I think the events preceding the writing of “Bartleby, The Scrivener” are just as important to understanding the story as the events transpiring within the tale itself. Melville, when he wrote the short story, was coming off of two failures, Moby-Dick and Pierre, that he thought would cement his place in the literary cannon; “Bartleby” is his way of addressing this chaotic time in his life. In the tale, Melville is being brutally honest with himself and his work: addressing the concerns of his critics through the narrator, while using Bartleby to admit his own faults in failing to gain the recognition he thought he deserved.
When Moby-Dick was published in late 1851, it was met with mixed reviews. “A reviewer for the London Britannia declared it ‘a most extraordinary work’; and a reviewer in the New York Tribune proclaimed that it was ‘the best production which has yet come from that seething brain, and … it gives us a higher opinion of the author’s originality and power …’” (“Herman Melville” 2305-2306). Many critics, however, were “unhappy with the novel’s length, philosophical abstractness, and mixing of genres, and the novel quickly vanished from the literary scene without bringing Melville the critical admiration that he had expected” (2306). A particularly damning review came from the prestigious London literary magazine, Athenaeum: “The style of his tale is in places disfigured by mad (rather than bad) English; and its catastrophe is hastily, weakly, and obscurely managed” (Parker 18).
What’s most interesting about Moby-Dick is that it seems to be exactly the kind of book Melville always wanted to write, knowing full well that no success would come of it. In a letter to Hawthorne he wrote, “‘What I feel most moved to wr...
... middle of paper ...
...arrator to talk reason into Bartleby occurs in the scene before the new landlord calls the police to have him escorted to jail. “‘Bartleby,’ said I … ‘will you go home with me now—not to my office, but my dwelling—and remain there till we can conclude upon some convenient arrangement for you at our leisure? Come, let us start now, right away.’” Responds Bartleby, “‘No: at present I would prefer not to make any change at all’” (Melville 2385). Bartleby isn’t willing to meet the narrator half way.
“Bartleby” isn’t about whether or not the narrator did enough; it’s about whether or not Bartleby did enough. Concerning Melville: it isn’t about whether or not the critics did enough to understand his new way of writing; it was about whether or not Melville did enough to help them try and understand. In “Bartleby”—through Bartleby—Melville is admitting that he did not.
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
In the beginning of each story, characters are both shown as “ideal” characters in that their characteristics give the characters their first perceived amiableness. In “Bartleby the Scrivener” Melville uses distinguishing characteristics to solely represent Bartleby from the others in the story. He enters the story first, as a response to an advertisement for a position as a scrivener in a law office. Melville states, “A motionless, young man one morning stood upon my office threshold, the door being open for it was summer. I can see that figure now – pallidly neat, pitiably respectable, incurably forlorn!” (Meyer 149). Here he makes it known that just by seeing Bartleby’s presence when he first enters the law office; he is exactly what the unnamed lawyer was inquiring about. He was by far unlike other characters in the story. He had no vices or hang ups, the first presence and his stature, he came their wiling and ready to ...
The title of the novel which I read is “Moby Dick”. The genre of this book is fiction and it is written in novel form. The story takes place in 1851 on the northeastern coast, mainly set in the Atlantic ocean, but also in New York City, and Pittsfield Massachusetts. It tells the story of Ishmael, the protagonist, who is seemingly lost in the world and is trying to make sense of his life. In his opinion, men who board whaling ships are choosing the alternative to suicide. Although Ishmael is the protagonist, and we don’t know as much about him as we do the other characters. A reason for his could be because he is the story’s narrator and doesn’t necessarily talk about himself as much as he talks about what is going on around him.
While the narrator never specifies precisely that Bartleby does feel this way it can be inferred from a few of the passages. The first instance that would suggest guilt is when the narrator goes to the office before church, herein he finds Bartleby at the office on a Sunday morning he is described to be “in a strangely tattered dishabille, saying quietly that he was sorry”. (Melville, 86) This quiet apology combined with the later revelation that in answering the narrator he could not look at him, (Melville, 105) does imply that Bartleby still has some guilt or shame
Bartleby expresses the passion of not wanting to complete a duty by stating, "I prefer not to"(Melville 155.) This conveys the obviousness of Bartleby's utter rudeness, while, he still remains respectful to his fellow employees and employer. This repetitive statement encourages the reader to pursue an investigation of why Bartleby refuses to complete duties assigned to him; thus, the reader must read on, to break their confusion. It also indicates that Bartleby has no ambition: The narrator, Bartleby's employer, constantly request Bartleby to complete an assignment, Bartleby declines with his favorite statement, "I prefer not to," each time the narrator requests Bartleby to complete a task (Melville 155.) One can infer that Bartleby is unconcerned with his job and the requests made of him are of less concern. Instead, Bartleby is simply there to be present and nothing more. Bartleby no longer completes duties and sits in his excluded office area, by himself, all day, staring out of a dirty window. If one is interested in his job, they will complete the jobs required task diligently, to prov...
