The last example differs from the last two in terms of style and story. Tangled is Disney’s take on the story of Rapunzel. A princess with magically long hair who spent her entire life in a tower whose life gets turned upside down when a thief stumbles into it. Disney is known for their princess movies. It’s an official media franchise, and Rapunzel is one of their eleven Disney Princesses. Disney is all about being kid friendly and you can see that whenever you watch one of their films. They are imbedded with life lessons, the power of imagination, stories of hope, and stepping out of your comfort zone, and Tangled was hailed for putting a different spin on a boring fairy tale and its animation. What would you think if you found out that this movie, created by the most kid friendly company in the world, that its animation style was inspired by a wayward oil painting from the 1767?It’s called The Swing by Jean-Honore Fragonard. He was a French painter and printmaker and who over the …show more content…
The young woman is experiencing unrivaled joy, the wind runs through her hair and she kicks up her feet so hard that one her shoes comes off. This is who Rapunzel is, she is carefree, kind and finds the joy in anything she does, but the one difference between her and the young woman is that the woman is outside, and Rapunzel spent eighteen years of her life locked away in a tower. Rapunzel yearned to experience life on the outside but was always denied by her kidnapper Gothel, “The world is dark, and selfish, and cruel. If it finds even the slightest ray of sunshine, it destroys it!”
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
Abducted by Gothel before she could even walk, Rapunzel never had the experience of grass on her feet, dirt on her hands, or wind in her hair. She missed a pivotal portion of development, exploring the world. Through interaction with the outside world, normal children
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
Fairy tales are a part of childhood. They go back through time depicting magical images of happy children, love stories, beauty, wealth and perfection. Authors, movie and film creators, artists and more draw beautiful images for people to remember and pass on through time. Many times the ugliness of the villains and the horrors that come into play throughout a fairy tale are often not as advertised. However, after careful analysis it is very clear that both authors of the original “Rapunzel” and its retell “The Root of The Matter” by Gregory Frost do not shy away from these evil aspects through their tales, while still capturing the magical moments that make a fairy tale memorable. The Root of the Matter fits the Rapunzel tradition with both
Looking past my personal interests, Rapunzel is a great example of “The Stages of the Hero’s Journey” described by Christopher Vogler. When describing the Ordeal seen in Rapunzel, one must conclude that it is not apparent. Or it doesn’t jump
Through fresh writing, the character of Witch is allowed to have the most contradictions, therefore blurring the rigid binary of good vs bad, an idea ingrained in popular culture for eons, in effect making her the play’s most human character. This is key to de mystifying the Grimm Brother’s fairy tale “Rapunzel”, as she is no longer placed in a 2 dimensional mold of evil figure. While her defining moments in the text are marked by unexplained rage, jealousy and retribution lensed with zero objective perspective within into the Woods she is given opportunity to be viewed in a more well rounded light as she is central in everyone else’s story allowing the audiences to experience more of her. Through this there is chance to
In the 21st centuries take on the fairytale Rapunzel, the movie “Tangled” depicts the troubled life of an adolescent that is raised by a woman whom is not her mother. Rapunzel is abducted from her crib as an infant by an evil witch, Gothel, for the sole purpose of using her magical hair to enhance her beauty to make her young again. As an eager Rapunzel ages, she soon wants to be set free into a world that she has yet to see.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
Once upon a time, there was a beautiful young maiden with long, golden hair who was locked up in a tower. One day a handsome prince found her, and he fell in love with her and carried her away to his castle where they lived happily ever after. Or did they? The fairytale you’ve heard isn’t the one I’m telling. No, I’m afraid that the trials of our dear little Rapunzel (whose name wasn't actually Rapunzel) didn’t end there. But in order to get there, we should really start from the beginning, because that’s where the storytellers all went wrong, long ago and far away...
Though Rapunzel’s lengthy confinement in one room, her home, is convincing evidence of the female’s domestic belonging, it does not adequately demonstrate the connectedness of the woman to the domestic. The ambitious young Prince faces an insurmountable task when he plans to elope with Rapunzel; he must, temporarily, displace the woman from her domestic home. After the Prince decisively wins Rapunzel’s affection, Rapunzel delineates her escape plan: “ 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse’” (The Brothers Grimm). First, Rapunzel states she will “go away with [the Prince]” and he will “take [her] on [his] horse,” two statements which reveal both Rapunzel’s dependence upon the Prince and her lack of independence. Though Rapunzel agrees to leave her domestic realm, she does so only to elope in the safe, steady hands of the Prince, venturing from one sphere of domesticity, with her mother, to another sphere of domesticity with a man. Rapunzel also promises to “weave a ladder with [silk].” Weaving, a deep-rooted, traditional female activity arises in Rapunzel because it is both feminine and perfectly accessible within a domestic setting. The woman’s skills, in any patriarchal work, are not
The movie Tangled, by Walt Disney Pictures, follows the story of the classic character Rapunzel. In the movie, Rapunzel is kidnapped as a child by Mother Gothel, who locks her away in a tower so that no one will ever find her. She does this because Rapunzel 's hair has magical properties after her birth mother ate a magical flower while pregnant with Rapunzel. Eventually, Rapunzel makes the decision to leave the tower because she wants to see the floating lights that appear every year on her birthday. She is assisted in her travels by a man named Flynn Ryder. When Mother Gothel discovers that Rapunzel has left the tower, she employs various methods to try and force her to return. Eventually, Rapunzel discovers everything that Mother Gothel
Walt Disney has created its own television network known as “Disney channel” using the logo of the famous Mickey Mouse. The network developed different shows that were not exclusively for children but had a wide range of target viewers. A great number of viewers are mostly female children who more often than not portray and imitate the princesses in the film. These female children probably tend to identify themselves as the animated characters. Most of the fantasy stories that were produced made use of film as a tool to expose the shows.
After World War II Disney came out with a few more feature animated movies such as: Cinderalla, Peter Pan, Lady and the Tramp, and Sleeping Beauty. One thing that Snow White, Cinderalla, and Sleeping Beauty all have in common is that they are all stories about princesses who live happily ever after with their prince.
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.