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The egyptian religion and architecture
Egyptian art or architecture introduction for school project
The great sphinx of giza essay
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The Spinx
In a depression to the south of Chephren's pyramid sits a creature with a human head and a lion's body. The name 'sphinx' which means 'strangler' was first given by the Greeks to a fabulous creature which had the head of a woman and the body of a lion and the wings of a bird. The sphinx appears to have started in Egypt in the form of a sun god.
The Egyptian sphinx is usually a head of a king wearing his headdress and the body of a lion . There are, however, sphinxes with ram heads that are associated with the god Amun.
The Great Sphinx is to the northeast of Chephren's Valley Temple. Where it sits was once a quarry. Chephren's workers shaped the stone into the lion and gave it their king's face over 4,500 years ago. The sphinx faces the rising sun with a temple to the front, which resembles the sun temples which were built later by the kings of the 5th Dynasty.
The figure was buried for most of its life in the sand. King Thutmose IV (1425 - 1417 BC) placed a stela between the front paws of the figure. It describes when Thutmose, while still a prince, had gone hunting and fell asleep in the shade of the sphinx.
During a dream, the sphinx spoke to Thutmose and told him to clear away the sand because it was choking the sphinx. The sphinx told him that if he did this, he would be rewarded with a kingship. Thutmose carried out this request and the sphinx held up his end of the deal.
The sphinx is built of soft sandstone and would have disappeared long ago had it not been buried for so long. The body is 200 feet in length and 65 feet tall. The face of the sphinx is 13 feet wide and its eyes are 6 feet high. Part of the uraeus (sacred cobra), the nose and the ritual beard are now missing. The beard from the sphinx is displayed in the British Museum. The statue is crumbling today because of the wind, humidity and the smog from Cairo. Attempts to restore it have often caused more harm than good. No one can be certain who the figure is to personify. It is possible that it is Chephren. If that is so, it would then be the oldest known royal portrait in such large scale.
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
The pharaoh named Khafre was an ancient Egyptian king of the 4th dynasty during the old kingdom. Khafre enthroned shows the pharaoh is shown in a seated potion on a throne with a look of deep serenity in his face. The king is sitting rigidly upright with one of his hands on his knee and the other one making a fist on his thigh. Khafre is also wearing a headdress as well as a strapped on beard. Khafres’ face and body are both idealized with the help of bilateral symmetry. Khafre is perfectly symmetrical on both sides; his pose is also both frontal and ridged. The Sculptor shows all movement, however, still showing eternal stillness (Kleiner, 2013). The statue of Khafre is an image of unbridled power. This work, life-sized and carved from diorite (an extremely hard and difficult-to-work stone) portrays the Pharaoh Khafre, sitting immobile. This piece of art uses the Egyptian canon of proportions, creating a very idealized figure (Kleiner,
Whenever the topic of Ancient Egypt is breached, a few generic topics are instantly recalled: maybe it’s the pyramids, King Tut’s tomb, maybe even the Exodus? Before Egypt became the Egypt that most everyone knows of now, it was a wildly disjointed, disunited preamble to the great empire it became known for. King Narmer was the factor that ultimately changed that. Unifier of Egypt and founder of the First Dynasty, Narmer set into motion a series of events that ultimately shaped Egypt into the modern republic it is now. In this episode of ‘A History of the World in 101 Objects,’ we will delve into the history behind this legendary Stele, explore the ancient and current significance of such a production, and attempt to lift the veil on topics such as consolidating Menes with Narmer.
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
Pyramids, gold, the Nile, hieroglyphics, gods and goddesses…no matter how much we know about it, we all see one of these things when we picture Egypt. However, this image is not complete without the Pharaoh. Not much in Egypt was. So to be considered “The Last Great Pharaoh of Egypt” is quite an honor, an honor that Ramesses III carries. A ruler in the time of the New Kingdom, he gave Egypt a few more years of glory before it’s decline.
The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.
The Egyptians often included lions to symbolize strength, leadership, loyalty, and war. The top of the palette also includes a human face with bull horns. This was done in attempt to represent the gods the ancient Egyptians believed in. These gods are associated with power, masculinity, and fertility.
The Constitution of the United States and the Texas Constitution share many similarities. They also have important differences due to different attitudes about what the role of government should be. It is important to know the limits of the state’s power as it can help us better understand our role as a Texas citizen.
The two documents contain very general similarities. They both have a bicameral legislature, which means that they have two chambers or houses. They also both have a Bill of Rights which showcases the rights that the citizens have. Like the U.S. government, the Californian government also has a legislative, executive, and judicial branch where, in short, the legislative branch makes the laws, the executive branch carries out the laws, and the judicial branch interprets the laws, among other things. In order for both governments to run smoothly, California was influenced by the federal system of checks and balances, meaning that no single branch of government can become too powerful. In addition, the state governor has similar duties to the president such as serving as commander in chief of a militia and having the supreme executive power (Cal. Const. art. V, § 1&7). Although, within the similarities, many differences can be noted between the two documents, ranging from minor differences to major differences.
The statue of King Khafre Seated , from the fourth dynasty of the Old Kingdom, 2520 - 2492 BCE, was created by an unknown artist in the smooth permanence of graywacke stone. Although the statue is currently at the Metropolitan Museum of Art as number 56 in the Special Egyptian Exhibition, its true home is at the Egyptian Museum, in Cairo. The man being portrayed, King Khafre, ruled Egypt for approximately thirty years, during which he commissioned the single most recognizable monuments of Egypt, the a fore mentioned Pyramids at Giza and the Sphinx. These monuments of symmetry and solidity characterize the focus of popular architecture and sculpture from the Old Kingdom in Egypt.
The mythical event represents the Greek hero Oedipus confronted by the Sphinx outside the kingdom of Thebes. Oedipus must solve the Sphinx’s riddle in order to live. (Morford, Lenardon, and Sham 422). The painted image shows the fallen victims who previously tried and failed to answer the riddle correctly. The myth behind the painting starts with a son that was born to Queen Jocasta and King Laius of Thebes (Morford, Lenardon, and Sham 420). The oracle told King Laius that a child born to him would grow up, murder him, and marry his own mother. (Morford, Lenardon, and Sham 420). In order to avoid this fate, King Laius ordered the child to the elements on Mount Cithaeron with a spike through his ankles. (Morford, Lenardon, and Sham 420). A servant ordered with this request, felt sympathy for the child and left him with a Corinthian shepherd, who then presented the child to King
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...
Famed novelist Ernest Hemingway believed that “[a]ll modern American literature comes from one book by Mark Twain called Huckleberry Finn…the best book we’ve had.” The Adventures of Huckleberry Finn is a classic American tale with all the essentials of a story that feeds our imagination. On the surface, the novel appears to be a very unpretentious tale of adventure, and self-discovery that has earned a place on every high school required reading list. However, if the story is closely examined, it takes on darker undertones of a racist culture replete with derogatory language and glimpses into the ugliness and turmoil that followed in the years immediately after the Civil War, and that still exist today. Controversial and racist are two words commonly used to describe Mark Twain’s The Adventures of Huckleberry Finn. It is considered to be the quintessential American novel, yet it remains in the middle of a debate over whether or not it should be taught in schools.
Yet school violence does not exist in a vacuum. It is directly related to the violence in our society. And for many children, particularly those who experience family violence early in their lives, school can often be their only safe haven. In 1992, over three million youngsters were reported to child protection advocates as possible abuse victims (U.S. Department of Justice, 1992). Thus, for many children in our society, schools are often safer than the environment where they live.