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Hate/Violence/Conflict in Romeo and Juliet
Hate/Violence/Conflict in Romeo and Juliet
Hate/Violence/Conflict in Romeo and Juliet
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The simmering brawl between warring clan members such as Tybalt and Mercutio directly precipitates the chain of tragic events that leads to Romeo’s exile and the lovers’ death. Shakespeare constructs the two figures as mirror images of their different families which bear an ancient grudge that is difficult, or impossible, to resolve. Both Mercutio, a Montague, and Tybalt, a Capulet, are clearly troublemakers; both are antagonistic towards the Prince’s decree that … “if you ever disturb our streets again, your lives shall pay the price of it” (1.1,90). Initially at the masked ball, Tybalt is warned by Capulet to bury his resentment, but instead he is left smouldering from what he feels as an offensive intrusion by a Montague. During the later street encounter, Mercutio is just as provocative as Tybalt. …show more content…
Shakespeare constructs the scene in such a way to show how their continued enmity obstructs reconciliation and peace. He employs puns that are used by both Tybalt and Mercutio to inflame the situation. For example, Mercutio deliberately misunderstands/ misinterprets Tybalt’s words, “consortst”, used because of its double meaning, as an insult. Mercutio is the one who draws his “fiddlestick” or sword first and prompts a fight. He refuses to listen to reason from either Benvolio or Romeo. He also refers to Romeo’s words of peace as “vile submission” (3.1,45). Likewise, Mercutio hates Tybalt and provokes him to a fight when he asks if Tybalt, the “Good King of Cats” (3.1,73), is a coward, “Tybalt, you rat-catcher, will you walk” (3.1,46) eventually the death of Mercutio and then Tybalt leads to Romeo’s exile and the ill-hatched plan of Friar
Romeo senses tensions are high with Tybalt, so he states, “I do protest I never injured thee but love thee better than thou canst devise.” (Lines 65-66 Act Three, Scene One). Romeo is trying to diffuse the situation because he realizes that Tybalt is his love's cousin. Mercutio is surprised by Romeo’s behavior, so he decides to fight Tybalt himself. Mercutio’s decision to fight Tybalt leads to his own death. Romeo is angered by the death of Mercutio and states, “Now, Tybalt, take the “villain" back again/ That late thou gavest me; for Mercutio’s soul.” (Lines 123-124 of Act Three, Scene One). Romeo is indicating that Tybalt is the villain now, because he slayed Mercutio. Romeo forgets about his attempt to befriend the Capulets and slays Tybalt. Romeo, murderer of Tybalt, solely focuses on Juliet and states “Ha, banishment? Be merciful, say “death"/For exile hath more terror in his look.” (Lines 12-13 of Act Three, Scene Three). Romeo does not care about Tybalt’s life, but only cares for the way it affects his relationship with Juliet. Romeo’s mother dies out of grief because of his banishment. Romeo’s recklessness in loving Juliet has led to the death of three
Mercutio's prankster personality plus Tybalt's hatred of all Montagues instigates the common end to three very different characters. Romeo does not wish to draw a sword, and therefore becomes the peacemaker. "Gentlemen, for shame! Forbear this outrage!" (III, i, 82). Under Romeo's peacekeeping arm, Tybalt thrusts his rapier, and Mercutio curses both Montagues and Capulets. "I am hurt. A plague a both houses! I am sped" (III, i, 86-88). To Mercutio, destiny is not the cause of his death, but rather specific people brought about his fatality. His behavior is static as he teases while being carried away by
When asked by Benvolio to make peace in the streets, Tybalt bluntly responds,” talk of peace, I hate the word. As I hate hell all Montagues.” This is the attitude of Tybalt throughout the play. He believes he is doing all for the best and uses violence as his tool. He gets angry at the ball with Romeo being there, “villain as a guest,” and believes it best to defend his family’s honor by later taking revenge. When Tybalt finds Romeo, he thinks it best to fight him and when he ends up killing Mercutio he believes he has done his duty by causing Romeo the same hurt he has brought Tybalt, “the injuries that thou hast done me.”
