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Power relationships in the tempest
Nature and nurture as a theme in The Tempest
Explain the nature of the characters of the tempest
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In the play The Tempest by William Shakespeare, power is the ability to have authority over someone based on social status. However, as evident in the play, the drive for power can lead to betrayal. Characters constantly involved in the power struggle, and some are driven to want more power. The conceptuality of power is also the reason for the play’s interesting plot. Characters like Prospero and Caliban are As the plot is introduced, Prospero, the former Duke of Milan, tells the infuriating event of Antonio usurping him. He recalls his memories to Miranda, his daughter, as he tells her, “To have no screen between this part he played/ And him he played it for, he needs will be/ Absolute Milan. Me (poor man) my library/…He thinks me now incapable” (I.ii.107-111). Prospero, the once powerful, almighty duke who had the authority and rule over his people is overthrown by his own …show more content…
Caliban, a once free person who for the most part owned the entire island, was surprised by the sudden betrayal of Prospero after he had, out of generosity, showed Prospero the island. In the play, Caliban is the only human subject of Prospero, but he is treated merely as a slave and servant (I.ii.337-341). People who have power often have subjects to rule or territory to rule on, and the people who don’t have power are the ones suppressed under the rule. Caliban saw Prospero as someone who is trustworthy enough that he will exploit many of the island’s secrets to him. Prospero, gaining full command over Caliban after the island’s features were shown to him, subjugates Caliban, differentiates him from other people, dehumanizes him and makes him worthless except for fetching wood. The desire for power is often sought after by many individuals, but the consequences of having it can lead to betrayal, treachery, and conditions much
Confronting experiences may prompt inner discoveries which result in the re-evaluation of the importance of power. Shakespeare’s The Tempest follows Prospero, an exiled megalomaniac’s plan to exact revenge
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
During Shakespeare's time social classification was much more rigid than today and some members of society were considered superior to other members. Shakespeare provides an example of this rigid social structure through his play, The Tempest. Shakespeare illustrates how superior men differentiated themselves from lesser beings on the basis of race, financial status, and gender. Through the character of Prospero, Shakespeare provides and example of one, who had reason to feel superior, yet treated others equally and with the respect due to them.
Caliban’s initial attempt to defy Prospero’s power via a verbal curse actually gives Prospero more authority as master in that the curse acknowledges the duke’s ultimate power. Caliban begins his speech with the vengeful request that all the evil "infections"(2.2.1) under the sun "fall"(2.2.2) upon the "tyrant"(2.2.160) Prospero. While Caliban wishes for Prospero to be so harmed by sickness, the slave does not have the power to make this happen. Instead, he must request that these evils "fall"(2.2.2) of their own accord upon Prospero. Caliban’s lack of authority because of his condition as a slave is immediately contrasted to that...
Caliban is treated in a highly demeaning manner since Prospero is a man of magic and has infinite power to control Caliban in every aspect. It is seen early on in the play the amount of control that has been placed over Caliban, to the extent that memories make him cringe and satisfy all of Prospero’s needs. Prospero is obviously the Duke of that island similar to how he was Duke of Milan before being usurped and banished to the island, which is Caliban’s home. In general, the relationship of Prospero and Caliban is a model of early colonization into the New World considering Caliban is it’s only inhabitant. In reality, colonization is the chief reason slavery was implemented which was to maintain laborers in order to prosper in the New World.
The Tempest raises many questions regarding the formation of authority and power. Is hierarchy understood as natural or as constructed? Also, what are the consequences when authority is usurped? This paper will attempt to answer these questions in a succinct manner using textual references to solidify its arguments. As the play progresses, Prospero constructs the hierarchy in such a way as to return things to their "natural" state. Any type of usurpation, whether attempted or successful, will always end up with power back in its rightful place, and most of the time with a lesson learned.
Throughout the whole play there is evidence of power, someone in possession of it and another subordinate to the person with the power. Mostly this happens in the scenes with prospero, as he is almost an omniscient and omnipotent character, with god-like qualities. He has the means to change many things not possible for humans, because of his magic and his power over magical creatures such as Ariel. Caliban also does the will of Prospero;
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly.
The Tempest by William Shakespeare, among other themes, is a play very centered around rivalries, an important one being the one between Prospero and Caliban. As one would naturally expect, the triumphs and failures of the ongoing conflict yield different reactions for the two different characters. The conflict illustrates a dichotomous view of the way in which people respond to failure or defeat. Whereas Caliban responds to defeat instinctively with furious acts of retaliation, Prospero reasons that when those kinds of acts are examined under the scope of logic, they appear to be unlike that of a noble and therefore, should not be undertaken.
Shakespeare's "The Tempest" forms a world within itself. Within this world, many topics regarding government, power and colonization are addressed. Shakespeare tackles the discovery of new places and races, the relationship between the colonized and the colonist, old world ideologies on new soil, as well as theories on civilization and government. These aspects at the core reveal a very clear struggle for political power. Prospero's first major monologue creates the foundation of such a theme. In 1.2 lines 30-175 Prospero tell his story recounting the usurpation of the power he had as Duke of Milan, then quickly renews his power on the island. Prospero beings his story with an authoritative tone stating: "Obey and be attentive" (1.2 48). Desiring political power and authority becomes the core from which other themes derive.
In The Tempest, power is an aspect of Prospero’s character that stems from his ability to use magic to strengthen and reinforce his superiority among all occupants of the island. However, prior to his inhabitance of the island, Prospero lost the authoritative power that correlated with his title as Duke of Milan when he was “[extirpated] / Out of the dukedom, and fair Milan [was conferred], / with all the honours, on [his] brother” (1.2.125-126). The tempest at the beginning of the play is a symbol of Prospero’s magic. His magic is used as an abusive form of power, utilized for the purpose of self indulgence and personal profit.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
In the story The Tempest by Shakespeare, the desire for power can be seen through the characters of Stefano and Antonio. Stefano is one of the men who was on the ship along with Antonio and other characters like Gonzalo, and Alonso, etc. The ship was caught in the tempest, which is a violent storm that was created by the protagonist, Prospero, and the sailors were pretty much goners. However, all of the people on the ship did make it out alive onto the island of which Prospero resides and the characters reveal their desire for power and how much it affects their actions and mindset.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.