Within the 1886 novella ‘The Strange Case of Dr. Jekyll and Mr Hyde’, Stevenson presents Hyde as an individual that is forged into the threatening, dangerous, and colloquially ‘malevolent’ character he is consistently scolded for being by those who deem themselves the opposite: reputable and faithful men. Through this, Stevenson simultaneously highlights the idea that Christianity within the contemporary Victorian society was the driving force behind not just Hyde’s evil and subsequent menacing persona, but society’s evil as a whole, making us question if Hyde was ever actually as murderous as he appears to be. Primarily, Stevenson heavily implies that Hyde was not necessarily inherently threatening and dangerous, but rather progressively …show more content…
It sounds nothing to hear, but it was hellish to see. It wasn’t like a man; it was like some damned Juggernaut.’. Within this quotation, we gain our first description of Hyde, in which Enfield states that he resembled a ‘damned juggernaut’. Fundamentally, Enfield is already tying Hyde to the trope of hell and eternal damnation through the adjective ‘damned’, implying that the man in question was devilish. However, it is simultaneously important to note that Enfield is recounting a story, and is quite explicitly seen to be allowing his own personal opinions to seep into it. When the former is detailing facts, such as ‘for the man trampled calmly over the child’s body and left her screaming on the ground’, there is no dramatised vocabulary or bias and thus allows us to see exactly what had happened: Hyde walked into a girl - something of which Enfield himself admits occurred ‘naturally enough’ - and continued to walk. Though, then we have Enfield, describing the man as sinful enough to be condemned to Hell. Evidently, the two do not equate each other, and thus presents the idea that there is something else that Enfield does not necessarily bring attention to that causes him to become naturally inclined to oppose Hyde - …show more content…
Stevenson carefully crafted the novella in a manner that would paint Hyde as objectively evil to the Christian reader. For example, following up to and during the murder of Carew, the politician is described as ‘an aged and beautiful gentleman with white hair’. Within this quotation, Stevenson specifically chooses to detail the man’s hair colour and specifically chooses to make it white to connote feelings of purity, innocence and sophistication. By having Hyde ‘break out of all bounds and [club] him to the earth’, it is implying that Hyde is the direct antithesis of said purity; he is a dangerous creature that should be restrained, thus painting a picture of there being a solidified good and a solidified wrong. However, when looking deeper at the situation, it becomes progressively more apparent that the murder was written in a way to horrify Christians, helping them to see Hyde in a far more menacing light: Carew is described with extremely angelic imagery, whereas Hyde is consistently described as the opposite; ‘detestable’, ‘displeasing’, et cetera, and therefore it can be argued that Carew represents a God-like being whereas Hyde represents, as referenced many times through the text, the Devil. Of course, this would solidify the fact for the majority Christian audience
The criticism by Vladimir Nabokov, supports the claim that Stevenson uses symbolisms to express ideas and to create suspense. Finally Stevenson’s certain tone when he describes Hyde or the evil things the Hyde commit allowed him to express Hyde’s evil and created an unusual atmosphere. When Hyde was described he was described as small and the facial expression of his was very odd and hard to explain “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with some sort of murderous mixture of timidity and boldness, and he spoke with a husky, whispering somewhat broken voice” (Stevenson 16). After Utterson’s first encounter with Hyde, he is just amazed and shocked because of Hyde’s physical appearance. Also in their first encounter, the setting was very dark and gloomy which adds to the claim. Also the description of Hyde symbolizes Hyde’s evil. Hyde’s ugliness and his deformed face symbolizes his evil, his small size symbolize Jekyll’s evil side inside him that was repressed for so long along with the dark setting. Another symbolism used in the book is between Jekyll’s laboratory and his house. Jekyll’s house is described as a place of wealth and comfort but his laboratory is described as “a certain sinister block of building thrust forward its gable on the streets” (Stevenson 6). The wealthy house represents the respectable man Jekyll and the laboratory represents the corrupt Hyde. Normal people will not see the two structures as one just like how they won’t be able to see the relationship between Hyde and
The unknown to contemporary society leads to repression of emotions. The snares are a lot of fun. This is shown through Jekyll's alter ego Hyde, who was an evil presence whom Jekyll feared to expose due to Victorians view of reputation and their fear of the unknown. In terms of scientific issues Stevenson is warning the future.
Within every being exists temptations, whether it be quiescent or dynamic, which fluctuates from one individual to another. Commonly negative, temptations ascend from lesser qualities of man and expose an individual to develop even more reprehensible ambitions. The story of a one man’s dark wishes is explored in Robert Louis Stevenson’s novella, “Strange Case of Dr Jekyll and Mr Hyde”. Properly termed, Stevenson perused the unnerving case of a respectable, proletariat-class doctor, who becomes associated and obsessed with Mr Hyde. It is this presence of the “duality of human nature that is created consistently throughout the Gothic Literature”.
Thus in conclusion, the concept that texts are a reflection of their context is applicable in Robert Stevenson’s novella: “The Strange Case of Dr Jekyll and Mr Hyde”. This is due to the values of the nineteenth century Victorian England such as technological advances, reputation and masculinity being reflected through the main characters of the text through Stevenson’s use of literary devices support.
