The Souls of Black Folk paper Du Bois book The Souls of Black Folk, opens with a Forethought that helps set the tone of the book and introduces several essential themes that will occur throughout each of his essays. Du Bois wrote this book very strategically in that in exposing the hardships and everyday life of the African Americans in the United States after the emancipation as well as describing the history that was occurring at the time. Rebecka Rutledge Fisher’s article “Democracy’s Remains: The Hermeneutic Historiography of Black Reconstruction” compares W.E.B. Du Bois’ books The Souls of Black Folk and Black Reconstruction in American 1860- 1880. She describes Du Bois’ writing as Hermeneutic Historiography which is the theory of interpretation. In the Forethought, Du Bois describes the theory of “the veil” and the color line. The veil is the separation between blacks and whites and only encompasses the Africa- American population. Within the veil is where the black populations experienced oppression, segregation, and discrimination. Du Bois also explains how the African- Americans could understand life from within the veil as well as outside the veil but whites would never be able to fully understand life under the veil. The color …show more content…
line is a figurative and literal separation of white people from all other races. The color line and the veil coincide with one another and would not exist without the other. In Chapter one “Of Our Spiritual Strivings,” right from the start Dubois discusses how there is one question that everyone wants to ask African -Americans but always hesitates to ask. That questions is “how does it feel to be a problem?” (Du Bois, Pg 7). Du Bois himself never considered himself a problem until one day during his elementary school days, a new girl had come to his school and it was accustom to write a card or letter to the new student. The young girl refused Du Bois’ card. Through this story is how Du Bois describes his first encounter with “the veil” and the color line. The young girls actions did not discourage him but empowered him to strive to be better than any white person and to not let the veil with hold him from reaching these goals and also decided to pursue education. He also uses foreshadowing to illustration some of the other complications African-Americans deal with still to this day. In this chapter, Du Bois questions God as to why he would make blacks in the shadows of other races and why God made him a problem. In the second chapter “Of the Dawn of Freedom”, Du Bois focuses on the color line and the problem is has created in the United States and blames the United States Government for creating the color line and putting limitations on the black population.
Du Bois indicates that the color line is not just a problem in the United States but a global issue that needs to be recognized and changed. He makes the statement that the institution of slavery was a major cause of the Civil war even when Congress and other government officials refused to believe that slavery resulted in a war with the South. Du Bois does applaud the Freedman’s Bureau for attempting to indentify the inequalities faced by African- Americans and to lessen
them.
While growing up in the midst of a restrictive world, education becomes the rubicon between a guileless soul and adulthood. In the excerpt from W.E.B. Du Bois’ The Souls of Black Folk, Du Bois provides a roadmap for African Americans to discover and understand themselves through the pursuit of knowledge, self-awareness, and authenticity. The excerpt is a significant part of the essay because it also speaks for the modern day pursuit of knowledge, self-awareness, and authenticity, an indispensable path into finding one’s self.
The role of the Freedmen Bureau in African-American development during the Reconstruction era has been a polarizing topic since the Bureau’s inception. While most concur that the Bureau was well intended, some scholars, believe that the Freedmen’s Bureau was detrimental to African-American development. One such scholar was W.E.B. Dubois, who in his book The Souls of Black Folk, expressed his discontent with the actions of the Bureau and suggested that the Bureau did more harm than good. Upon further probing, research refutes the position that the Freedmen’s Bureau was chiefly detrimental to Black development. While far from flawless in its pursuits to assist the newly freed Negroes, the actions of the Freedmen’s Bureau did not impede African-American progress; instead, these actions facilitated African-American development.
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
B., Du Bois W. E. The Souls of Black Folk: Essays and Sketches. New York: Dodd, Mead, 1979. University of Virginia Library. 4 Oct. 2008. Web. 23 Feb. 2014. 37.
Du Bois was a scholar activist who proposed lots of solutions for the issue of racism and discrimination. Du Bois was sort of an opposition to Washington’s ideology, as he strongly believes that it can only help to disseminate white’s oppression towards blacks. We can see his dissatisfaction based on his writing with a title On Booker T. Washington and Others. He wrote that Washington’s philosophy was really not a good idea because the white extremists from the south will perceived this idea as blacks’ complete surrender for the request of civil rights and political equality. Du Bois had a different view on this issue if compared to Washington because of their different early lifestyles. Unlike Washington, Du Bois was born free in the North and he did not receive any harsh experienced as a slave himself and was also grew up in a predominantly white area. In his writings, it is obvious that he thought that the most important thing that the black should gain was to have the equality with whites. Regarding the issue of the voting rights, Du Bois strongly believed that it is important for black people to agitate to get the right to vote. He also believed that the disfranchisement of poor men could mean the catastrophe of South’s democracy (Painter 157). In his writing with a title Of Our Spiritual Strivings, he wrote that it was significant for blacks to exercise the right to vote because there were whites that wanted to put them back in their inferior position—and it was
"For now we see through a glass, darkly" --Isiah 25:7 W.E.B. Du Bois's Souls of Black Folk, a collection of autobiographical and historical essays contains many themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture; but one of the most striking themes is that of "the veil. " The veil provides a link between the 14 seemingly unconnected essays that make up The Souls of Black Folk. Mentioned at least once in most of the 14 essays it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world with yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others.
The Concept of the veil has been a significant symbol of clearly differentiating from the whites, in aspects of political, economical and social prospects. Durkheim explained symbol as “something that stands for something else”(pg. 135). It is a symbol that calls up shared notions and values. In the example of the Blacks in the south, the veil symbolized an “iron curtain” separating the two races, separation and invisibility, of the black and white. The veil had previously been worn because of previous traditions demanding a clear separation of the sexes. The veil is seen as a social barrier to prevent the “others”, black African Americans, from surpassing into the clean and pure white world. Nonetheless Du bois also states, that its possible for one to, lift up the veil when one wishes, and he can also exist in a region on neither side, white nor black, which shows Du bois’ many different meaning and function with the symbol of the veil.