Many characters want Romeo to pay for what he has done, whereas Juliet is heartbroken because she might never be able to see Romeo again. The destructive forces of love are shown through Romeo’s love towards Mercutio, as it presents chaos when Romeo is banished, leaving all characters in despair. In addition, Tybalt’s destructive love of family honour brings out chaos and worry throughout the Capulet household. Tybalt displays a destructive love of family honour, as he shows a hatred towards all Montague. When Tybalt first lays eyes on Benvolio at the beginning of the play, he begins to scold him, beginning a fight between the two of them.
Sometimes when people are amongst conflict, they act impetuously in certain situations. In the play Romeo and Juliet written by William Shakespeare, careless actions take place by the characters when they are put into stressful and difficult situations. They are not thought through and result in consequences for more than just themselves. In Romeo and Juliet when in the midst of conflict, characters tend to think and act impulsively and not think of the reaction to their actions. They do not think of the consequences their actions may bring, or how they may affect others in the future.
Conflict has many different meanings for both physical and verbal abuse. Conflict could be a viscous feud or a full on physical fight. These days in television soap dramas we intend to see more verbal conflict than physical violence. But over the last couple of years new television programmes have been released which contains a lot of action-packed fighting and physical conflict of some kind. Some programmes include physical and verbal conflict including, “Eastenders”, “The Bill” and other programmes similar to these. The releasing of films such as, “Indiana Jones”, and “Rambo” catches the audience’s attention by involving action-packed, exciting features such as heavy arguments or thrilling battles. Some films are made to include action and excitement but when audiences watch it they cannot help feeling sorry for the victim or just generally sad for the people having the fight. In the same way Romeo and Juliet presents conflict more intense than most soap dramas. When the play was first performed in “The Theatre”, in Shoreditch in the mid 1590’s, the Elizabethan audience was shocked at how Juliet disobeyed her father and also how Romeo and Juliet disobeyed their families. Sympathy must be felt for the audience because they would have never known the idea of a son or daughter disobeying their father. The law at that time stated that the daughter was the property of her father until the daughter got married then her husband “owned” her as property. From this sympathy must be felt for Juliet because she is a victim of arranged marriages. When the play was first performed it got massive great responses which then lead to the play being transferred to The Globe theatre at the start of the 1600’s. Props and different costumes helped ...
Argumentative behavior and hostility can force people to take undesired actions and change their morals. In Romeo and Juliet, many characters experience the rapid moral change in themselves after a fight starts between the Montagues and the Capulets resulting in them only able to follow orders since they sided with a family. Shakespeare’s Romeo and Juliet delves into the duality that conflict can be damaging and altering in one’s mind as a consequence of Sampson and the Montague guards, Romeo and Juliet, and the Montagues and the Capulets.
Tybalt’s loyalty towards the family dispute intoxicates him with a quarrelsome nature. After recognizing Romeo at the Capulet Ball, Tybalt persistently rejects his uncle’s remonstrance to stay serene. Even after being restrained by his Uncle Capulet, he vows vengeance on Romeo in the future as he says, “Patience perforce with willful choler meeting Makes my flesh tremble in their different greeting. I will withdraw; but this intrusion shall Now seeming sweet, convert to bitt’rest gall” (1.5.88-90). Tybalt tends to take each and every “insult” towards his family and himself to heart, without even contemplating their true meaning. Furthermore, Tybalt’s aggravating behavior develops into a clear factor leading to his downfall. When Mercutio is found dead as a result of Tybalt, Romeo confronts him directly with a duel to the death. Rather than trying to discuss and come to a harmonious solution, Tybalt further inflamed the already belligerent environment. He does this by saying, “Thou, wretched boy, that didst consort him here, Shalt with him hence” (3.1.128-129). Tybalt’s relentless threatening behavior never fails to make an already hostile environment even worse. His cruel character is perpetual no matter what the
Teens are willing to do some of the absolute most stupid things. In “Romeo and Juliet” by William Shakespeare both Romeo and Juliet kill themselves at the end. Juliet was influenced by internal conflicts throughout the story which led to her ultimate decision to kill herself.
