In “The Stepsister’s Tale” written by Theodora Goss, where there is one speaker in the poem where she names off various bones, tendons and joints found in the feet (Goss 3-6). The poem becomes gruesome once the speaker states how she cut off her big toe, while her sister cut off a part of her heel for a woman whom they love, their mother (Goss 8-22). The speaker of the poem has a lot of character development as well for fitting into five stanzas. If “The Stepsister’s Tale” were compared to the Grimm Brother’s Tale of Cinderella, then Goss’s character can easily be compared to one of Cinderella’s stepsisters. Specifically, the eldest stepsister who cut’s off her big toe to fit a slipper. Since the speaker says, “Years later, when I had become …show more content…
a podiatrist,” one can assume that Goss wrote this poem to be a continuation of the stepsister’s story, which further develops her character. From reading “The Stepsister’s Tale” and from referring back to the Grimm Brother’s Cinderella, the stepsister’s character introduces beautification issues, social-emotional needs and effects from one’s past. From analyzing “The Stepsister’s Tale” one can say that this poem touches upon a minor beautification issue that some women have, that is believing that a woman’s hands or feet should be small.
The stepsister’s character has believed in this beautification standard from the influence of her mother, who thought that for her daughter’s to be perfect they have to have “unblemished skin, waist like a corsetier’s dream, feet that would fit even the tiniest slipper” (Goss 16-17). Tiny hands, feet and waist would be the idealized image for women during Cinderella’s time because those type of features would signify an aristocratic woman of that time, a women who didn’t have to work other than sew or play piano. However, even though this was an idealized image for women at the time having dainty feet did not suit well with dancing during the time. Just like all beautification issues altering one’s body comes with consequences. Altering one’s waist collapses the ribs into internal organs, unblemished skin can lack essential vitamins provided by the sun or even small feet can make a person immobile, unbalanced. The stepsister in Goss’s poem addresses these issues and even acknowledges that it is not worth it in the end and even calls perfection “abuse” (Goss
26). Furthermore, “The Stepsister’s Tale” and The Grimm Brother’s Cinderella both touch upon the issue of social-emotional needs shown from both of the stepsisters to appease their mother. The stepsisters both have high expectations of themselves because of their mother, and due to them desiring this perfectionism one can assume that they both end up suffering in the end emotionally. Both stepsister’s desire to please their mother must be drastic, if they decided to take the measures of cutting off parts of their bodies just to gain the emotional needs of their mother. “The problem is you do desperate things for love. We loved her, the woman who wanted us to be perfect,” here the stepsister states how it was a problem for both her and her sister to listen to their mother’s perfectionist ideals (Goss 15-16). The stepsisters were blind-sighted to not only their mother’s loving advice but also to their emotional health throughout their life known in the Grimm Brother’s Tale. As a result of the stepsister’s hardships of the psychological issues she endured, known in Cinderella, her character has developed significantly in “The Stepsister’s Tale.” Due to the effects of the issues she went through, she was heavily influenced by that moment in her life to become a podiatrist (Goss 2). Since not many know much about the stepsister’s character in Cinderella, from reading Goss’s poem one can tell that she is smart from her stating facts about feet in the second, third and fifth stanzas. She might have even learned all there is to know about feet for herself and her sister due to them permanently damaging them. The stepsister’s character also proves to have healed emotionally from the issues she faced by saying to one of her clients at the end of the poem “Look, underneath, how beautiful you are” (Goss 39). Ultimately, she finds beauty in what is underneath, she says, referring to the client’s bones or just her feet in general. This line in the poem also shows how she must feel about herself, and how she took away her beauty by cutting off her big toe. The line in the poem likewise brings awareness to one having self-love for oneself and not having to change to conform to standards. Which is key to her character development where one can learn from her character that she no longer feels the need to harm herself or promotes others to hurt themselves to fit beauty standards. In conclusion, the stepsister goes through many social issues, not only involving herself but her mother as well. The “Stepsister’s Tale” shares how later on how she learned from these mistakes in her life. Goss provides a valuable ending to the Grimm Brother’s Cinderella by not only addressing these issues but also addressing that they are not right to believe and that no one should succumb to these types of problems.
