Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays on what existentialism is
Essays on what existentialism is
Essays on what existentialism is
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The fear of death and the search for eternal life is a cultural universal. The ideology surrounding immortality transcends time and a plethora of cultures. The theme, immortality appears in stories from the Epic of Gilgamesh, which was composed by ancient Sumerians roughly around 600 B.C., to present day works of fiction in the twenty first century. Gilgamesh, a figure of celestial stature, allows his mortal side to whittle away his power after the death of Enkidu. Undeniably, defenseless before the validity of his own end, he leaves Uruk and begins a quest for Utnapishtim; the mortal man who withstood the great deluge and was granted immortality by the gods (Freeman 36). The search for immortality is a universal concept that has presented itself many times throughout the world; it is a concept that stands in hearts of mankind; The Epic of Gilgamesh illustrates humanity’s innate desire to break free from the constraints of the civilized world, while at the same time trying to find the meaning of existence; a theme that that is perpetrated many times throughout the epic. With that being said, The Epic of Gilgamesh is a story that should not be simply viewed as a text that was written by ancient human civilization thousands of years ago; it should be viewed as a text that highlights humanity’s struggle to overcome the limitations of mortality, and the acceptance of death. This is a theme Enkidu is a vital part of Gilgamesh’s life. At the beginning of the story Enkidu embodies the opposite of Gilgamesh, his other half. After Enkidu’s death Gilgamesh cannot go back to life as it was, he is lost and for the first time in his life, afraid. The fate of all humankind, death, becomes the last obstacle for Gilgamesh to conquer. The dis... ... middle of paper ... ...p. "Lessons from a Demigod." Humanities Jul 2012: 34-8. ProQuest. Web. 14 Feb. 2014. Gardner, John, John R. Maier, and Richard A. Henshaw. Gilgamesh: Translated from the Sîn-leqi-unninnī Version. New York: Knopf, 1984. Print. “Gilgamesh Epic." (n.d.): Funk & Wagnalls New World Encyclopedia. Web. 14 Mar. 2014. “Gilgamesh." Columbia Electronic Encyclopedia, 6Th Edition (2013): 1. Literary Reference Center. Web. 14 Mar. 2014. Harris, Rivkah. Gender and Aging in Mesopotamia: The Gilgamesh Epic and Other Ancient Literature. Norman: University of Oklahoma, 2000. Print. Jackson, Danny P. The Epic of Gilgamesh. Wauconda, IL: Bolchazy-Carducci, 1992. Print Journal Of The Society For Existential Analysis 21.1 (2010): 76-88. Academic Search Complete. Web. 11 Feb. 2014. Sadigh, Micah. "The Foundation of Existentialism In The Oldest Story Ever Told."
Gardner, John and John Maier. Gilgamesh: Translated from the Sin-leqi-unninni version. New York: Alfred A. Knopf, 1984.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
Gilgamesh who has always gotten what he wanted could not save Enkidu from death. The death of Eknidu effected Gilgamesh and the way the character would evolve from the death of his friend. The friendship with Enkidu allows Gilgamesh to see the reality of death. When Enkidu dies then Gilgamesh becomes obsessed with his own mortality. “What my brother is now, that shall I be when I am dead.” (Gil. 31)
The Epic of Gilgamesh is a story that deals with various sub conflicts that are known to create a lasting impression on how we view the characters and their status in the general schemes. Sub conflicts like Immortality vs mortality, betrayal, death, violence and sorrow, gives us a grand perspective of how negative and pessimistic the general schemes and plot of the Epic truly is. Today I will be arguing that The Epic of Gilgamesh takes a pessimistic view on mortality. In the Epic of Gilgamesh, the main character Gilgamesh is conflicted with the death of his best friend Enkidu, in fear of death; he goes to Utanapishtim who is an immortal that is also human. Utanapishtim tells Gilgamesh about the cure and where to find it; Gilgamesh finds the cure but sets it
The “oldest story in the world,” Gilgamesh, tells a story of a man’s life and how he struggles with the fact that he is not immortal and that his life will someday come to end. The poem portrays evil, innocence, love, and even history. With all of these factors taken into consideration, there are literary devices like figurative language, mood, symbolism, and plot used throughout the entire reading. All of these literary devices play a huge role in Gilgamesh, but the ones that seem to portray and affect the poem in the most accurate ways are point of view, characterization, and theme.
The second significant change in Gilgamesh was caused by the loss of his brotherly companion, Enkidu. Gilgamesh couln't bear the loss of a love so powerful. Despite his astonishing power and leadership, something in his life was missing. Moreover, he wept for seven days and nights, thinking his friend would come back because of his weeping. It is in this stage of the epic that one can see the truly sympathetic and compassionate side of Gilgamesh. The grief in his heart had far surpassed the magnificent pride that he had previously displayed so boldly. Enkidu's death left Gilgamesh frightened and confused. However, the despair in his heart was so great that he could not rest; would he ever be at peace? Thus, he became terrified of his own death.
In The Epic of Gilgamesh, death is inescapable for Gilgamesh. Since Gilgamesh is two-thirds god and one-third human, he is unable to reach immortality because he is not fully a god. The theme of death is a very important theme that is displayed throughout this epic poem. Gilgamesh is faced with the reality of death when his sidekick named Enkidu dies. The gods created Enkidu to be someone who would be stronger than Gilgamesh in order to be able to stand up against Gilgamesh. When Gilgamesh and Enkidu first encounter each other, they wrestle one another to the ground. Once they forget their anger against one another, Gilgamesh announces the two shall form a friendship. Enkidu becomes Gilgamesh’s companion, by accomplishing journeys together. The relationship that Gilgamesh and Enkidu form continues throughout the novel, until the death of Enkidu. “Hear me, O young men, hear [me!] Hear me, O elders [of teeming Uruk,] hear me! I shall weep for Enkidu, my friend, like a hired mourner-woman I shall bitterly wail” (Epic of Gilgamesh 64). The sudden death of Enkidu shatters Gilgamesh and fills him with grief. This is the first t...
"Epic of Gilgamesh." Academy for Ancient Texts. Ancient Texts Library. Web. 12 Oct. 2011. .
“You will never find that life for which you are looking. When the gods created man they allotted him death, but life they retained in their own keeping,” Siduri talking to Gilgamesh. (Gilgamesh 4). The epic of Gilgamesh has an abundance of parallels to the trial and tribulations of any human life. Gilgamesh’s story is humanities story of life, death, and realization. The awaking of Gilgamesh from a childish and secure reality connects my own life experiences to the epic tale.
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The “Epic of Gilgamesh” is a historic story of the king of Uruk, Gilgamesh. The story portrays the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the prostitute seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried vainly to dissuade Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their adventure to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
While it is certainly true that Gilgamesh pursues heroism, he does it passively and as a secondary pursuit to his quest for everlasting life. When Gilgamesh is questioned at the beginning of his journey, he admits that after Enkidu’s death, his “life is nothing” (98). This reveals that death conquers all emotions and ambitions, making all other pursuits and desires meaningless. The Epic of Gilgamesh serves as a testament to human life, and in doing so, illuminates what it means to