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Throughout our reading of the general prologues to the characters it came to our attention that both the Miller and the Summoner have similarities and differences in traits to the Pardoner. For example there is a contrast that highlights the difference in masculinity between the Miller and the Pardoner. The Miller is described as a real manly man, “The Millere was a stout Carl for the nones; Full byg he was of brawn and eek of bones That proved wel, for over al ther he cam At wrastlynge he wolde have alwey the ram.”.(Chaucer,547) this quote meaning that he was a big and broad shouldered man who would always win if wrestling. Also it was said that “His berd as any sowe or fox was reed”(Chaucer,554) this red beard compared to a wild animal also …show more content…
insinuates that he is a manly man, especially to the long yellow haired Pardoner who’s face was described with “as smothe it was as it were late shave, I trowe he were a geldying or a mare”(Chaucer,693). This is a great difference as the Miller gets compared to a wild animal and the Pardoner gets compared to a female horse. The fact that he is described with no facial hair and to have female features it really highlights the contrast of masculinity between the two pilgrims. There was also a difference of intelligence between the two as the Miller was described as a “Janglere”(Chaucer,562) which is very much like a jester.
This insinuates that the miller may not have been educated very well and he could be made a fool of. In contrast to this the Pardoner was no fool and in fact was quite devious as he would trick people into thinking that pigs bones were in fact relics from holy saints and from this he would make his money. This shows that the Pardoner knew how to play tricks on …show more content…
people. Much like the Pardoner.
The Summoner was described “Ful prively a finch eek koude he pulle”(Chaucer,654) this shows that the Pardoner is not the only one to be able to play tricks as the summoner can too. Both the Summoner and the Padoner seem to take pride in them selves because of the few minor things that they have going for them for example the Pardoner wore his hair down and uncovered because “Hym thoughte he rood al of the newe jet”(Chaucer,684) this meaning that he felt he was looking great and keeping up with the trends. Similarly to this minor thing to take pride in, the Summoner seemed to take great pride in the very few latin words that he knew, “And whan that he wel drunken hadde the wyn, than wolde he speke no word but Latyn. A fewe termes hadde he, two or thre, That he had lerned out of som decree”(Chaucer,639). This shows that although the Summoner only knew two or three terms in latin he would still try his ut most to speak it after drinking
alcohol. A difference we noticed between the summoner and the pardoner was that both of them seem to be bad people but the difference is that the summoner comes across as a bad person due to his facial features and the fact that no ointments could clear his pimples and reddened skin. This may be a metaphore for his ugly intentions or insides. The pardoner is no better as a person but he has nice long hair that is up to date with the fahion of his time and has a clear face in comparison to a rugged man with a beard. The fact that his gender is treated to be ambiguous maybe this is a metaphore for his intentions. He may come across as a nice man who sings in church but really he just wants the money.
Miller presents the character of John Proctor in an important way to show two sides to his character. These qualities make him have the most important role in ‘The Crucible.’ The key events that show him in this way is when the audience find out about the affair, how he tries to defend his wife, his confession in court and his hanging for the sake of others. Through the events in The Crucible, Miller then portrays John Proctor’s character with tension and suspense. This then makes the audience question whether or not he is a good man.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Through the Prologue to the Pardoner's tale, the character of the Pardoner is revealed. Although the Pardoner displays many important traits, the most prevalent is his greed. Throughout the prologue, the Pardoner displays his greed and even admits that the only thing he cares about is money: "I preach nothing except for gain" ("Pardoner's Tale", Line 105). This avarice is seen strongly in the Pardoner's tale as well. In the Pardoner's tale, three friends begin a journey in order to murder Death. On their journey, though, an old man leads them to a great deal of treasure. At this point, all three of the friends in the tale display a greed similar to the Pardoner's. The three friends decide that someone should bring bread and wine for a celebration. As the youngest of the friends leaves to go buy wine, the other two greedily plot to kill him so they can split the treasure only two ways. Even the youngest decides to "put it in his mind to buy poison / With which he might kill his two companions" (383, 384). The greed, which is evident in the character of the Pardoner, is also clearly seen in the tale.
