Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Holocaust research essay
Holocaust research essay
Introduction to holocaust essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Borowski’s “The Supper,” the dehumanization of the Russians and subsequent inhuman portrayal of the Germans advances the theme of uncertainty and darkness during the holocaust. The Holocaust was a time of darkness that was focused on the persecution of the Jewish community. However, it was also a war machine which persecuted people from all sorts of backgrounds such as Russian war criminals. In “The Supper” the Russians are abhorrently treated and discriminated against. Their bodies “stood out incredibly clearly [...] as if carved in ice;” which is a stark contrast to the German kempt uniforms (153). Borowski portrays the Russian status beneath that of the German perfection. Throughout WWII the Germans use this disparity of status in society to …show more content…
justify their horrendous crimes. The Russian status belittlement is a way for the Germans to feel as if they are more powerful or more worthy of life than the Russians. The Russian advocacy for human life is much more powerful, for they “fell in an avalanche on the blood-spattered pavement” after the Germans brutally took their loved ones lives (155). Borowski again portrays the Russians through humanity--specifically affliction--and in doing so, he creates a bond between the reader and the woes of their pain creating a divide between the reader and the Germans. The German crimes against humanity create a sense of gloom within the world strengthening the theme in “The Supper” of darkness. Darkness’ portrayal in “The Supper” is not only indirect, but also direct--through the Germans.
They heartlessly commit horrible acts against other living, loving, human beings. For example, the Kommandant shouts “‘Achtung! Bereit, Feuer [Ready! Aim, Fire!]!’” without even a slight increment in his voice (155). The Kommandant heartlessly takes the lives of others without thinking about the fact that the Russians have people who care about them and love them--as humans should. This act in itself--the murder of other humans--is evil, yet the way the Kommandant does it is pure darkness. Another instance of sheer contempt or possible obliviousness is when one German soldier is patrolling the line and says the Russian “men, they are criminals!” (154). This exemplifies irony in its most basic state. The Germans are committing a dark act yet they believe that what they are doing is right. Even in the theatre of war, these acts are not right and totally against any drop of humanity a person must have. The Germans here are hurting their own humanity in a psychic sense--as much as they are physically harming the humanity of the Russians. The German destruction of their own souls equals the destroyed physical souls of the
Russians. In “the Supper,” through the dehumanization of the Russians and the inhumanity of the Germans, Borowski exemplifies the darkest parts of the human soul. Darkness permeates throughout this work of literature and is most evident in the way the Germans treat other human beings. This was a dark time in human history that must not be repeated.
Throughout the Holocaust, the Jews were continuously dehumanized by the Nazis. However, these actions may not have only impacted the Jews, but they may have had the unintended effect of dehumanizing the Nazis as well. What does this say about humanity? Elie Wiesel and Art Spiegelman both acknowledge this commentary in their books, Night and Maus. The authors demonstrate that true dehumanization reveals that the nature of humanity is not quite as structured as one might think.
In Elie Wiesel’s Night, he recounts his horrifying experiences as a Jewish boy under Nazi control. His words are strong and his message clear. Wiesel uses themes such as hunger and death to vividly display his days during World War II. Wiesel’s main purpose is to describe to the reader the horrifying scenes and feelings he suffered through as a repressed Jew. His tone and diction are powerful for this subject and envelope the reader. Young readers today find the actions of Nazis almost unimaginable. This book more than sufficiently portrays the era in the words of a victim himself.
A story of a young boy and his father as they are stolen from their home in Transylvania and taken through the most brutal event in human history describes the setting. This boy not only survived the tragedy, but went on to produce literature, in order to better educate society on the truth of the Holocaust. In Night, the author, Elie Wiesel, uses imagery, diction, and foreshadowing to describe and define the inhumanity he experienced during the Holocaust.