As already shown, both Romeo and Juliet are horrified to discover that they were family enemies. Despite of this, they both choose to devote their love for eachother. Given this point, it is unrequited love that brings Romeo and Juliet together. But this also means that they would have to get over the fact that their families hate each other. This eventually leads them to forgiving the rival family for all the hateful acts that have occurred against one another. This is not the only forgiveness that is experienced in this play. Tybalt is a Montague with a fiery attitude. After catching Romeo at a party he was not supposed to be at, Tybalt had it out for Romeo. Just after Romeo and Juliet’s wedding, Tybalt comes looking for him wanting to fight. Romeo does not want to fight because he now loves Tybalt since he is family to him, but neither Tybalt or anyone else knows this reason. Quickly Mercutio steps in and tells Tybalt that he will fight him in honour of Romeo. Sadly this leads to the death of Mercutio. Romeo is angry and in need of revenge, which creates an intense fight between Tybalt and Romeo. Romeo wins this battle, killing Tybalt. He leaves in a hurry, only to discover that he would be banished from Verona. The death of Tybalt is absolutely devastating to Juliet. Her cousin was murdered by her husband. But she did not hesitate to forgive Romeo, she did so right away. She knew that Romeo had a reason for this incident and decides to
Shakespeare wants us (as the audience). to feel tension and suspense. We feel this because there is so much action between Romeo and Tybalt. This is what we expected to happen. What had just happened before the fight is that Mercutio sees Tybalt. and tried to make fun of him, Tybalt had previously challenged Romeo.
Another episode of fate, or rather dramatic irony, happens when Romeo somehow misses getting a letter from Tybalt Capulet, his enemy, challenging him to a duel. Romeo, unknowing of the tragic letter sent to him, but not gotten, goes to tell his friends of his beautiful bride, but, in return, comes face-to-face with none other than Tybalt, his loathed enemy, the kin to his new bride, Juliet. As soon as Romeo shows up, though, he is greeted by Tybalt’s insults, calling him a villain, but instead of stepping up to Tybalt’s challenge, though, Romeo backs down, saying, “Tybalt, the reason that I have to love thee doth much excuse the appertaining rage to such a greeting. Villain I am none. Therefore farewell. I see thou knowest not me.” After harsh words are spoken, families are disgraced, and names are scorned, Romeo finally just backs away. Mercutio, though, cannot let his man be put to disgrace, so he decides to defend Romeo’s name.
... as a peace maker, whereas Tybalt hates peace and says so much. This characteristic of Tybalt is the one that makes him seek revenge for Romeo gatecrashing the Capulet party later in the play. The Prince’s decree is also vitally important. He says that if any of them are caught brawling within the city walls again they will be put to death.
As Romeo begged for Mercutio including Tybalt to stop for as the Prince will have their heads as Prince Mentioned before, if Capulet also Montague fight anew in the city streets he will have them leave Verona or be executed But they both did not listen leaving Romeo to grab Mercutio furthermore push him back, Tybalt stabbing Mercutio under Romeo’s arm, Tybalt not knowing what the consequences he will serve if the Prince settle out about this making him flee the scene, but Romeo, Benvolio along with everybody
Romeo and Juliet by William Shakespeare shows the negative outcome of a grudge. Throughout Romeo and Juliet, both main characters, Shakespeare shows how a grudge can lead to bad outcomes in Act 5 Scene 3. In this scene, Romeo goes into the Capulets' tomb to visit Juliet for the last time. Not only does Romeo and Juliet die, but Paris and Lady Montague, two other characters, end up dying as well. Romeo and Juliet directed by Baz Luhrmann fits the purpose of this scene, but does not portray the theme best. Romeo and Juliet directed by Zeffirelli however, portrays the theme and purpose of this scene best. Therefore, Zeffirelli best portrays Shakespeare's death of Romeo and Juliet.