Growing up I heard many versions of the tale of Little Red Riding hood, however it wasn’t until college that I was aware of the references regarding this tale. In reading both Charles Perrault’s “Little Red Riding Hood” and Brothers Grimm’s “Little Red-Cap,” I can see what it is that makes these works of literature a common and ongoing tale that adults continue to tell their children. I can also see how children would be attracted and captivated by this fairytale. While some may suggest that the story of Little Red Riding Hood is appealing to children, others would suggest that it is inappropriate. While the moral of the story may vary if both versions, it is a tale from which all can gather meaning from. In reading Little Red Riding Hood …show more content…
Set out before it gets hot, and when you are going, walk nicely, and quietly and do not run off the path, or you may fall and break the bottle, and then your grandmother will get nothing; and when you go into her room, don’t forget to say ‘Good Morning,’ and don’t peep into every corner before you do it.” Although what the mothers’ said was different in each version, both Little Red-Cap and Little Red Riding Hood went on to have a conversation with the wolf. Perrault’s and Grimm’s versions were similar in the way that the agenda of the wolf was the same. In Grimm’s version the wolf distracted Little Red cap by suggesting she take in the beauty that the woods had to offer, which she did while picking flowers along the way to her grandmother 's house. However in Perrault’s version Little Red Riding Hood was told by the wolf that he too would go see her grandmother and they would see who arrived first, all the while knowing he would arrive first by taking the shortest way. The wolf’s deceit in both versions was evident, yet fundamental
Tatar, Maria. "Jacob and Wilhelm Grimm, ‘Little Red Riding Hood’" The Annotated Classic Fairy Tales. New York: W. W. Norton &, 2002. 17-27 371-373. Print.
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's short story “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. In his fairy tale Perrault prevents girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author elaborates a slightly revisited plot without altering the moral: young girls should beware of men; especially when they seem innocent.
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's fairy tale “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. Perrault provided a moral to his fairy tales, the one from this one is to prevent girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author advances a revisited but still effective moral: beware of wolfs even though they seem innocent.
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
Fairy tales portray wonderful, elaborate, and colorful worlds as well as chilling, frightening, dark worlds in which ugly beasts are transformed into princes and evil persons are turned to stones and good persons back to flesh (Guroian). Fairytales have long been a part of our world and have taken several forms ranging from simple bedtime stories to intricate plays, musicals, and movies. However, these seemingly simple stories are about much more than pixie dust and poisoned apples. One could compare fairytales to the new Chef Boyardee; Chef Boyardee hides vegetables in its ravioli while fairytales hide society’s morals and many life lessons in these outwardly simple children stories. Because of this fairytales have long been instruments used to instruct children on the morals of their culture. They use stories to teach children that the rude and cruel do not succeed in life in the long run. They teach children that they should strive to be kind, caring, and giving like the longsuffering protagonists of the fairytale stories. Also, they teach that good does ultimately defeat evil. Fairy tales are not just simple bedtime stories; they have long been introducing cultural moral values into young children.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
The fairytale Little Red Riding Hood by Charles Perrault is a story that recounts the adventure of the protagonist Little Red Riding Hood as she fulfills her mother’s wishes to bring a package to her ill grandmother. Perrault’s short story conveys influential life themes on the idea of male predation on adolescent women who fall victim to male deception. Perrault successfully portrays these themes through his use of rhetorical devices such as personifying the actions of the antagonist Wolf predator as he preys on the protagonist Little Red. Perrault illuminates the central theme of upholding sexual purity and being aware of eminent threats in society in his work. Roald Dahl’s poem, Little Red Riding Hood and the Wolf, is an adaptation to
The book was first published in 1812 hence, these tales were previously transferred orally and among adults through the long nights. It is also possible that fairy tales were used to warn the children of particular ideas such as in Christina Rossetti’s ‘Goblin Market’. The integration of explicit ideas into these tales suggests that their disruptive nature could reflect the reality of the 19th century. In ‘Little Red Cap’ the most evident sexual symbol is the use of the colour red as this is associated with sensuality, love and passion. Through this realisation, the image of the wolf becomes an even darker and dominant figure: ‘Once the wolf had satisfied his desires’ (1812:15). Not only does he commit an act of violence but he also craves the consumption and therefore sexual gratification of an adolescent (Little Red Cap) by challenging her innocence. In ‘Hansel and Gretel’ a similar scenario is presented through the witch’s cannibalistic desire to cook and consume the children. The witch explains: “He’s staying outside in a shed, waiting to be fattened up. When he’s put on enough weight, I’ll eat him”. (1812:189) This clearly shows her intentions and the wish-fulfilment that she would obtain from it. Sexual innuendos in these fairy tales occur regularly and are distinctly visible in ‘Little Red Cap’. The wolf is said to think “That tender young woman will make a dainty
In most fairy tales, the main character are children. Since these tales were originally created to teach children a lesson, they created characters that are close to themselves. In Little Red Riding Hood, Gustave Dore depicted Little Red as a normal young girl in the 17th century, she looks innocent, healthy, and most importantly she looks a human child. They represent life, youth, future, happiness, and unrelenting trust.
