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Cynthia Griffin Wolff, “un-utterable longing: the discourse on feminine sexuality in kate chopin’s the awakening.”
Kate chopins themes and literary elements
Cynthia Griffin Wolff, “un-utterable longing: the discourse on feminine sexuality in kate chopin’s the awakening.”
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Upon its debut at the turn of the 19th century, Kate Chopin’s The Awakening created massive controversy among critics. At the time, women were expected to remain submissive to their husbands. Following the plight of Edna Pontellier, a woman struggling to define herself as an individual, The Awakening challenged the common societal views of women. It was considered immoral and vulgar, prompting the St. Louis Post-Dispatch to describe it as “‘too strong drink for moral babes. . .” and that it “should be labelled poison’ (Toth 335)” (Sprinkle 3). Despite its harsh criticism surrounding its publishing, today The Awakening is a depiction of a woman’s desire for independence. Chopin utilizes the symbolism of the sea to illustrate Edna’s unconventional methods of awakening her true self, who is lying dormant under society’s expectations. The sea provides Edna with a sense of empowerment. Specifically, learning how to swim enables her to feel total control over her body. Chopin writes, “A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul” (27). By gaining control over her body, Edna realizes that she is her own person who has the ability to do anything she wants. Edna is living in a time …show more content…
The sea is the place where Edna is able to explore her true desires, and it allows her to realize the depth of the universe and the significance of human life. Chopin writes “The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace” (13). The sea comforts Edna and allows her to access her innermost thoughts. It constantly calls out to her, seducing her into diving deeper into seeking independence. Serving as a catalyst in Edna’s awakening, the sea allows her to see what she wants and needs in her
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
At the end of the novel, Edna ends her life while she is successful. Edna’s past troubles are behind her and, “She was not thinking of these things when she walked down to the beach. The water of the Gulf stretched out before her, gleaming with the million lights of the sun. The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in the abysses of solitude” (Chopin 189). While Edna walks along the coast, Chopin uses the words “these things” to describe Edna’s past troubles, as they are now irrelevant. Their trivial nature is highlighted with the use of “these” instead of directly naming the issues which signifies Edna’s success in life because she has few worries about her decisions. The water of the gulf symbolizes a fresh and clean start for Edna, so she chooses to go to the Gulf. The light also symbolizes and conveys the idea of new things, like a new day, and the narrator describes the scene as having millions of lights which magnifies and exemplifies Edna’s new life. Edna’s change and struggle with change is described as “the human will is often deeply circumscribed by the inseparability of the lives of men and women from the natural and social worlds they inhabit. The naturalistic novel... frequently introduces determinism as a thread among a complex of themes, whatever the
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
In Kate Chopin's novel, The Awakening, Chopin uses the motif of the ocean to signify the awakening of Edna Pontellier. Chopin compares the life of Edna to the dangers and beauty of a seductive ocean. Edna's fascinations with the unknown wonders of the sea help influence the reader to understand the similarities between Edna's life and her relationship with the ocean. Starting with fear and danger of the water then moving to a huge symbolic victory over it, Chopin uses the ocean as a powerful force in Edna's awakening to the agony and complexity of her life.
“A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul” implies the tremendous joy that encourages her to shout, as well as underscores the significance of the experience in terms of the greater awakening, for the experience actually does provide Edna with the ability to control her own body and soul for the first time. Her “daring and reckless” behavior, her overestimation of strength, and the desire to “swim far out, where no woman had swum before” all suggest the tragic conclusion that awaits Edna. Whether her awakening leads her to want too much, or her desires are not fully compatible with the society in which she lives, she goes too far in her awakening. Amazed at the ease of her new power, she specifically does not join the other groups of people in the water, but rather goes off to swim alone. Indeed, her own awakening ultimately ends up being solitary, particularly in her refusals to join in social expectations. Here, the water presents her with space and solitude, with the “unlimited in which to lose herself.
Even from the land in the safety of her summer home, the sea has enticed and attracted her towards it. The presence and embrace of the sea is a constant acquaintance of Edna. In contrast, her husband frequents the club and has children who are unattended by her. The continual presence of the sea allows Edna to reflect on her life, such as seeing her image on the surface of water. “The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation.
