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Care less and you’ll stress less. Albert Camus’ perplexing novel The Stranger, Camus introduces us to a character who seems heartless and indifferent from the society he lives in. Camus shows us that society considers the character, Meursault as an outsider. As Meursault is facing death for the crime he committed, he tries to seek justice by wanting himself dead and seen by many, so that the people can learn from his mistakes and cherish life.
Meursault’s understands justice but doesn’t care what happens to him. Repetitively throughout the novel, he states “nothing, nothing mattered.” He acts as if he has no emotion towards anything in life. When his mother dies he doesn’t cry or mourn but instead drinks coffee. His mother may have raised
him to be the way he was, emotionless and not loving. When Meursault is waiting for the death penalty he states that he “had been happy” and that he was “happy again.” A normal person in society wouldn’t feel happy that they are going to be killed. He knows he is going to die anyways and it doesn't matter how it happens. He self consciously knows what he did was wrong but accepts his punishment. He accepts his sentence and feels that society would find justice in his death. Meursault's search for justice was successful because he accepted his punishment. His last words describe him wishing for people to greet him with “cries of hate.” He wants the people who put him in prison to watch his death. The society will feel successful that the man who they think is a horrible person is dead because of what he did. Meursault calls himself a “gentle indifference of the world.” He realizes that he is not like the rest of his society. His emotionless attitude sets him apart from the people who are accusing him of being a murder. Society finds justice for the strange behavior he has and he finds justice by accepting his fate. In conclusion, Camus uses the title The Stranger to describe Meursault’s distance from society’s norms. Society creates a justice for Meursault in order to make them feel better about what he did. Camus reveals how society expects us to think and feel a certain way.
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
Many artists, authors, and composers have put the beauty and warmth of the sun in their work. The Dutch painter Vincent van Gogh created landscapes that expressed his joy with bright sunshine. The American poet Emily Dickinson wrote a poem called "The Sun," in which she described the rising and setting of the sun. The Russian composer Nicholas Rimsky-Korsakov included a beautiful song, "Hymn to the Sun," in his opera The Golden Cockerel.
The Motif of the Sun in The Stranger In Camus' novel The Stranger, the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions. This is an interpretation I simply cannot accept, for I have always regarded the sun as symbolic of the superego - the force of society within Meursault. Like the sun, society is generally thought to be a positive thing. People usually regard a good, strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
opinion on existential nihilism. Existential nihilism is the philosophy that life has no intrinsic meaning, and rejects all religious and moral conformity. The main character meursault, displays all of these traits throughout the book. Camus gives the reader an alternative outlook on the life and how there is no right or wrong way of living because in the end, whether that be sooner or later everyone is going to have the same end fate. Camus demonstrated his belief of existential nihilism through the external and internal
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
It is true that Meursault was different from the rest of society. However, he changes throughout the trial and eventually becomes an existentialist hero. This is because he finds meaning in life. It is ironic, though, that he learns to appreciate life after his is effectively over. His apathetic approach to life is made clear from the first page: “Maman died today. Or yesterday maybe, I don’t know.” This foreshadows his approach to everything else in the book. His indifference to Maman’s death contrast’s significantly to Salamano’s distress at losing his dog. Many of the characters in this book also function to highlight his qualities through contrast.
Use of Stylistic Devices in The Stranger & nbsp; In his novel The Stranger, Albert Camus uses the stylistic devices of imagery and diction to develop the intensity of the physical action and to illustrate the lack of emotion in the last paragraph of Part I. Imagery of all kinds is abundant in this passage as Meursault, the main character, pays great attention to and describes in detail the beach environment that surrounds him. Visual imagery is present as he conveys the intense heat by telling how it seemed as though the sky had cracked open and was raining flame, and by personifying the ocean, recounting how it breathed blistering hot air onto the beach. Auditory imagery is employed when Meursault speaks of the cymbals of the sun clashing and describes the four shots fired as “four quick knocks on the door of unhappiness.” Imagery of a tactile nature is used in Meursault’s depicting the effects of the light reflecting off of the Arab’s knife on him, its “searing” his eyelashes and “gouging” his eyeballs.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
Meursault lives an average life, but one important factor in the story is that he does not seem to express his emotions. Some of his character traits could label Meursault as an existentialist because he does not care about anything except physical things. When his mother died, many other people were crying, but all Meursault worried about was the heat. He is very honest as well, and he does not try to cover up the fact that he did not cry during his mother’s funeral.... ...
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.