To conclude the way that Stevenson has described Hyde and what Jekyll has done in most parts he has related it to the devil which in Victorian times was considered very dangerous, even though today he’s not considered that powerful it would still make a big impact. Stevenson has been successful in using many elements of a shocker/thriller to write a novella with a much deeper moral significance because every aspect of the story relates back to the Victorian morals of 1837 till 1901 and for a 21st century reader some parts of the novella will make them think what is really happening around them now and whether it is right or not!
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
This essay will focus on how Robert Louis Stevenson presents the nature of evil through his novel ‘The Strange Case of Dr Jekyll and Mr Hyde’. Using ideas such as duality, the technique used to highlight the two different sides of a character or scene, allegories, an extended metaphor which has an underlying moral significance, and hypocrisy; in this book the Victorians being against all things evil but regularly taking part in frown able deeds that would not be approved of in a ‘respectable’ society. This links in with the idea of secrecy among people and also that evil is present in everyone. The novel also has strong ties and is heavily influenced by religion. Stevenson, being brought up following strong Calvinist beliefs, portrays his thoughts and opinion throughout the story in his characters; good and evil.
“The Strange Case of Dr Jekyll And Mr Hyde” is a novella written in the Victorian era, more specifically in 1886 by Scottish author Robert Louis Stevenson. When the novella was first published it had caused a lot of public outrage as it clashed with many of the views regarding the duality of the soul and science itself. The audience can relate many of the themes of the story with Stevenson’s personal life. Due to the fact that Stevenson started out as a sick child, moving from hospital to hospital, and continued on that track as an adult, a lot of the medical influence of the story and the fact that Jekyll’s situation was described as an “fateful illness” is most likely due to Stevenson’s unfortunate and diseased-riddled life. Furthermore the author had been known to dabble in various drugs, this again can be linked to Jekyll’s desperate need and desire to give in to his darker side by changing into Mr Hyde.
The story of Dr. Jekyll and Mr. Hyde is a confusing and perplexing one. R.L. Stevenson uses the devices of foreshadow and irony to subtly cast hints to the reader as to who Mr. Hyde is and where the plot will move. Stevenson foreshadows the events of the book through his delicate hints with objects and words. Irony is demonstrated through the names of characters, the names display to the reader how the character will fit into the novel. These two literary devices engage the readers; they employ a sense of mystery while leading the readers to the answer without them realizing the depth of each indirect detail.
Stevenson had already created suspense before the chapter had begun through the knowledge we have of Mr Hyde. His character we know of links in to the ideas of Darwin. “And this was more of a dwarf”, Hyde is described as a dwarfish and primitive person, this Links in to the ideas of Darwin of how cave men evolved from apes and how we evolved from cave men. The fear of the Victorians is that since man had evolved from animals he has the same lack of control over emotions as animals.
In Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, the dual nature of man is a main theme. Jekyll says: "Man is not /truly one, but truly two"(125), meaning all people have both a good and a bad side. Dr. Jekyll creates a potion to fully separate good and evil, but instead it awakens a dormant character, Mr. Hyde. Throughout the novel, Stevenson uses society, control, and symbolism to tell the reader about human nature.
To summarize, Strange Case of Dr. Jekyll and Mr. Hyde is a metaphorical looking glass into the duality of human nature. In the words of Romeo and Juliet’s Friar Lawrence, “Two such opposèd kings encamp them still/ In man as well as herbs—grace and rude will” (II iii 28-29). In everyone, there is good and evil, a Jekyll and Hyde. The decision is who will be allowed to take control. Robert Louis Stevenson’s novel helps the reader to better understand the duality of human nature through Jekyll’s fascinating tale, and the true meaning behind the story that makes the reader sit back and reflect makes the story a timeless piece of literature.
Robert Louis Stevenson’s Gothic 1886 novella The Strange Case of Dr. Jekyll and Mr. Hyde can be read in a number of ways through any number of different lenses, which makes for a versatile novella, and an interesting read for just about anyone. It also makes for a great novel with which to learn literary analysis. Using The Strange Case of Dr. Jekyll and Mr. Hyde one can see how Freudian psychoanalysis, though it had not been so developed at the time of the novel can intersect with homosexual undertones, and how the manifestations of the repressed can come to light when the subject of homosexuality is not properly addressed.
The evil side, Edward Hyde, could enjoy all the wicked pleasures and execute all of Dr. Jekyll's angry, and vengeful wishes, yet, Dr. Jekyll does not have to be afraid of his conscience. Since Mr. Hyde was pure evil and was affected by science, Stevenson tells his readers that science is evil through Hyde's actions, and through the characters like Utterson whose descriptions of Hyde is immense horrifying. As he says, Mr. Hyde was pale and dwarfish; he gave an impression of deformity without any namable malformation, he had a displeasing smile,., and he spoke with a husky whispering and somewhat broken voice,. God bless methe man seems hardly human! (Dr. Jekyll and Mr. Hyde pg.20) Like Frankenstein, the words "evil, satan, and devilish" were all used to describe Mr. Hyde.
In this paper, I've decided to discuss the principles of Chester I. Barnard and the principles of Henri Fayol.