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Literary analysis of two kinds
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Literary analysis of two kinds
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In every piece of art, it is important to have a clear portrayal of the two sides of a coin. In this case, pieces of a story are often made better when an author can portray the protagonists as well as the antagonist in a clear manner. “The Simple Art of Murder”, as well as The Big Sleep, reveal the lives of two detectives that are committed to solving crimes and hence finding justice to innocent victims. While going deeper into pieces, it is made clear that even the cleanest protagonist or detectives are bound to have their image tainted in the line of duty. Predominantly, they end up needing the help of their partners so as to emerge victorious. The same can be said for “Modesty Blaise: The Killing Ground” because Blaise, is a woman that …show more content…
In this collection, Raymond was able to expand his niche by adding new elements to his pieces.“The Simple Art of Murder” is a collection that entails the murder of innocent people in the society. The author comes out strong and links these happening to political endeavors, blackmail, or simple cases of wrong place at the wrong time. Raymond can portray his mastery of the undertakings within the underground life in Los Angeles in the fifties. “One of the reasons as to why his work was popular could be based on the notion that his factious novels had some hint of reality”(Raczkowski 798). The audience was kept on their toes knowing that some of the scenes described by the author could have happened in the real world. The author makes it clear that elements including blackmail, corruption and politics can be closely linked to the disappearance, and eventually murder. In this collection, the author goes as far as showing his prowess in character development by ensuring that none of the characters could be singled out as being completely innocent, or even completely dirty. “The mystery within the collection is driven by the unique character of the protagonist that is also the detective, allowing him to change the direction of the story”(Swirski 46). As the audience goes deeper into the collection, one can also note that some occurrences are repeated but are also unique to Raymond’s style of writing. “As for literature of expression and literature of escape, this is critics’ jargon, a use of abstract words as if they had absolute meanings”(Chandler 8) I agree, I think that people do read stories to escape their reality, however at the same time these stories have the readers relating these stories to their daily lives. Chandler creates a combination of grasping events such as criminal events, most of which he is not able to solve as an individual,
Both “Full Circle” and “The Most Dangerous Game” have many differences with how the murder is presented in the story, but both also have many similarities. In the short story “The Most Dangerous Game” the murder was done for fun and sport, General Zaroff killed his victims to fulfill a hunting sensation. But in the short story “Full Circle”, the murder was done out of jealousy, because the Terry was rejected. Throughout my paper I hope to show the similarities and differences of the murder cases within the two stories.
In this paper, I’m going to talk about these two intriguing movies. The movies that I will be elaborating on is “And Then There Were None”, and “Clue”. In my paper, I will be examining the similarities and differences the plot of the two murder mysteries were different and similar. I will also try to find the similarity between the plot of these two movies. In my paper, I will be discussing the difference between the two movies murder scenes. I hope you think my Compare and Contrast paper is intriguing.
A composer’s construction of distinctive voices in a text plays a crucial role in portraying how life experiences shape an individual’s identity, world view and response to their environment and others. It is through the careful selection of language techniques that composers represent how individuals respond to life experiences, thereby positioning the responder to think about the significant issues of the world, as it can shape the individual’s perception, persona and interpretation. Both Merele Day’s 1990’s detective fiction nobel ‘The life and Crimes of Harry Lavender’ and the 1980’s poem ‘Stealing’ by Carol Ann Duffy confronts us with various characters related with crime giving us an intuition into the motivation and perspectives of unique individuals. Day presents both Claudia Valentine, a subverted representation of the hardboiled detective and also Harry Lavender a typical criminal mastermind. Likewise Duffy presents an ambiguous individual who glamourises criminal acts against society. Eventually expressions within the two texts ensure that readers understand the actions taken by each protagonist.
Through poetry, the reader sees why Will believes he must kill who he thinks killed his brother. Through big picture analysis and close critical analysis of one of the poems in this book, one can see that this author has written a poetic masterpiece. The poetry in this story paints a picture that is not achieved in other forms of written communication. The author uses mostly
“Killings", written by Andre Dubus in 1979, involves several aspects such as revenge, morality, and murder. Elements, such as the story’s title, the order of events, and the development of the characters, are very unique. It successfully evokes emotion and suspense as the plot unfolds in sequence. Though it seems easily overlooked, the title “Killings” is very important due to the fact that the thrill of suspense is left in the mind of the reader. The title encourages readers to question who and what. It is also an intricate setting for the plot’s mood. It implies that a murder has taken place, but that is all the reader knows. The chronology of the story uses a style called "in media res”, a term used to describe the common strategy of beginning a story in the middle of the action or entering on the verge of some important moment (Meyer 2198). In this story, the readers are shown that murder not only takes a life, but it can also take away a living persons sense of self worth, their spirit.