This fairy tale was most likely told to children to scare them into obedience. It registered to children essentially as a warning to listen to what your parents say and not to talk to strangers. Just as Little Red Cap subjects herself and her grandmother to danger and is saved by a passing huntsman, she told herself, "As long as I live, I will never leave the path and run off into the woods by myself if mother tells me not to", promising to herself to not be as reckless in the future (Grimm). Little Red Cap also uses her past experiences to learn from her mistakes. The second time she makes a dangerous journey to her grandmother's house, she encounters a second wolf with similar motives at the first. This time, however, Little Red Cap makes a beeline straight to her grandmother’s and makes sure she to not stray from the path once. When Little Red Cap reaches her grandmother’s, she exclaims, "If we hadn't been on a public road, he would have eaten me up"(Grimm). These lessons connect with children, cautioning that the world outside their individual spaces is a dangerous place and should not be taken lightly. Even to this day, this story is told to relate to children and stresses a point to not disobey your parents and stray far from
The two stories of course are similar and of course not the same. In the Grim tale, The story centers around Little Red Cap. In Roald Dahl’s version, the story is centered around the wolf. Both stories have the wolf eat the grandma, but Grimm had the wolf ask Little Red Cap where her grandma lived whereas in Roald Dahl’s version, it is implied that he already knew where she lived and knew that Little Red Riding Hood would come for a visit. Both stories had the wolf dressed as grandma to deceive Little Red Riding Hood(Cap) but Roald Dahl goes more in depth in describing what the wolf does to pull it off right. When Little Red Riding Hood(Cap) goes in to grandma’s house, they both have that whole dialogue:
Fairy tales such as the Brothers Grimm version of “Little Red-Cap” provide a great deal of morals and values. The tale begins with a young, pretty girl that goes to take cake and wine to her ailing grandmother. Little Red- Cap was illicitly told by her mother to walk nice and quietly, not to run off the path or she might break the bottle of wine, and not to peep into every corner before saying hello to her Grandmother.
... stories show symbolism for Little Red learning and maturing. The moral in Perrault?s story is weaker, because it ends in tragedy with Little Red being eaten and dying. In the Grimm brother?s story, because the woodsman comes to their rescue, Little Red learns from her mistakes. She knows not to wander off the path when going to her grandmother?s house, and she learns that talking to strangers can lead to trouble. Even if most children will never encounter a talking wolf, it shows that talking to strangers can put children in harms way Also, the moral of Perrault?s story addresses only ?attractive, well bred young ladies,? (Schlib, 2003, 669) which may not lead some readers to identify with the moral. Also, a child reading this story may not understand the relation between a wolf eating the little girl and talking to strangers, because it is written as a fairy tale.
The fairytale is not just about her journey to grandma’s house, or everyone knowing Little Red Riding Hood because she is a sweet little girl, the fairytale is giving us messages that we should help our elders and we should kind.