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Sound wave research
Physics waves and sound essay
Physics waves and sound essay
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Shinji vs. Yasuo: The Use of Foils in The Sound of Waves
Yukio Mishima’s The Sound of Waves tells of a timeless love story between Shinji, a young fisherman, and Hatsu, the beautiful daughter of the wealthiest man in the village of Uta-Jima. But rumors and gossip throughout the whole village attempts to separate them. The concept of foils is used in this novel to emphasize the characteristics of Shinji, a good moral man who values the importance of hard work, and Yasuo, a man of lust, power, and selfishness. These two characters conflict throughout the novel to win Hatsue’s heart. As they chase after the girl, Mishima reveals significant traits that are demonstrated throughout The Sound of Waves.
Mishima uses Hatsue, the girl that Yasuo and Shinji are after, to demonstrate Shinji’s respectful nature and also Yasuo’s disrespectful nature. The meeting between Shinji and Hatsue at the observation tower reveals Shinji’s characteristics of respect and moral values. As Shinji confronts Hatsue’s body, he treats her with respect because “Shinji had a sort of haphazard respect for moral things” (Mishima 77). Having respected Hatsue’s decision of abstinence, Shinji received Hatsue’s respect and kindness. However, Yasuo does not respect Hatsue and has even attempt to rape her. Through nature’s intervention by the hornet, Hatsue was able to escape Yasuo’s grasp. Through Yasuo’s actions of attempting to rape Hatsue and trying to conceal the incident by making a deal, Mishima reveals Yasuo as lustful and selfish, the opposite of Shinji.
Mishima signifies the concept of foils as the setting takes place in the Utajima-maru, the ship where Shinji and Yasuo “began their maritime training in the capacity of rice-rinsers”, to demonstrate Shinji’s ...
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...ffected Shinji. He was able to adapt to the situation and did not react to Yasuo’s desires of anger and revenge. Shinji was able to stay calm and to remain faithful towards Hatsue. Mishima had revealed Shinji as tolerant as he was able to communicate with others despite the false gossip and serene as he let the gossip die down as well as Yasuo’s hopes for Hatsue’s heart.
In conclusion, Mishima brings Yasuo and Shinji together to highlight the foils between two characters. Mishima reveals Yasuo as a jealous, lustful, and selfish character and Shinji as being the hardworking, respectful, and of good moral character through various incidents throughout The Sound of Waves. Having these traits demonstrated to be morally good, Shinji was able to win Terukichi’s approval by doing “that great thing at Okinawa” and Hatsue’s heart through kindness and respect (Mishima 175).
In conclusion, Katsu’s tale allows one to delve deep into the day to day life of an unemployed samurai during the end of the Tokugawa era. His life can be observed to see the immense privilege the samurai status held. Not only that, he displays the values of a samurai warrior and although he does not act like an honorable samurai, he is an honorable warrior. Katsu displays the tenacity of both samurai privileges and values during the late Tokugawa shogunate. Although his life may not exemplify the ideal samurai, it does in fact allow one to observe the life of an ordinary samurai.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Gatten, Aileen. "Review: Criticism and the Genji." The Journal of the Association of Teachers of Japanese 22.1 (1988): 84. JSTOR. Web. 26 Feb. 2011.
These characters, however different they lie on the morality scale, all share the sinful trait of greed. They all ask, and take too much, ruining what the good that they had in their lives. Understanding their mistakes offers its useful readers a lesson, not to demand too much of the things we are offered. The characters struggle with their desires, each of them succombing to their passions.
This film had spectacular performances from the actors, especially Takashi Shimura, who plays Kanbei. Kanbei is a seasoned samurai and he was first chosen by the elders of the village. Toshiro Mifune’s plays Kikuchiyo who is an abrasive samurai who bridges the gap between the warriors and the people who live in the village.
...t pure?” (621). This rhetorical statement is the final stroke to his satirical masterpiece: it forces the reader to laugh at the outrageousness of the statement, which is the final key of his subtle attempt to expose the full absurdity that is the hedonistic Ukiyo lifestyle. By having the reader sit at the door step of the old woman’s hut and listen in on her stories with the various characters she meets, Saikaku is able to convey how Ukiyo’s superficial, unequal, and hypocritical nature is a breeding ground for corruption. Through Life of a Sensuous Woman, he paints only one conclusion: the dangers and pitfalls that Ukiyo poses to society far outweigh the thrill and pleasure of the “floating-world.”
Imagine going back millions of years just to hunt a dinosaur. Imagine trekking through the jungle and seeing a gigantic thirty-foot tall ten-ton beast. Shooting at it causes the dinosaur to run forward, and a little step off of the Path in fear causes a catastrophe. “A Sound of Thunder” by Ray Bradbury proves that making mistakes can cost you more than you ever imagined. Looking into certain aspects of the story will help to define how mistakes came about, and how to solve them.
