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The role of satan in paradise lost
Reflection on paradise lost
The role of satan in paradise lost
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In the epic, Paradise Lost, John Milton draws from the book of Genesis in the Bible to not only convey the fall of man, but also to present his views on many controversial issues. To
best present his beliefs, Milton utilizes characters from Genesis to draw comparisons between
real-life issues and the well-known story of Adam and Eve. One of the ways that Milton seeks to
express his opposition to the monarchy in England is through the use of Satan as the leader of
what Milton establishes as a sort of democracy in Hell. Furthermore, Milton clearly distinguishes
how Satan, as the leader of the perceived democracy in Hell, not only parallels the Puritan
diversion from the Church in England, but also provokes a discussion of what constitutes free
will. In order for one to best understand the significance of Satan as the leader of Hell, however,
it is necessary for one to first consider and analyze both Milton’s personal views as they relate to
the political climate in England in the 1600’s and how Milton establishes governance in Paradise
Lost, before considering why and how Satan becomes the leader of Hell.
To best understand the significance of Satan as the leader of Hell, it is necessary to first
evaluate Milton’s background and personal views, especially as they relate to the political
conflict in England in the 1600’s. Milton was born on December 9, 1608, and went to college to
become a priest for the Church of England; however, Milton did not end up becoming a priest
(Flannagan 13 and Dickson). Instead, Milton chose to abandon the Church of England to
become a Puritan because he opposed monarchy, which was dynamically linked with the Church
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of England (Flannagan 2 and Dickson). Milton believed in a rule ...
... middle of paper ...
...ithin his
epic. By considering how the political climate in England shaped Milton’s views on these issues,
as well as understanding why Milton chose to create a monarchy in Heaven and a dictatorship
disguised as a democracy in Hell, one can best understand why and how Satan becomes the
leader of Hell. Because Milton believed that tyranny was created with the Fall, one can only seek
to explore these other issues by understanding how Satan is the crux of not only Paradise Lost,
but also the fall of all mankind.
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Works Cited
Dickson, Dr. Donald. Multiple Lectures on John Milton’s Paradise Lost. Texas A&M
University. College Station, TX. January-March 2014.
Flannagan, Roy. The Riverside Milton. Boston: Houghton Mifflin, 1998. Print.
Milton, John. "Paradise Lost." The Riverside Milton. Ed. Roy Flannagan. Boston: Houghton
Mifflin, 1998. 354-710. Print.
Steadman, John M., 'The Idea of Satan as the Hero of “Paradise Lost”', Proceedings of the American Philosophical Society, Vol. 120, No. 4 (1976), 253-294
...s Online - Harvard Theological Review - Abstract - The Social History of Satan, the "Intimate Enemy": A Preliminary Sketch. Harvard Theological Review, 1991. Web. 21 Mar. 2014.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
Typically, when someone thinks of religion, they think about worship of a higher power, compassion for all living things, and a general love of the world. Satanism, while a religion, does not fit these conventions. The faith holds no belief in a higher power, is rather selfish in nature, and paints a bleak picture of the world and its workings. In addition, Satanism has controversy riddled history dating back to the seventeenth century. Due to the religion’s unconventional nature, it is often looked down upon and its principles and values are ridiculed. To better understand a faith like Satanism, it helps to look at it alongside a more familiar and commonly understood religion like Christianity.
In John Milton’s, The Paradise Lost, Milton’s representation of Satan makes us uncomfortable due to the recognition of his humanizing and relatable reaction to what happened to him. The reader expects Satan to be an evil, and malevolent figure who does evil acts because he loves it and there is no defense for it. While these aspects are prevalent in his character in the poem, Satan does not come across as a completely wicked person but instead, a victim. The representation of Satan has a personifying quality that any of us may have and do not want to admit. In book one, Milton’s portrayal of Satan makes us uneasy because we relate to his actions, which are ordinary human responses to similar situations. It is troubling to say that in this particular poem, Satan resembles humans. However, our human nature is to have an instant reflex to justify our actions without taking any responsibility, which resembles the way Satan justifies his mischievous acts in this poem. Most of the time, we would never think of Satan as a victim; yet, we find ourselves discovering our human nature in Satan’s rationalizations. So, what humanizes this monstrous figure? After thoroughly reading book one, there are many instances when Satan justifies what he has done to make sense of it. Satan believes that God deceived him because he did not know how much power he possessed. According to Satan, God did unjust things that justified his actions. Satan has a whole rationale that God had arbitrary power that caused Satan to become the way he is in the poem. This perception serves as Satan’s foundation on behalf of his justification, which we all can relate to because he does not take responsibility but pr...
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C. W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position: the individuals who believe that Satan is neither the hero nor the villain of the epic.
In conclusion, Paradise Lost can be seen through a historically contextual lens that allows us to see the parallels between Milton’s life and experiences during the reign of Charles I, and the predominant themes in his epic poem. Many of the themes in Paradise Lost, from the broader situational occurrences to the behavior of individual character’s and their attitudes toward the situations in which they find themselves can be seen as directly influenced by Milton’s time as a Parliamentarian in 17th century England.
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
Satan is the core of Milton’s master piece and no matter how he is interpreted; the overall complexity of his character cannot be overlooked.
Reichert, John. Milton's Wisdom: Nature and Scripture in Paradise Lost. Ann Arbor, The University of Michigan Press. 1992
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)