“Color lines” led to the literal and metaphorical separation of the races and led to a “double consciousness,” in which blacks were “born with a veil” in a world where they had to see “[themselves] through the eyes of others” and live with “two souls, two thoughts…two warring ideals in one dark body” (The Souls 38). The identities of African and American conflicted, as the former was considered inferior and the latter originated from slavery. Racism affected the way whites viewed blacks and created “the Veil,” which could only be fully understood from within. This led to insistent inequality and not only were blacks blocked from the same employment and educational opportunities as whites, but also the ability to achieve their full potential, and so the “freedman [had] not yet found in freedom his promised land” (The Souls 40). Additionally, as industrialism developed, wealth became more important than “truth, beauty, and goodness” (The Souls 84). As focus on education decreased in favor of workforce training, blacks were unable to reach the same levels of wealth as whites and color lines were
Washington 's programme naturally takes an economic cast” (Du Bois). Du Bois believed that Washington’s theory was a gospel of Work and Money that ultimately overshadowed the higher aims of life” Later he makes another statement so powerful that should have made all African Americans want to stand up and fight for a better social status and rights for both the South and North. He goes on stating “The growing spirit of kindliness and reconciliation between the North and South after the frightful differences of a generation ago ought to be a source of deep congratulation to all, and especially to those whose mistreatment caused the war; but if that reconciliation is to be marked by the industrial slavery and civic death of those same black men, with permanent legislation into a position of inferiority, then those black men, if they are really men, are called upon by every consideration of patriotism and loyalty to oppose such a course by all civilized methods, even though such opposition involves disagreement with Mr. Booker T. Washington.” (Du
" The Souls of Black Folk", is a collection of autobiographical and historical essays contains many vast themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture. One of Dubious the most outstanding themes is the idea of "the veil." The veil provides a connection between the fourteen seemingly independent essays that make up "The Souls of Black Folk". Mentioned at least once in most of the essays, it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others”. The veil seems to be a metaphor for the separation and invisibility of black life and existence in America. It is also a major reoccurring theme in many books written about black life in America.
In The Soul of Black Folk, W.E.B. Du Bois talks about the struggles that the African Americans faced in the twentieth century. Du Bois mentions the conflict that concepts such as the “double consciousness” (or duality), “the veil” and the “color-line” posed for Black Americans. In his book he says that African Americans struggle with a double consciousness. He explicates that African American are forced to adopt two separate identities. First they are black, and that identity pertains to the color of their skin, the second identity is the American identity. However, he continues that the American identity is tainted because it is that if being American now but were slaves first. In other words, the double consciousness is saying that black people
“BETWEEN me and the other world there is ever an unasked question: unasked by some through feelings of delicacy; by others through the difficulty of rightly framing it….instead of saying directly, How does it feel to be a problem? They say, I know an excellent colored man in my town; or, I fought at Mechanicsville; or, Do not these Southern outrages make your blood boil (Du Bois 1)?” In “The Souls of Black Folk” W.E.B. Du Bois raises awareness to a psychological challenge of African Americans, known as “double - consciousness,” as a result of living in two worlds: the world of the predominant white race and the African American community. As defined by Du Bois, double-consciousness is a:
Du Bois, W. E. Burghardt. The Souls of Black Folk. Chicago: A.C. McClurg & Co.1903. Print.
In Du Bois' "Forethought" to his essay collection, The Souls of Black Folk, he entreats the reader to receive his book in an attempt to understand the world of African Americans—in effect the "souls of black folk." Implicit in this appeal is the assumption that the author is capable of representing an entire "people." This presumption comes out of Du Bois' own dual nature as a black man who has lived in the South for a time, yet who is Harvard-educated and cultured in Europe. Du Bois illustrates the duality or "two-ness," which is the function of his central metaphor, the "veil" that hangs between white America and black; as an African American, he is by definition a participant in two worlds. The form of the text makes evident the author's duality: Du Bois shuttles between voices and media to express this quality of being divided, both for himself as an individual, and for his "people" as a whole. In relaying the story of African-American people, he relies on his own experience and voice and in so doing creates the narrative. Hence the work is as much the story of his soul as it is about the souls of all black folk. Du Bois epitomizes the inseparability of the personal and the political; through the text of The Souls of Black Folk, Du Bois straddles two worlds and narrates his own experience.
12 Million Black Voices by Richard Wright is a photo and text book which poetically tells the tale of African Americans from the time they were taken from Africa to the time things started to improve for them in a 149 page reflection. Using interchanging series of texts and photographs, Richard Wright encompasses the voices of 12 Million African-Americans, and tells of their sufferings, their fears, the phases through which they have gone and their hopes. In this book, most of the photos used were from the FSA: Farm Security Administration and a few others not from them. They were selected to complement and show the points of the text. The African-Americans in the photos were depicted with dignity. In their eyes, even though clearly victims, exists strengths and hopes for the future. The photos indicated that they could and did create their own culture both in the past and present. From the same photos plus the texts, it could be gathered that they have done things to improve their lives of their own despite the many odds against them. The photographs showed their lives, their suffering, and their journey for better lives, their happy moments, and the places that were of importance to them. Despite the importance of the photographs they were not as effective as the text in showing the African-American lives and how the things happening in them had affected them, more specifically their complex feelings. 12 Million Black Voices by Richard Wright represents the voice of African-Americans from their point of view of their long journey from Africa to America, and from there through their search for equality, the scars and prints of where they come from, their children born during these struggles, their journeys, their loss, and plight...