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The theme of death in literature
Explain gilgamesh
Death theme in literature
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Grieving for days, lost in thoughts, and stricken with immense sadness and loss of direction, Gilgamesh laments for days over the loss of his friend Enkidu. Gilgamesh shouts aloud the following statement in regards to his current state of bereavement: “Me! Will I too not die like Enkidu? Sorrow has come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu” (Gardner Tablet IX 2-7). Gilgamesh so much feared death that he threw away his honor as a warrior in order to obtain immortality. Why is it that the concept of immortality has gained so much popularity throughout the ages? Why is death one of humanity’s greatest fears?
The fear of death and the search for eternal life is a cultural universal. The ideology surrounding immortality transcends time and a plethora of cultures. The theme, immortality appears in stories from the Epic of Gilgamesh, which was composed by ancient Sumerians roughly around 600 B.C., to present day works of fiction in the twenty first century. The word immortality plays a crucial role in the development of characters in the Epic of Gilgamesh; it reveals the importance of life everlasting, and the triumph of humanity’s inordinate fear of eternal rest, death. The focal point of this paper is to shed light on the nature of Gilgamesh and his pilgrimage for immortality after the death of his dearest companion Enkidu in tablet VII. Gilgamesh, a figure of celestial stature, a divine being, allows his mortal side to whittle away his power. Undeniably, defenseless before the validity of his own end, Gilgamesh leaves Uruk and begins a quest for Utnapishtim; the mortal man who withstood the great deluge and was granted immor...
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Gardner, John, John R. Maier, and Richard A. Henshaw. Gilgamesh: Translated from the Sîn-leqi-unninnī Version. New York: Knopf, 1984. Print.
“Gilgamesh Epic." (n.d.): Funk & Wagnalls New World Encyclopedia. Web. 14 Mar. 2014.
“Gilgamesh." Columbia Electronic Encyclopedia, 6Th Edition (2013): 1. Literary Reference Center. Web. 14 Mar. 2014.
Harris, Rivkah. Gender and Aging in Mesopotamia: The Gilgamesh Epic and Other Ancient Literature. Norman: University of Oklahoma, 2000. Print.
Jackson, Danny P. The Epic of Gilgamesh. Wauconda, IL: Bolchazy-Carducci, 1992. Print
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Gardner, John and John Maier. Gilgamesh: Translated from the Sin-leqi-unninni version. New York: Alfred A. Knopf, 1984.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
After the death of Enkidu, Gilgamesh grieves deeply and is horrified by the prospect of his own death. “Bitterly Gilgamesh wept for his friend Enkidu; he wandered over the wilderness as a hunter, he roamed over the plains; in his bitterness he cried, ‘How can I rest, how can I be at peace? Despair is in my heart” (Gil.
The Epic of Gilgamesh. Trans. Foster, Benjamin R. New York: W W Norton & Co Inc, 2001. Print.
The Epic of Gilgamesh is a story that deals with various sub conflicts that are known to create a lasting impression on how we view the characters and their status in the general schemes. Sub conflicts like Immortality vs mortality, betrayal, death, violence and sorrow, gives us a grand perspective of how negative and pessimistic the general schemes and plot of the Epic truly is. Today I will be arguing that The Epic of Gilgamesh takes a pessimistic view on mortality. In the Epic of Gilgamesh, the main character Gilgamesh is conflicted with the death of his best friend Enkidu, in fear of death; he goes to Utanapishtim who is an immortal that is also human. Utanapishtim tells Gilgamesh about the cure and where to find it; Gilgamesh finds the cure but sets it
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The Epic of Gilgamesh, one of the earliest known stories, recounts the tale of the reckless King Gilgamesh and his adventures with his friend Enkidu, a natural man created by the gods from clay to humble and teach Gilgamesh to become a better ruler. Through Enkidu’s death, the once fearless Gilgamesh becomes fearful of his own inevitable demise and journeys to find immortality. However, by finding compassion for his humanity, he is able to come to terms with his mortality and continue living wholeheartedly as the ruler of Uruk. In the Epic of Gilgamesh, Gilgamesh learns to accept his mortality by gaining compassion for himself.
---. “The Development and Meaning of the Epic of Gilgamesh: An Interpretive Essay.” Journal of the American Oriental Society 121.4 (2001): 614-622. JSTOR. Web. 28 Feb 2014.
"Epic of Gilgamesh." Academy for Ancient Texts. Ancient Texts Library. Web. 12 Oct. 2011. .
While researching, I consulted the many translations of Gilgamesh found on the web. It seemed that the more sources I sought, the greater the amount of differing opinions and convoluted versions I uncovered. In an effort to remain true to the epic, I will mainly be referring to the book, World Mythology, written by Donna Rosenberg with a few inclusions from Kovacs' translations. Although Rosenberg's version lacks the flair of the latter, it provides a simple doorway opening to a complicated, yet profound, tale of the first great epic that brings time, mortality, and the anguish of humanity into a world of personal destiny basically related to our own (Campbell, OM, p. 87-90). The essay is written with the understanding that the reader has prior knowledge of the main subject matter, Dr. Carl Jung's theories of the unconscious, and Joseph Campbell's idea that myths are synchronistically reproduced across time.
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
For example, before he starts to return home he realizes how his dear brother Enkidu dies and does not want the same thing to happen to himself. Not only is Gilgamesh afraid of death, he sets off to find immortality by seeking Utnapishtim, a man who the gods gave eternal life too. Gilgamesh then tells Utnapishtim that he wants eternal life aswell, and how to receive it, “Because of [his] brother, [he is] afraid of death”(Sandars 32). Utnapishtim then takes Gilgamesh to Urshanabi, a ferryman who shows Gilgamesh how to receive eternal life by telling him about a plant that grows under the water and it shall give him the life he wants if he succeeds in taking it. Like the man Gilgamesh is, he goes into the water and grabs the plant so he can bring it back to Uruk to give to an old man, but also eat it himself to restore both their youth. Soon after, when Gilgamesh arrives back to land, a serpent eats the plant which makes Gilgamesh heartbroken, but then he remembers everything he learned on his journey and is appreciative of mortality. Once Gilgamesh arrives back to Uruk after his long journey, “He [became] wise, saw mysteries and [learned] secret things”(Sandars 38).