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
The setting Edna is in directly affects her temperament and awakening: Grand Isle provides her with a sense of freedom; New Orleans, restriction; the “pigeon house”, relief from social constraints. While at Grand Isle, Edna feels more freedom than she does at her conventional home in New Orleans. Instead of “Mrs. Pontellier… remaining in the drawing room the entire afternoon receiving visitors” (Chopin 84), Edna has the freedom to wander and spend time with Robert, rather than being restricted to staying at home while she is at Grand Isle. While sailing across the bay to the Cheniere Caminada, “Edna felt as if she were being borne away from some anchorage which had held her fast, whos chains had been looseining – had snapped the night before” (Chopin 58). The Cheniere Caminada at Grand Isle gives Edna an outlet from the social constraints she is under at home and at the cottage at Grand Isle. As Edna is sailing away she can feel the “anchorage” fall away: the social oppression, the gender roles, and the monotonous life all disappear; the same feeling and sense of awakening she gets when she sleeps for “one hundred years” (Chopin 63). New Orleans brings Edna back into reality – oppression, society, and depression clouds her mind as she is living a life she doesn’t want to live. New Orleans is the bastion of social rules, of realis...
This short quotation from the end of chapter 6 of Kate Chopin’s the Awakening is crucial to understanding the text as a whole and is also a vital example of foreshadowing. In this part in the novel, Edna, the protagonist, has just refused to go for a swim with Robert. However, the very sight and sound of the sea entices her. The sea here is depicted as an invigorating object that gives Edna life. At the time of this novel, women were not viewed highly by their husbands. They were expected to conform to societal norms and remain subservient. They were not to question their husbands and were always expected to do as they were told. Thus, women of this time were not free. In this novel, it is the sea that makes Edna free. In the sea she loses all restraints and all reservations when she finally goes for a swim later in the novel. Being free in the sea and going for a swim is liberating to her, just like seeking out another man since she isn’t happy in her current marriage. In her marriage she can’t be the woman that all women want to be. While her husband is a good man, she still has to conform to his wishes. Thus she cannot be the person she truly wants to be. In order to be this person, Edna seeks out the company of Robert. By giving the sea these life-giving qualities, Chopin shows the sea as an emancipating force in Edna’s life. It sustains her and seduces her with the offers of freedom. The sea speaks to the soul because of what it offers and enfolds the body in its soft embrace for these same reasons.
The imagery of the ocean at Grand Isle and its attributes symbolize a force calling her to confront her internal struggles, and find freedom. Chopin uses the imagery of the ocean to represent the innate force within her soul that is calling to her. "The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in a maze of inward contemplation." (p.14) Through nature and its power, Edna, begins to find freedom in her soul and then returns to a life in the city where reside the conflicts that surround her. Edna grew up on a Mississippi plantation, where life was simple, happy, and peaceful. The images of nature, which serve as a symbol for freedom of the soul, appear when she speaks of this existence. In the novel, she remembers a simpler life when she was a child, engulfed in nature and free: "The hot wind beating in my face made me think - without any connection that I can trace - of a summer day in Kentucky, of a meadow that seemed as big as the ocean to the very little girl walking through the grass, which was higher than her waist.
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
Chopin repeats the image of the sea in order to symbolize that the sea acts as a figurative place that allows Enda to liberate herself from society. In her first awakening, Enda discovers her position within society, “She would not join the groups in their sports and bouts, but intoxicated with her newly conquered power, she swam out alone. She turned her face seaward to gather in an impression of space and solitude, which the vast expanse of water, metting and melting with the moonlit sky, conveyed to her excited fancy. As she swam she seemed to be reaching out for the unlimited in which to lose herself” (Chopin 48) Water is often associated with cleansing and baptism. As the sea serves as the setting for Edna’s suicide, it offers the promise and glory of independence as she defies against society. By constantly swimming in the sea, Edna is able to discover her strength and the pleasure
In the end, the sea symbolizes freedom for Edna. It will never treat her as a possession like her husband has for so many years. It will not demand all of her time and attention as her children do. It will never abandon her as Robert does. It will enfold her "in its soft, close embrace" (Chopin 176) and allow her to experience the vast array of feelings that her life has forbidden her to do. The sea will allow her to be free.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.