionary definition. The use of the word, "toads", implies inhumanity. This technique elicits a feeling of disgust from Miranda,
Power has been defined as the psychological relations over another to get them to do what you want them to do. We are exposed to forms of power from the time of birth. Our parents exercise power over us to behave in a way they deem appropriate. In school, teachers use their power to help us learn. When we enter the work world the power of our boss motivates us to perform and desire to move up the corporate ladder so that we too can intimidate someone with power one day. In Joseph Conrad’s Heart of Darkness Kurtz had a power over the jungle and its people that was inexplicable.
Caliban is rude, crude, ugly and lazy. Speaking in a psychoanalytic manner, Caliban is going to be remembered as bitter and obsessed with sex. This sexual desire is going to be coincided first with thoughts of his mutation-- a feeling of inadequacy-- and then more significantly with the absence of his mother. That he had no parents on which to form an Oedipal complex and knows only who his mother was (nothing is mentioned of his father) makes for interesting observations on how he deals with sexuality. We learn that he does not deny that Prospero is the only barrier between him and the rape of Miranda. It is clear that he has developed only so far as Freud’s theory of id, with small touches of the superego. Caliban’s development of the superego is evident only when he does not wish to receive Prospero’s pinches and cramps. He is otherwise all for anything that will bring him pleasure. Being free of Prospero, fulfilling his sexual desires with Miranda and drinking liquor are all on his menu.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
In discussing Derrida's view of Western literature, Geoffrey Hartman writes that "Western tradition has been marked . . . by a metaphysics of light, by the violence of light itself, from Apollonian cults to Cartesian philosophies. In the light of this emphatic light everything else appears obscure; especially the Hebraic development of aniconic writing and self-effacing commentary of textuality" (xix). This point is well illustrated by the nature of Prospero's power in The Tempest for his control of natural and supernatural forces is achieved through book-learning the bringing to life of Logos. That which Prospero does not control completely is the vilified character of Caliban. The denigrated and unwilling servant seems to represent Prospero's shadow, and in light of the above statement, perhaps Caliban represents the shadow of our light-infused Greco-Roman style of domination of the material world. The text tells us that when Prospero first arrives on the island Caliban willingly reveals its secrets to him. Only when Caliban threatens the chastity of Prospero's daughter, Miranda, does the relationship turn into one of master and slave. Prospero thus draws the line between the shadow realm and purity. His action suggests that sexuality, too, must be kept in a role of servitude if one is to retain control of one's kingdom. In affirming this schism, Prospero simply enforces the dualistic nature of the Western tradition. In heaping scorn upon Caliban, Prospero embodies the West's extreme dualistic nature vis-a-vis its perceived schisms existent between light and dark, mortal and immortal, good and evil.
Caliban is described as “naturally evil”. Despite any efforts, his nature cannot be changed. His natural evil in The Tempest will always triumph any attempts to change him. His relationship to an evil witch made him naturally evil and will forever be who he truly is.
The role of language in Shakespeare’s play “The Tempest” is quite significant. To Miranda and Prospero the use of language is a means to knowing oneself. Caliban does not view language in the same light. Prospero taught Caliban to speak, but instead of creating the feeling of empowerment from language, Caliban reacts in insurrectionary manner. Language reminds him how different he is from Miranda and Prospero, and also how they have changed him. It also reminds him of how he was when he wasn’t a slave. He resents Prospero for “Civilising” him, because in doing so he took away his freedom.
Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as states by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happen to. It not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes. As a servant, he does evil deed and by himself he is evil.
Caliban whom we are told is “not honour’d with a human shape,” (1.2.419) is the son of Sycorax who inhabited the island Prospero was banished to. After the death of his mother, Sycorax, Caliban falls under the rule of Prospero and becomes one his servants. Caliban is very different from Ariel in the fact that while Ariel is pleased to serve under Prospero’s rule, Caliban is not. In fact, we find out that Caliban is far from happy to be Prospero’s servant and even plots with two other men to end Prospero’s life. As we discussed in class Caliban is also more of an angry individual than what Ariel seems to be and this comes from the fact that Caliban believes he is the rightful king of the island and that Prospero had robbed him of what was his, which we find out when he says that he is “subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island” (3.2.40-41). Ariel, who we are told in act one, scene two was the old servant of Caliban’s mother Syco...
Are human beings born to be good? Or are we naturally born to be evil? A person’s nature or essence is a trait that is inherent and lasting in an individual. To be a good person is someone who thinks of others before themselves, shows kindness to one another, and makes good choices in life that can lead to a path of becoming a good moral person. To be a bad person rebels against something or someone thinking only of them and not caring about the consequences of their actions. Rousseau assumed, “that man is good by nature (as it is bequeathed to him), but good in a negative way: that is, he is not evil of his own accord and on purpose, but only in danger of being contaminated and corrupted by evil or inept guides and examples (Immanuel Kant 123).” In other words, the human is exposed to the depraved society by incompetent guardians or influences that is not of one’s free will in the view of the fact that it is passed on. My position is humans are not by nature evil. Instead, they are good but influenced by the environment and societies to act in evil ways to either harm others or themself.