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The shawshank redemption introduction
The shawshank redemption introduction
Reflections on The Shawshank Redemption
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Just two choices. “Get busy living or get busy dying” (106). Stephen King masterfully uses relatable quotes like this to weave a rich story full of pain, determination, and hope that engages readers. He connects with his audience by using realistic diction, incredibly vivid imagery, rich details, plain language, and varied syntax. Unique and rather colloquial diction is one of the first things that readers notice in Rita Hayworth and the Shawshank Redemption. King uses words unique to the setting to make the story feel so much more authentic than it would have otherwise. Words such as fish, sisters, and stir are seemingly normal but hold connotation specific to the setting that pique the reader’s interest. These types of words also show that King put much effort into researching the setting and writing this story. Readers sense this and become more invested in the story because of the realism. His …show more content…
The sentence structures are varied, and there are also a lot of incomplete phrases. While this is not technically grammatically correct, it shows how people think and talk in real life, and this simply flows with the story. An example of this is in the lines “Andy told me once that all of geology is the study of pressure. And time, of course.” The slight pause created by the ending of the first sentence allows readers to digest the implications of what is being said, and then the second phrase adds more meaning. King goes out of his way to connect with the reader, and it gives him an empathetic tone. His act of connecting engages the readers in what is happening, further ensnaring them in the drama of Shawshank Prison. In conclusion, Stephen King’s Rita Hayworth and the Shawshank Redemption is an incredible story. King relates to his readers by using realistic diction, incredibly vivid imagery, rich details, plain language, and varied syntax
Writing 2 Aidyn Ogilvy: Writing Portfolio I am going to write about a scene from the movie The Shawshank Redemption. I will be using figurative language to put the audience in the shoes of the main lead character Andy Dufrense. My audience will be people who like Stephen King. The scene will be when he escapes the prison. The lights have been turned out.
1) This quote is an example of an allusion because Holden is referring to the book, David Copperfield by Charles Dickens. Moreover, it doesn't describe it in detail, its just a brief comment.
The Shawshank Redemption is an inspiring story about Andy Dufreine and his efforts to maintain hope in horrible situations. The directors used many effective methods that displayed signs of hope in such a horrible place. Andy maintained hope by distracting his mind and always staying occupied. Andy was also inspired to survive by helping others find hope in life.
King employs numerous rhetorical devices weaved into “Letter from Birmingham Jail.” Apart from rhetorical questioning and metaphors Mr. King’s use of antithesis and polysyndeton are also noticeable. Polysyndeton is used many times, but is most evident in the following quote. “But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the amusement park that has just been advertised on television…” Yes, this is a long quote, but it is the perfect use of the rhetorical device called polysyndeton. Dr. King’s abnormal and frequent use of the phrases/words brother, sisters, when, and and add a strong dramatic effect to this quote. Antithesis is also practiced many a time in Dr. King’s letter to you. Antithesis is used when King constructs two sentences with contrasting meaning in a close proximity to each other. Phrases like “moving with jet like speed” and “creep at a horse and buggy pace” completely contradict one another, but instead of using this device once King uses it twice in the same quote. “The nations of Asia and Africa are moving with jet like speed toward gaining political independence, but we still creep at a horse and buggy pace toward gaining a cup of coffee at
Rain can sometimes have a symbolic meaning. It can be shown as something pure or the washing away of someone's wrong doings. On the other hand snow can be seen as something different. Wether it's cold and inhuman and stark. However it can also be seen as pure.
When Holden attempts to make connections with other people in the city but is unsuccessful, Salinger shows that he focuses too much on what society expects from him rather than what he wants. While Holden walks through the city and pond in the park, he notices ducks. He later takes a cab and while talking with Horwitz the cab driver Holden asks him,
After experiencing a traumatic car crash, Michelle, the protagonist of director Dan Trachtenberg’s film 10 Cloverfield Lane, wakes up in an underground bunker owned by a man named Howard. Howard claims to have saved her from a widespread chemical attack that has contaminated the air, with his bunker being the only place to take refuge for the next couple of years. Yet as the film progresses, Howard’s controlling and threatening demeanor eventually brings Michelle to escape, allowing her to come across the actuality of the situation outside the isolated bunker. Throughout the production, Trachtenberg arranges close frames, manipulates the camera’s focus, and chooses specific lighting to create an ominous tone that mystifies and disturbs viewers.
The tone that was created by the author in paragraphs 10-12 was a sardonic tone. The lawyer informed the judge that he was late because he was planting bushels of corn in his field that he had just boiled. He was making fun of the innkeeper because he made the farmer aware, “ if those had hatched, I would have had ten chickens. They, too, would have laid eggs, and so on” (paragraph 3). The judge asks the lawyer if he really thinks that cooked corn will grow. He replied, “if scrambled eggs can turn into chicks, then why not” (paragraph 12). this shows how the author created the sardonic tone by the lawyer mocking the witless innkeeper.