In the article, “Fairy Tales and a Dose of Reality,” Catherine Orenstein attempts to show the contrast between the modern romanticism of marriage and the classic fairy tale’s presentation of them (285). She looks at the aristocratic motivations for marriage and the way these motivations are prominent in Cinderella. She then looks at the 20th century to highlight the innate difference of our mentalities, showing a much more optimistic and glorified relationship. In the article, “Cinderella: Not So Morally Superior,” Elisabeth Panttaja claims that Cinderella’s success can be attributed to her craftiness (288). She shows her and her mother as an equal to the stepfamily, analyzing each family’s goals and values. She attempts to show their similarities,
A young woman named Cheryl wrote a very humorous and entertaining version of Cinderella on her blog. My favorite part of her fairytale is when she included the most precise details that no other would think to include. At one part of her story she states: “Invitations were sent out at no little cost in postage stamps, and all the young woman were excited to attend. Naturally the ugly stepsisters wanted very much to go, and naturally they forbade Ella from attending, just to live up their reputation as wicked stepsisters. – Getting an education or maybe a job and achieving better life from her stepfamily – one with more fulfillment and fewer cinders – didn’t occur.”
Cinderella has adapted over the years to fit what our society views as the correct Cinderella folktale. Some modifications to the plotline have been positive, but unfortunately, others have been negative. In the article, “A Girl, A Shoe, A Prince: The Endlessly Evolving Cinderella”, Linda Holmes discusses the durability of the Cinderella story and
The character Cinderella in Cinderella could be illustrated and analyze in Erikson’s stage of identity versus role confusion. Identity versus role confusion was when a young people earlier conflict was resolved negatively, or if society limits their choices to one that does not match their abilities and desires, they may appear shallow, directionless, and unprepared for the challenges of adulthood. This stage begins with Cinderella’s father dying and leaving her to live with her stepmother which shows her true colors. During this period, Cinderella is kept with an evil stepmother and two stepsisters that don’t like her and will do anything to make her feel bad. This is where her terrible life begins.
William Mason Grosvenor believes that Reconstruction should be harsh. Grosvenor has two main arguments to support this belief, manifest destiny and the potential for the reoccurrence of a similar event to the war if Reconstruction was carried out in a lenient manner. Grosvenor argues that the country, pre-Civil War, was never truly a single unified country, but rather a group of peoples with vastly different values held together by a constitution which they had outgrown, saying, “[n]o chemical union had ever taken place; for that the white-hot crucible of civil war was found necessary.” Furthermore, Grosvenor believes that the succession of the South demonstrated this divide while simultaneously violating the doctrine of manifest destiny through
Bettelheim, Bruno. ""Cinderella" A Story of Sibling Rivalry and Oedipial Conflicts." Bettelheim, Bruno. The Uses of Enchantment. 1976. 279-282.
Over centuries of children have been enjoying the classic fairy tales of the Grimm Brothers and Charles Perrault. The fanciful plots and the vivid details allow children to be entranced by characters and adventures that can only be found in these stories. One of the most beloved fairy tales, which both the Perrault and the Grimms have their own separate versions of, is Cinderella. Cinderella is able to show how both versions are able to feed off the same plots while personifying the century and social economic situation in which they have lived.
Cinderella is about a beautiful young girl that is mistreated by her step family. They give her the worst chores, make her sleep in a very dirty room up in an attic, and even give her the name “Cinderella” because they say she is always playing in the cinders of the fire. Cinderella is different though because despite being mistreated, she is still very nice and warmhearted. She represents how you should act in a world full of hate. If you are nice to everyone despite their rudeness and hate you will be rewarded in the end. Since Cinderella was so nice to her step sisters throughout her whole life, when she wanted to go to the ball her fairy godmother granted her wish. Cinderella got to go to the ball and looked absolutely beautiful, beautiful enough to catch the attention of the prince. While at the ball she was still very nice to her stepsisters, giving them food and telling them how nice they looked. When the stepsisters got home from the ball that night, they explain how lovely the mysterious princess was and how they thought she was so beautiful, not knowing that the mysterious princess was Cinderella. Cinderella played it off like she knew nothing of the princess but agreed with them that she must have been very beautiful. The next day came around and the stepsisters returned to the ball the
Instead, she takes her burdens as they come. Clare R. Ferrer noted in her article, “heroines are not allowed any defects, nor are they required to develop, since they are already perfect.” At the beginning of the story, Cinderella is described as “remaining pious and good” in-spite of the loss she endured. Cinderella is such a good person, that she takes the abuse from her step-sisters with grace and never asks for anything, nor does she reveal to her father or the Prince the type of life she has succumbed to living. Beauty goes hand-in-hand with being a good woman. According to Parsons, “a high premium is placed on feminine beauty…Women are positioned as the object of men’s gaze, and beauty determines a woman’s ...