One of the literary elements that Melville uses that convey the narrator's attitude towards Bartleby is diction. The author's diction in this short story is very descriptive and is also slightly comical. One of the ways this is used is when the author gently mocks the narrator by having him expose his flaws through his own words. For example, when the narrator talks of John Jacob Astor, a well respected man who complemented him, we find out how full of himself he is and how highly he thinks of himself. "The late John Jacob Astor, a parsonage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point…I will freely add, that I was not insensible to the late John Jacob Astor's good opinion." (Page 122, Paragraph2) Another example of the author's use of diction appears on page 127 in paragraph 2; "At first, Bartleby did an extraordinary quantity of writing. As if long famished for something to copy, he seemed to gorge himself on my documents. There was no pause for digestion. He ran a day and night line, copying by sunlight and by candle-light. I should have been quite delighted with his application, had he been cheerfully industrious. But he wrote on silently, palely, mechanically." Here the narrator's description of Bartleby's writing habits in the office, at first, tell us that he is very pleased with his progress and the work he has done but then it tells us that he is not very enthusiastic but...
Before exploring Ishmael, Ahab, and Moby Dick and their Biblical counterparts, it is important to understand Melville's background. He grew up as a baptized Calvinist in the Dutch Reformed Church. His parents trained him to obey God at all times, even if God’s commands seem unjust and cruel. However, he quickly turned against his faith after his father died. During his travels, he witnessed diseases, catastrophes, and hatred throughou...
The lawyer hires Bartleby as his scrivener. He is awestruck because Bartleby is so quick and efficient. He asks Bartleby to help him examine papers and Bartleby replies,” I would prefer not to.”
The story of Bartleby was a very interesting story open for many different interpretations. Melville does and excellent job building suspension towards different thoughts as to what caused Bartleby to become an emotionless incapable worker. Here is evidence throughout the story to reflect the kindheartedness of the narrator. After reading this work the last quote “Ah Bartleby, Ah humanity” stood out as a cry of sadness for failing to understand and further assist Bartleby. After the numerous attempts He describes himself an elder lawyer that has his own office with a total of four employees including Bartleby. The narrator takes the time to learn the qualities of each individual not just on a performance basis however, personally as well.
Bartleby is a man who is in charge of his own life by having a free will and living a life of preference. His infamous line "I prefer not to" appears in the story numerous times. His choice of preference leads to the downfall of his life. Bartleby made several crucial mistakes that lead to his downfall. His first mistake was when the attorney asked him to make copies and run errands for him and Bartleby preferred not to do so. "At this early stage of his attempt to act by his preferences, Bartleby has done nothing more serious than break the ground rules of the attorney's office by avoiding duties the attorney is accustomed to having his scriveners perform" (Patrick 45). An employee is also supposed to do tasks in the job description and when these tasks are not accomplished or done correctly, not once but several times, it usually leads to termination. Bartleby is a rare case because he does not get fired. This in turn results in his second mistake. Since he was able to get away with not doing anything, Bartleby opted to take the next step and quit his job or in his own words, "give up copying" (Melville 2345). Quitting caused him to have more troubles than he had before. Bartleby then...
...ould “prefer not to” because there was no one to make that preference and from there Bartleby’s little battle for choice becomes clear. Fighting to make a choice is better than standing by and conforming into the choices of others. This is true in both the context of the story and of the story’s author, Melville resisted the choices others made for him about his writing and was set on creating the work he wanted to, even with its failure or its success Herman Melville remained true to his own intentions of the world not of the world’s intentions for him and that is the poststructuralist lens on understanding thing, there is no universal truth there is only the truth of each individual.
The narrator, as the portrayer of the story must paint himself in a good light for the sake of his testimony of innocence. If he is in some form, giving a ‘defense’ to himself or the reader, he cannot deliver the whole truth, as the truth may prove his guilt. The fact that the narrator has a “natural expectancy of instant compliance” indicates the reality of capitalist systems whereby the powerful, disconnect from the struggles of the everyday workers, simply believing that their workers are not human, but instead industry machines, used to further their own gains through exploitation (Melville). Bartleby works diligently for a while, but unlike a machine, his mind is unable to keep up with the mind-numbing work of transcribing legal documents for hours every day. Despite the simplicity of the work, the shear load and tedium makes the job of Bartleby for inferior to the much higher paying job of the narrator, who even admits to the ease of his job. When Bartleby finally snaps, he repeats the phrase “I would prefer not to” every time the narrator asks him to do something Bartleby does not wish to do (Melville). Melville here criticizes the actions of Thoreau by trying to misguide people by playing the hero. Bartleby’s childish behavior mirrors Thoreau’s irresponsible behavior by refusing to pay taxes, despite knowing he
Herman Melville’s stories of Moby Dick and Bartleby share a stark number of similarities and differences. Certain aspects of each piece seem to compliment each other, giving the reader insight to the underlying themes and images. There are three concepts that pervade the two stories making them build upon each other. In both Moby Dick and Bartleby the main characters must learn how to deal with an antagonist, decide how involved they are in their professions, and come to terms with a lack of resolution.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.