The story of “Killings” by Andre Dubus looked into the themes of crime, revenge and morality. The crime committed in the story depicted the father’s love for his son and the desire to avenge his son’s death. However, his own crime led to his own destruction as he was faced with questions of morality. The character found himself in a difficult position after taking his revenge. He failed to anticipate the guilt associated with the crime he committed. Feelings of anger and righteousness are illustrated by the character throughout the story.
At the beginning of the story, the Narrator has been playing Detective in a city of his imagining for years. Unlike the real town he lives in, the Narrator’s city is a sprawling metropolis, where everyone in his real life has a secret role. His parents, for example, “...were well-meaning but unimaginative people, and I was polite to them”, and his brother, Mark, “...was the district attorney, my nemesis” (p. 52). These roles have significance, in
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
The women in both Hardy’s Tess of the D’Urbervilles and Conrad’s Heart of Darkness are seemingly presented with traditional feminine qualities of inferiority, weakness, and sexual objectification. However, the power that they hold in male-female relationships, and their embodiment of traditional male roles, contests the chauvinistic views of society during Conrad and Hardy’s era. While Conrad presents powerful female characters through their influences over men, the reversal of traditional gender roles is exemplified more by Hardy’s character, Tess, yet both authors present revolutionary ideas of feminism, and enlighten readers to challenge the patriarchal views of society towards women. Both novels criticize traditional societal views towards women by the hypocrisy of Conrad’s Marlow, and Hardy’s narrator’s male gaze. Prince’s death, the rape and her arrest all happened to her whilst asleep.
The central figures in these three works are all undoubtedly flawed, each one in a very different way. They may have responded to their positions in life, or the circumstances in which they find themselves may have brought out traits that already existed. Whichever applies to each individual, or the peculiar combination of the two that is specific to them, it effects the outcome of their lives. Their reaction to these defects, and the control or lack of it that they apply to these qualities, is also central to the narrative that drives these texts. The exploration of the characters of these men and their particular idiosyncrasies is the thread that runs throughout all of the works.
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
To the character and to the author, it seems that ghastly nature murder and the immoral approach of treachery is merely an element of reality. This story is a true representation of author’s anguish and torment nature.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
The plot is entertaining and suspenseful which allows it to hold up to the standards of the list. Foreshadowing maintains interest, and is a prominent part of the suspenseful nature of the plot. After the first murder of Mrs. Ascher, Hastings believed that the crime is a singular event, but Poirot stated, “This is only the beginning” (Christie 22). The author uses a delightful example of foreshadowing to hint to the later murders. This keeps the plot suspenseful which makes one want to continue reading. After discussing possible coincidences on the day of the murder with the victims’ friends and families, Poirot realized, “I tell you my friends, it cannot be a coincidence. Three crimes---and every time a man selling stockings and spying out the land” (Christie 211). The finding of clues allows the plot to continue, thus maintaining the reader’s interest and preventing the story from becoming too tedious to enjoy. While Monsieur Poirot finished pronouncing the name of the murderer, the narration stated, “Two detectives...
What makes a short story great? Great characters? A great plot? Whatever it is, it does not have as much time to develop as a novel does. However, in limited space, author Edgar Allan Poe creates a brilliant, suspenseful, and brain wracking story. "The Murders in the Rue Morgue" begins by comparing the analytical mind to the game of chess. Eventually, Poe ties in the occurrences of a bizarre incident with a flashback to 18--. Through analyzing the scene and using clues and witnesses' testimonies, a character of great analytical power solves a murder mystery that no one else can even remotely get a grasp on. The story may sound ordinary at first, but upon the completion of the novel, a doubtful reader can change his mind. Edgar Allan Poe's utilization of different literary and writing techniques and his unique development of the story allow readers to indulge in "The Murders in the Rue Morgue".