Over the course of Japanese history, arguably, no artist is more famous for their works than Katsushika Hokusai. During his 88 years of life, he produced over 30,000 pieces of artwork, and heavily influenced Western styles of art. His most famous piece was created around 1831, a Japanese styled piece titled, The Great Wave off Kanagawa. This piece has stood as a defining piece of artwork in the Japanese culture for over 180 years, analyzed by students and authors for the interpretations filling the paper. The relationship between Hokusai’s painting has directly affected the Western point of view of Japanese style. The English author, Herbert Read’s novel interprets the painting distinctly differently from a Japanese point, American poet,
The Sound and the Fury is a story of sometimes unclear focus. From section to section we listen to three brothers: Benjy, Quintin and Jason, discuss their lives. We discover the inner workings of their home lives. The narratives disclose that their mother, Caroline Compson is a neglectful, hypochondriac. Mrs. Compson is shown to be a very self centered woman who really doesn't harbor any affection for her family and by this lack sends some of them to find mothering from a different source. “ How can I control any of them when you have always taught them to have no respect for me and my wishes I know you look down on my people but is that any reason for teaching my children my own children I suffered for to have no respect.” (Faulkner, 61) We meet Mr. Compson, the father, who is shown to love his children dearly, though in the case of some does not always like them all. He just happens to be an alcoholic, “Father will be dead in a year they say if he doesn't stop drinking and he wont stop he cant stop....” (Faulkner, 79) who is eventually killed by his addictions. Also introduced and discussed are the various household staff members whom the brothers love as if they were family. The brothers discuss horrors and anxieties that they are dealing with in their personal lives. Benjy's horrors of being unable to communicate, being tormented by his brother, Jason, and eventually being castrated due to a misunderstanding cover section one. In section two, Quintin takes his turn to share the anxieties that time and sexuality (among other things) cause him. The last of the brothers narrations, that of Jason, delve into the cruelty he imparts on others, as well as the bitterness and struggles he rapidly accumulates in raising his niece. All o...
Ha Jin’s “Saboteur” is about Mr. Chiu, a man who’s traveling home with his bride from their honeymoon. While waiting for their train, the couple has tea dumped on their feet by a police officer. Mr. Chiu confronts the police officer and gets arrested. During his time at the station, Mr. Chiu is interrogated by the chief who insists he take blame for the incident. While Mr. Chiu is being interrogated, his bride sends over Fenjin to get him out of jail. Fenjin however, is immediately captured and tortured. Initially, Mr. Chiu refuses to take responsibility for causing the incident, however after witnessing Fenjin’s torture and his own mistreatment he accepts the blame in exchange for their release. Seeking revenge for his mistreatment, Mr. Chiu
Before one explores the impact of Mishima’s cultural views on his novel, one must know what these beliefs are. At the most general level, one can label his culture as “militaristic Shinto,” an ultra-nationalist interpretation of traditional Japanese religion. In Shinto, it was accepted that “the Emperor was descended from the [Japanese gods]” (“Divinity of the Emperor”). Further centralization of the shogunate, the emperor’s governmental body, necessarily led to a more direct connection between the sociopolitical realm and the religious one. Mishima’s pastoralist emphasis on nature and religion must, therefore, be connected to his views on politics and government. Additionally, militaristic Shinto’s ultra-nationalist zeal derived from expansionist-era interpretations of traditional religious texts. For many, expansion could be justified with arguments of racial superiority and divine ori...
Yukio Mishima’s Temple of the Golden Pavilion represents the hardships, evil, and rebirth throughout the timeline of the war and after, creating the individual experience and perspective of a young man fighting his own personal, internal wars. This is highlighted through first person accounts of brutal acts of military officials and the contrast of the beauty in
Mishima, Yukio. (Translated by John Nathan) The Sailor Who Fell from Grace with the Sea, New York, Vintage International, 1993.
In every direction the sea rages and growls, tumbling its inhabitants in an ever-lasting rumble. Glory, honor, and duty are washed upon the glimmering golden shores of the Japanese empire. The sturdy land-bearers clasp hands with those thrown into the savage arms of the ocean. This junction of disparate milieus forms the basis of an interlocking relationship that ties conflicting elements and motifs to paint a coherent, lucid final picture. In The Sailor Who Fell From Grace with the Sea, Mishima incorporates the impact of contradictory settings of land and sea, combative ideologies of the Western and Eastern hemispheres, and inherent dissimilarities amongst the characters’ lifestyles in order to reinforce the discrepancy between his ideal Japan and the country he observed.
Throughout history, there has been an inescapable struggle between instilling ancestral customs and following the path of progress through adaptation. Author Yukio Mishima experienced this struggle during the time he wrote the novel The Sailor Who Fell From Grace With the Sea as his political ideology leaned towards conservatism and preserving traditional Japanese beliefs such as the samurai lifestyle. Post World War II was a transitional period for Japan as it started embracing the Western mannerisms of the Allied countries. Mishima’s internal conflict between this dichotomy -- westernization and traditionality -- is represented in the novel through the character of Noboru. Noboru struggles between his immersion in traditional