The Stranger, a novel written by Albert Camus shows a world were being authentic is impossible. Meursault, the main character, is a strange person from the point of view of society and at the end of the book he is sentenced to death “for killing an Arab.” The society that judges Meursault as a stranger is the representation of our world, and Meursault is a person who tries to live his live following what he thinks is important in life; he is authentic. Meursault lives in a world really different from the real world. At the end of the book it is seen how the prosecutor, a “lawyer” of the state, defines Meursault as a person that is very different from the rest of society. The reason why Meursault is different from the rest of the world is that he doesn’t have the same ideals than society, and the things that society things are important Meursault considers them as unimportant. By having different reasons to live life, Meursault lives separated from society; he lives in a separate world. At the end of the book Meursault is obligated to come to reality. The judgment of Meursault let us see the impossibility of the. Meursault is not only himself but also a representation of the people how try to be different, and the prosecutor and the rest of the society are a reflection of our own world. The whole book is a reflection of our world. Society works according to certain rules. Rules that are not written anywhere but every individual that lives inside society know they exist. It is according to this rules that people act as they do and they feel what they are supposed to feel in certain situations. People are like Marie and Raymond. Though they both know Meursault, they live under the rules of society. Concerning Marie she is a model of... ... middle of paper ... ...as in his mind, and that the prosecutor and the other characters represent society. Just like the prosecutor and the rest of the characters in the trail sentenced Meursault to death for living in his world, society kills our individual world made by our ideals because it is different from the real world. The triumph of society over our world is imminent because, as it is said before, it is a fight of many against one. Not only is it impossible to live in the world of oneself but also to be oneself in society. Since the world of individual is made by the ideals of that individual, and that world is killed by society the ideals are also killed because society’s ideals are not the same as the ones of the individual. The ideals of a person are the ones that make him as he is, and since the different ideals are “killed” by society one cannot be oneself completely.
Albert Camus’ The Stranger featured a misunderstood man who saw through his gilded society who was condemned to death for not crying at his mother’s funeral. Ernest Gaines’ A Lesson Before Dying found a man sentenced to death because of his race.The ignorance of society killed both of these men, but their strength in defying the oppressive system makes them immortal. The strength of defiance is not an escape attempt or freedom, but the ability to remain human even while condemned to death. The human spirit triumphs when faced with injustice by taking dignity from the strength provided by a community or finding strength internally to create dignity even in death.
The reality in which Meursault inhabits describes a realistic world in all its accounts, from themes as natural as death to petty jealousy and the judicial system which corresponds perfectly with the first sentence of t...
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
In the same way the power of society suffocates and confuses Meursault as it bears down on him with its views on morality. The sun is also present at the trial, just as is the force of society which claims to possess the right to judge people. The force of society is absent in the prison, likewise the sun is absent from Meursault's dark cell, and because the overpowering force of society has been removed, Meursault is finally able to "[open himself] to the gentle indifference of the world."
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
The most popular topic that people talk about when they discuss “The Stranger” is Albert Camus’s Absurdism. However, associating with history background in 1940s, we can find that “The stranger” satirizes French colonists’ inconsistent behavior, and sympathizes with the native Algerian. Albert Camus uses Meursault’s life as an epitome to reflect the miserable life that Algerian have to express his political opinion implicitly.
The Stranger reflects the anxiety and concerns of the time period through the tension between the old hopes of religion and the cold reason of stark reality. In the midst of the build up and eruption of conflict with the Second World War, with novel being published in 1942, the unraveling of the control of religion and the marked devaluation of human life brought a number of the old hopes and old crutches of faith into question. The novel opens with “Mother died today. Or maybe yesterday.” This blunt lack of importance placed on death is used against Meursault in his trial by the prosecutor. The prosecutor so lashes out at the protagonist on his lack of acceptance of the standards of emotional response and moral expectations on this social norm that Meursault’s defense attorney demands, “Is my client on trial for burying his mother or for killing a man?” Camus’s implication is that the man is on trial for all these rejections of the norms. The prosecutor is the society and the group mind of the people struggling with these tensions. Later in the opening paragraphs, Meursault notes “mother had never given thought to religion in her life.” He then chooses to have a drink next to the coffi...
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In Albert Camus' The Stranger, society only affects the main character, Meursault, after he comes to a mid-story crisis. For all practical purposes, Meursault was living in a French society of the 30's, whereas Al...