The Spanish Golden Age: ¿ Qué Es La Vida?

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¿Qué es la vida? Un frenesí. ¿Qué es la vida? Una ilusión, una sombra, una ficción, y el mayor bien es pequeño. ¡Que toda la vida es sueño, y los sueños, sueños son! The Spanish Golden Age, or El Siglo de Oro, was a time for the artist, the painters, the writers, the philosophers and the lovers, but most importantly it was a time for dramatist. It began in the late fifteenth century and lasted until 1700, shortly after the death of Pedro Calderón de la Barca. During this time religion and freedom played equal parts in reviving the life of a country once overshadowed by war and poverty. Until 1492 the Iberian Peninsula was under Muslim rule. And, although the area did flourish with their presence, the Christians, primarily the Catholics, …show more content…

Corras were a type of Spanish pageant wagon that would be lined up in groups of four or five to act as a mobile stage. They were the only place to perform plays before the development of public theatre, yet continued remained popular long after. They were especially sought after in the countryside where locals could not afford to travel to see larger productions. Actors who were unemployed by the larger companies and guilds formed compañas de la luega or companies of the road. Members of these troupes, as well as large licensed companies, could be males and females. However, only women married to other members of the company could actually perform. In these plays men could play women and women could play men, but their costumes could only change from the waist up when crossdressing was involved. Actors hired by companies had permanent spots at public theatres while the inner workings of the troupes were a bit more shady. Technical aspects were overseen by everyone within the company or troupe who could lend a hand. The director needed only to state his needs to the others and they would be done. The owner of the the company, head of the guild or leader of the troupe handled the funds. Then actors used their own money to have costumes made, using up to ⅕ or ½ of their annual salary. At least one carpenter would always travel with a troupe or be contracted to work for a company to build

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