Since the publication of, Night by Eliezer Wiesel, the holocaust has been deemed one of the darkest times in humanity, from the eradication of Jewish people to killing of innocents. Wiesel was one of the Jewish people to be in the holocaust and from his experience he gave us a memoir that manages to capture the dark side of human nature in the holocaust. He demonstrates the dark side of human nature through the cruelty the guards treat the Jews and how the Jews became cold hearted to each other. Wiesel uses foreshadowing and imagery, and metaphors to describe these events.
Many themes exist in Night, Elie Wiesel’s nightmarish story of his Holocaust experience. From normal life in a small town to physical abuse in concentration camps, Night chronicles the journey of Wiesel’s teenage years. Neither Wiesel nor any of the Jews in Sighet could have imagined the horrors that would befall them as their lived changed under the Nazi regime. The Jews all lived peaceful, civilized lives before German occupation. Eliezer Wiesel was concerned with mysticism and his father was “more involved with the welfare of others than with that of his own kin” (4). This would change in the coming weeks, as Jews are segregated, sent to camps, and both physically and emotionally abused. These changes and abuse would dehumanize men and cause them to revert to basic instincts. Wiesel and his peers devolve from civilized human beings to savage animals during the course of Night.
In conclusion, Elie Wiesel’s novel Night shows us the dehumanization in the concentration camps by using tone, symbolism, and imagery. He sets the tone with the deep, dark ways he describes the terrible things that have happened to him and millions of others. His symbolic examples explain a further meaning than just an object, and the way he describes everything he saw in great detail, is
The violent actions of the Germans during this event force an image upon them that conveys the message that the Germans had little respect for the life of a person, specifically that of a follower of Judaism, and their capability to act viciously. If the Germans are acting so cruel and begin to act this way as an instinct towards the Jews, they are losing the ability to sympathize with other people. This would be losing the one thing that distinguishes a human from any other species, and this quote is an example of the dehumanization of the victim, as well as the perpetrator. Later on in Night, all the Jewish prisoners discover their fate at the camps and what will happen to people at the crematorium. They respond by saying to the people around them that they “...can’t let them kill us like that, like cattle in the slaughterhouse” (Wiesel 31). This simile develops the theme by comparing the Jewish prisoners to cattle in a slaughterhouse and emphasizes what little value their lives had to the Germans, implying they are not worthy of human qualities. The Germans are once again not able to emphasize with the Jews that are around them and being murdered, which over the course of the novel leads to them being
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
In looking back upon his experience in Auschwitz, Primo Levi wrote in 1988: ?It is naïve, absurd, and historically false to believe that an infernal system such as National Socialism (Nazism) sanctifies its victims. On the contrary, it degrades them, it makes them resemble itself.? (Primo Levi, The Drowned and the Saved, 40). The victims of National Socialism in Levi?s book are clearly the Jewish Haftlings. Survival in Auschwitz, a book written by Levi after he was liberated from the camp, clearly makes a case that the majority of the Jews in the lager were stripped of their human dignity. The Jewish prisoners not only went through a physical hell, but they were psychologically driven under as well. Levi writes, ??the Lager was a great machine to reduce us to beasts? We are slaves, deprived of every right, exposed to every insult, condemned to certain death?? (Levi, 41). One would be hard pressed to find passages in Survival in Auschwitz that portray victims of the camp as being martyrs. The treatment of the Jews in the book explicitly spells out the dehumanization to which they were subjected. It is important to look at how the Jews were degraded in the camp, and then examine whether or not they came to embody National Socialism after this.