In the beginning of The Pardoners Tale he talks about his qualifications and what he does, talking to several people. The pardoner tries to use his story to get the audience to give him money for their greedy sins. Then he tells a story about three young men who find an old man and they talk about age, the younger kids say the don’t want to grow old like the old man. The old guy tells the kids that they can find death by a tree. Excited to see death, the kids go to the tree and discover a pile of gold coins instead. Excited they decide to draw lots to decide which one would go down to the store, and who gets to stay with the money. The one who lost would have to go down to a store and buy some bread and wine that is later poisoned. Meanwhile, back at the gold, the other two conspire to kill the guy that is walking to the store by stabbing him to death, so instead of splitting the money three ways there would be more money apiece by splitting it two ways between them. So when they guy who walked to the sore gets back they stab him (he dies). Then the two drink the poisoned wine afterwards and they died from the poisoned wine.
Pardoner's Manipulation of Audience The Pardoner has had a graduate education in the rhetoric of confession. I will be a Chaucer might intend it to be merely cutely ironic that this confessor confesses -- as in "isn't that a turning of the tables, la!" On the other hand, it may well be that the Pardoner is practicing his rhetorical prowess on the other pilgrims, and on us, with the extreme skill of a cynical and. perceptive man who's heard every villainy and mastered every. deception.
In Chaucer’s Canterbury Tales, the Pardoners Prologue, we see the theme of hypocrisy throughout the play. The pardoner knows he is a con artist and liar and freely admits it in both word and action in his tales prologue. The pardoner begins with the tale itself. In his sermon he describes gluttony in detail, and defines it as not only overeating, but the intense pleasure of doing it. He also denounces wine with examples of drunkenness. He also discusses swearing and cursing and concludes with condemning gambling.However, we can see hypocrisy be4 the tale even begin.The pardoner before telling his tale stops off at an inn for food &bear .He also partakes in a bet , whoever tells the best story wins. The pardoner also insults the host, who just before asking the pardoner to speak has been cursing and using bear to mend his broken heart. Furthermore, he is also the owner of the tavern which encourages eating &drinking. We can also assume that the pardoner and the host r drunk.In addition, the pardoner offers his lisnters a chance to redeem themselves, not through relics by acknowledging what they did wrong.However,at the end of his tale is saying his relics are needed for redemption eventhough he knows they are fake. In conclusion we see how through the pardoner the theme of hypocrisy.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
After some time, the Pardoner is ready to present his tale, including both moral interjection and a merrier tone. The Pardoner begins by describing a group of young Flemish people who spend their time drinking and indulging themselves in all forms of excess. He continues to tell the tale, in which the people eventually end up drinking positioned wine and all die. As is, there are more details in the tale that we did not go over, there are some key elements that help us to better understand the Pardoner upon hearing his tale. First of all, we know from The General Prologue that the Pardoner is just as bad or corrupt as others in his “profession”.
The pardoner tells the readers that money and greed is root of all evil throughout this tale. In his tale, there are three drunken men, one day, decide to find Death and annihilate it. They ask one old man where the death is and he points at the tree where a lot of gold are. When they find gold they only think of getting gold as many as possible and end up planning to kill each other. Three men are unaware of their own evil and as a result, three all die. By story-telling this tale which comprehends no interaction with his behavior, the pardoner negate his own moral and advises other people how should they live their life in order to avoid sins.
In summation, Shakespeare defines and upholds traditional male gender stereotypes. Through the actions of Macbeth and his fellow characters, Shakespeare paints a clear picture on the canvas of verse of what a man should look and act like. From facial expressions views of death, a Shakespearean portrait of masculinity is a fully realized one. Although this work of literature is hundreds of years old, its assumptions about there being a universal idea of what it means to be a “man” are still relevant to today’s world. Everyday, men in the 21st century still live like Macbeth does, always striving to be a “true” man.
Choose three of the characters in the crucible and show how Miller presents the motivations for their actions.
In this example, Chaucer, by writing this parody, is trying to express the idea that a lot of the ideals of chivalry are a ...
When analyzing literature from an archetypal perspective, one does not simply look at the character’s behavior in that literary piece. Rather, when using the archetypal theory, one connects the traits and actions of the characters in the literary work, the settings, the surroundings, and the situations to a familiar type of literary character. In Arthur Miller’s The Crucible, the characters Abigail Williams, John Proctor, and Reverend Hale exhibit common archetypal behavior and fit into a certain archetypal figure.
“Miller tries both to offer a disclaimer about the imaginative aspects of his work, and to claim a higher level of veracity for the play’s authority.” (133)
7. Kahn, Coppe`lia. Man's Estate: Masculinity Identity in Shakespeare. Berkeley, Los Angeles: University of California Press. 1981.