It is more obvious in this tale than others, but some of these aspects are the nickname of Cinderella, the evil stepfamily, the three balls, and the beautiful slipper. However, Perrault and the brothers Grimm made some parts of the story very different. In the Grimm’s version, Cinderella’s mother was very important to her and she was very important to her father, while in Perrault’s her mother is not even mentioned and her father is more attached to his new wife than he is to his daughter. Perrault described the stepsister’s as less beautiful than Cinderella, while the brothers Grimm described them as just as beautiful but with bad personalities. Another major difference was Cinderella’s magic helper. In Perrault’s story Cinderella had a fairy godmother that gave her horses, a carriage, footmen to escort her, and new beautiful clothes, and in Grimm’s story her magic helper was birds that only provided clothes. A main difference that a lot of people would notice is the fact that in the Grimm’s tale Cinderella’s slipper was made of gold, and in Perrault’s it was glass which is what most people are familiar with. The endings of the stories also differed. The Grimm’s version ended in a much darker way. Both stepsisters got their eyes pecked out and were doomed to live a life of blindness, which was clearly not a very child friendly way to end a story. In
... supports this claim by showing how the female character’s speeches are reduced dramatically while the male character’s speeches increase dramatically. Bottigheimer later supports this by comparing Cinderella’s speeches from the 1812 version and the 1857 version. Bottigheimer states, “The 1857 version presents a far different picture. Here Cinderella has nearly lost her filial voice responding only to her father’s inquiry about what he should bring her from his trip” (62). She goes on to say, “In depriving Cinderella of her voice, Grimm has further isolated her within the tale, relegating nearly all her talk with people to indirect discourse, but leaving her the unvarying incantations addressed to birds and tree” (63).
There is obvious competition between Cinderella, her step-mother, and her step-sisters. The conflict between them began because they both want the father’s/ husband’s love and attention; this explains the step-mother’s cruelty toward the step-daughter. Cinderella 's stepmother declared “No, Cinderella..../you have no clothes and cannot dance./That 's the way with stepmothers”(li.53-55); this statement reveals the step-mother’s abiding envy towards Cinderella because even after she had picked up the lentils the step-mother had thrown, she still made up excuses to keep Cinderella at home and isolated. Although there were two step-daughters, “Cinderella was their maid./She slept on the sooty hearth each night/ and walked around looking like Al Jolson(li.30-32). This line refers to how Cinderella walked around the house with dirt and sludge on her all day and slept on the fireplace each night while the two step-sisters walked around the house clean and slept in comfortable beds. This shows the contrast between the two step -sisters and Cinderella and how they are treated differently throughout daily life. Obviously, there is no reason the step-family should envy Cinderella; however, they do anything in their power to make sure they receive the most attention from the rich father/husband to get whatever they
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life associated with the peasant culture. Perrault’s and Grimm’s Cinderella’s have the same plot, but their writing style is different which completely modifies the tale.
In “Cinderella” by the Grimm Brothers, the moral is that one should never lie or be wicked to others. In the story, Cinderella’s mother passed away and a year later her father gets remarried to an evil woman who has two daughters. The wife and daughters torment Cinderella, making her complete tedious chores. Eventually, Cinderella attends a ball for the Prince and they fall in love. However, she runs away every night and he cannot find her. The Prince finally takes one of her slippers and sets out to find the love of his life. He then goes to her household and asks all the sisters to try the slipper on. The stepsisters try to deceive the Prince but “the blood was streaming from” their feet and they are eventually caught. When Cinderella tries on the shoe it fits perfectly and the two get married. At the reception, two birds peck out the stepsisters’ eyes, punishing them “with blindness as long as they lived.” The archetypes in the story are Cinderella who is the damsel in distress, the Prince who saves her and the evil stepsisters and mother who are the villains. A convention is that true love always...
The narrator says this to further the idea that the character of Cinderella evolves during the entire tale. She begins being this beautiful girl to this bottom-feeder only bossed around by her own family. This is significant when the stepmother takes “her beautiful clothes away” and dresses Cinderella “in an old gray smock” with “wooden shoes” (Grimm 1). This change makes the character more vulnerable in which it can make the other characters push her around more. The taking away of beauty can also show the true colors of the other characters because it shows that they are insecure. They are scared of Cinderella and by changing a simple look, it can give them the confidence to rule over her. Another personality trait that Cinderella has is the “damsel in distress” princess. This was very common in older princesses like The Little Mermaid, Snow White, Sleeping Beauty, and Rapunzel. All of these characters engulf this idea that princesses are passive, naive, innocent, easy targets, and always wanting to be rescued. For example, Cinderella never speaks up to her stepmother. Many older princesses were commonly known for doing nothing and letting stuff happen around them. As a result, the quote illustrates certain personality traits that are common in