Following the beginning of the Second World War, Adolf Hitler’s Nazi Germany and Joseph Stalin’s Soviet Union would start what would become two of the worst genocides in world history. These totalitarian governments would “welcome” people all across Europe into a new domain. A domain in which they would learn, in the utmost tragic manner, the astonishing capabilities that mankind possesses. Nazis and Soviets gradually acquired the ability to wipe millions of people from the face of the Earth. Throughout the war they would continue to kill millions of people, from both their home country and Europe. This was an effort to rid the Earth of people seen as unfit to live in their ideal society. These atrocities often went unacknowledged and forgotten by the rest of the world, leaving little hope for those who suffered. Yet optimism was not completely dead in the hearts of the few and the strong. Reading Man is Wolf to Man: Surviving the Gulag by Janusz Bardach and Survival in Auschwitz by Primo Levi help one capture this vivid sense of resistance toward the brutality of the German concentration and Soviet work camps. Both Bardach and Levi provide a commendable account of their long nightmarish experience including the impact it had on their lives and the lives of others. The willingness to survive was what drove these two men to achieve their goals and prevent their oppressors from achieving theirs. Even after surviving the camps, their mission continued on in hopes of spreading their story and preventing any future occurrence of such tragic events. “To have endurance to survive what left millions dead and millions more shattered in spirit is heroic enough. To gather the strength from that experience for a life devoted to caring for oth...
The events which have become to be known as The Holocaust have caused much debate and dispute among historians. Central to this varied dispute is the intentions and motives of the perpetrators, with a wide range of theories as to why such horrific events took place. The publication of Jonah Goldhagen’s controversial but bestselling book “Hitler’s Willing Executioners: Ordinary Germans and the Holocaust” in many ways saw the reigniting of the debate and a flurry of scholarly and public interest. Central to Goldhagen’s disputed argument is the presentation of the perpetrators of the Holocaust as ordinary Germans who largely, willingly took part in the atrocities because of deeply held and violently strong anti-Semitic beliefs. This in many ways challenged earlier works like Christopher Browning’s “Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland” which arguably gives a more complex explanation for the motives of the perpetrators placing the emphasis on circumstance and pressure to conform. These differing opinions on why the perpetrators did what they did during the Holocaust have led to them being presented in very different ways by each historian. To contrast this I have chosen to focus on the portrayal of one event both books focus on in detail; the mass shooting of around 1,500 Jews that took place in Jozefow, Poland on July 13th 1942 (Browning:2001:225). This example clearly highlights the way each historian presents the perpetrators in different ways through; the use of language, imagery, stylistic devices and quotations, as a way of backing up their own argument. To do this I will focus on how various aspects of the massacre are portrayed and the way in which this affects the presentation of the per...
The delineation of human life is perceiving existence through resolute contrasts. The difference between day and night is defined by an absolute line of division. For the Jewish culture in the twentieth century, the dissimilarity between life and death is bisected by a definitive line - the Holocaust. Accounts of life during the genocide of the Jewish culture emerged from within the considerable array of Holocaust survivors, among of which are Elie Wiesel’s Night and Simon Wiesenthal’s The Sunflower. Both accounts of the Holocaust diverge in the main concepts in each work; Wiesel and Wiesenthal focus on different aspects of their survivals. Aside from the themes, various aspects, including perception, structure, organization, and flow of arguments in each work, also contrast from one another. Although both Night and The Sunflower are recollections of the persistence of life during the Holocaust, Elie Wiesel and Simon Wiesenthal focus on different aspects of their existence during the atrocity in their corresponding works.
Primo Levi, in his novel Survival in Auschwitz (2008), illustrates the atrocities inflicted upon the prisoners of the concentration camp by the Schutzstaffel, through dehumanization. Levi describes “the denial of humanness” constantly forced upon the prisoners through similes, metaphors, and imagery of animalistic and mechanistic dehumanization (“Dehumanization”). He makes his readers aware of the cruel reality in the concentration camp in order to help them examine the psychological effects dehumanization has not only on those dehumanized, but also on those who dehumanize. He establishes an earnest and reflective tone with his audience yearning to grasp the reality of genocide.
This book left me with a deeper sense of the horrors experienced by the Polish people, especially the Jews and the gypsies, at the hands of the Germans, while illustrating the combination of hope and incredible resilience that kept them going.
In the film texts Schindler's list and The Pianist, we can see there is a common theme of racism and genocide. Racism and genocide is what drove the Nazis to do the horrible things towards the Jewish people in europe during World War 2. This essay will compare and argue these themes between the two texts of Schindler’s list and The Pianist.