“Keep hope alive!” “Yes! We can.” All of these are slogans of inspiration that define the human spirit. Without hope life would be dull with nothing to work toward in a positive fashion. In the movie The Shawshank Redemption (1994), the director, Frank Darabot, uses time and space to slowly unfold author, Stephen King’s, short story entitled, Rita Hayworth and the Shawshank Redemption. Time serves as a dual reference of torture as well as the locale for the slow, eventual achievement of Andy’s escape, his seemingly impossible goal for nearly twenty-eight years. Shawshank redefines the lapse of time for the inmates, especially for the “lifers” like Andy and Red, who can only look forward to death. The implementation of hours can seem like an eternity, and every day seems fuzzy from the next, adding to the seclusion and affliction of imprisonment. Ironically, however, time also verifies the means of Andy’s escape and redemption and gives him optimism throughout his quarter-century in Shawshank.
His parents return home while he is still in the house. Holden asks Phoebe for money and she gives him all her Christmas money. This made him break down in tears and he could not stop. Again he mentions the word “edge”. “I was still sitting on the edge of the bed…” (193) He was still on the edge of an emotional breakdown… The red hunting hat plays an important symbolic part in the novel. For Holden it symbolises protection. Before he leaves he gave it to Phoebe. Suddenly he did not mind his parents seeing him - he is standing on the edge of surrendering. “I figured if they caught me, they caught me. I almost wished they did, in a way.” (194)
addresses the process of adaptation used when converting a literary hypotext to the film medium; The Shawshank Redemption (Darabont, Frank) is the film adaptation of Rita Hayworth and the Shawshank Redemption (King, Stephen). The story follows characters Red and Andy who serve life sentences in Shawshank Prison. Over many years a strong bond develops, and Andy, wrongly convicted, inspires many at the prison. After Andy escapes, Red decides to follow him upon being granted parole. The story privileges themes of hope, freedom, institutionalisation, friendship, time, and brutality. The film is similar to the novella, however, some aspects differ from the hypotext. Within the novella, Brooks is a minor character, Tommy Williams doesn’t die, and Warden Norton merely retires. Through altering the story, the film modifies the essence of Rita Hayworth and the Shawshank Redemption for film audiences and utilises film language to convey meaning. By adding certain scenes, the text takes on stronger themes of hope, institutionalisation and brutality. This draws attention to the themes within the hypotext and thus enhances the parallels between texts.
In the media, prisons have always been depicted as a horrible place. The film, The Shawshank Redemption, is a prime example that supports the media 's suggestions about prison life. In the film we are familiarized with Andy Dufresne, who is a banker that is wrongfully convicted of murdering his wife and her lover. While trying to both remain discreet and find his prison identity, he assists Ellis Boyd 'Red ' Redding, a peddler, and Brooks Hatlen. In his attempt to fit into the rough prison subculture, Andy strategically starts a business relationship with the captain Captain Bryon Hadley and Samuel Norton. The film gives an insider 's look at various aspects of prison life. These aspects include prison culture; explicitly, guard subculture and inmate subculture.
Symbolism related to the topic of innocence is incorporated into JD Salinger's Catcher in the Rye to display Holden’s conflicted impulses to grow up and mature, but at the same time maintain some of his youthful innocence. In Chapter Five, Holden describes the process of when he sees a fresh three inches of snow on the ground as he walks outside, “...I went over to my window and opened it and packed a snowball with my bare hands...I did not throw it at anything though. I started to throw it. At a car that was parked across the street. But I changed my mind. The car looked so nice and white” (Salinger 36). Throughout history, the color white has often represented innocence and purity, and Holden exemplifies his desire to maintain it, as he
The main protagonist of the story, Elizabeth Bennet (nicknamed both Lizzy and Eliza), is the second daughter in the Bennet family. Second only to her elder sister in beauty, Elizabeth’s figure is said to be “light and pleasing,” with “dark eyes,” and “intelligent…expression” (24). At 20 years old, she is still creating her place in society. Known for her wit and playful nature, “Elizabeth is the soul of Pride and Prejudice, [she] reveals in her own person the very title qualities that she spots so easily” (“Pride and Prejudice”) in others. Her insightfulness often leads her to jump to conclusions and think herself above social demand. These tendencies lead her to be prejudice towards others; this is an essential characteristic of her role
In the past, I have done reviews on John Adams, Rudy, Grease, and The Butler. For my fourth quarter movie review, I decided to watch To Kill A Mockingbird because I have already read the book and wanted to see the film adaptation of it. This movie focuses on the Finch family in the fictional town of Maycomb, Alabama around the time of the Great Depression. It is based off of the book of the same name by Harper Lee. Both focus on Scout and Jem Finch growing up in the deep South and struggling to figure out how to act in the world around them.