The Scaffold Scenes in Nathaniel Hawthorne's The Scarlet Letter
In Nathaniel Hawthorne?s The Scarlet Letter, the Puritans constantly look down upon sinners like Hester Prynne, both literally and symbolically. The use of the three scaffold scenes throughout the course of the novel proved to be an effective method in proving this theory and showing how Puritan society differs from that of today?s.
In the first scaffold scene, Hester is being led from the prison where she has spent the last few months, towards the scaffold clutching her newborn baby to her bosom, covering the scarlet letter-the two symbols representing truth and her lost innocence. She stands on the scaffold, with the magistrates and ministers standing above her on the pulpit, symbolizing that they will always be closer to God than she will ever be, however, the reader is unaware that Hester?s minister, Arthur Dimmesdale, who also stands above her on the pulpit, which is a bit of dramatic irony, considering the fact that he is the father of the infant, and her accomplice in her sin. Also during this scene, the man the reader comes to know as Roger Chillingworth hides in the shadows, looking up at Hester, the evil already swelling within him, blackening his soul.
The events leading up to the next scaffold scene, some years later, are some of the most significant scenes in the entire novel. The treatment of Dimmesdale by Chillingworth, who Dimmesdale had taken in as his physician, plays a key role, due to the fact that Chillingworth?s intentions are less than pure. Chillingworth is bent on revenge, and is willing to do anything necessary, even destroy another man?s life in order to soothe the savage beast within. However, deep inside Chillingworth?s...
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...t and withdrawn, as if all the life and faith he had in the world had been drained out of him. It is in this scene that Dimmesdale finally recognizes Hester and Pearl publicly, he takes them up upon the scaffold with him, and announces to the world what he has done, and through this he feels that he has suffered enough and that his conscience is clear, and with this he dies and goes to Heaven, a soul that has been forgiven, leaving Hester and Pearl alone once again with their grief, and their sin.
These three scaffold scenes display the rise of conflict, the climax, and the conclusion. All three tie together to show a common theme, truth. The scaffold and those who stood upon it stood for truth, while those above them judged and those below gawked. It serves as an important symbol throughout the novel setting apart the sinners and those who would judge them.
In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester. As the townspeople are ridiculing her, the narrator is praising Hester for her untamed but lady like beauty (60-61). The narrator goes so far as to compare her to “Divine Maternity” or Mother Mary, the ideal woman, the woman that is looked highly upon by the whole Puritan society (63). However, the conditions are set up to show the change in Hester due to isolation and discredit of the Puritan society. Throughout this scene the Puritans are condemning Hester for her sin as the narrator is condemning the Puritans for their severity.
A few years later the event is again repeated. It is very similar to the
In the third and final scaffold scene, Dimmesdale finally reveals his secret to the public. And as "Pearl kissed his lips...a spell was broken," Dimmesdale conquers his guilt and dies right there on the scaffold with an open conscience. He also escapes
As soon as Hester stands on the stocks with Pearl for a day without him, Dimmesdale becomes forever haunted from his guilty conscience. He self-inflicts a great deal of harm upon himself both physically and mentally. “And thus, while standing on the scaffold, in this vain show of expiation, Mr. Dimmesdale was overcome with a great horror of mind, as if the universe were gazing at a scarlet token on his naked breast, right over his heart. On that spot, in very truth, there was, and there had long been, the gnawing and poisonous tooth of bodily pain. Without any effort of his will, or power to restrain himself, he shrieked aloud; an outcry that went pealing through the night, and was beaten back from one house to another, and reverberated from the hills in the background; as if a company of devils detecting so much misery and terror in it, had made a plaything of the sound, and were bandying it to and fro” (Hawthorne 128). Dimmesdale comes close to confession many times, but cowardice and self-preservation come into play, affecting his decision. He is unable to summon the power to confess, but instead tortures himself and engraves an “A” by his heart. He quickly realizes that he will not survive long in his current situation.
In Nathaniel Hawthorne’s well known novel, The Scarlet Letter, extensive diction and intense imagery are used to portray the overall tone of the characters. In particular, Hester Prynne, the wearer of the Scarlet Letter, receives plentiful positive characterization throughout the novel. Hester’s character most notably develops through the town’s peoples ever-changing views on the scarlet letter, the copious mentions of her bravery, and her ability to take care of herself, Pearl, and others, even when she reaches the point where most would give up and wallow in their suffering.
That scaffold holds more importance than just somewhere to condemn prisoners. It is the one place where Dimmesdale felt liberated to say anything he wishes. In Puritan culture, the scaffold is used to humiliate and chastise prisoners, be it witches at the stake, thieves in the stocks, or a murderer hanging from the gallows. In The Scarlet Letter, the scaffold was viewed more as a place of judgment. “Meagre ... was the sympathy that a transgressor might look for, from such bystanders, at the scaffold.” (p. 63) Indeed, it was used for castigation, but it was also a place of trial: Hester’s trial was held at the scaffold. Standing upon the platform opens oneself to God and to the world. “They stood in the noon of that strange and solemn splendor, as if it were the light that is to reveal all secrets, and the daybreak that shall unite all who belong to one another.” (p. 186) Being on the scaffold puts oneself in a feeling of spiritual nakedness- where you feel exposed to God, but cleansed. It was the one place where Dimmesdale could find complete reconciliation.
As a respected physician, Chillingworth was “a man of skill in all Christian modes of physical science, and li... ... middle of paper ... ... powerful grip over him, dies peacefully, and Chillingworth dies soon after. To plot revenge in any situation is harmful. Chillingworth’s plot of revenge brings the downfall of Dimmesdale, as well as his own.
Eventually coming to terms with his societal offense and accepting the love he shares for Hester and the product of his sin, Pearl, Dimmesdale decides to end his torment by revealing himself to society. However, as he relieves himself from the curse cast upon him, his body succumbs to his mental distress and physically weakness, leaving him a freed man as he takes his last breath. Dimmesdale inflicts himself with agony and distress as he chose to have an affair with Hester, but his ultimate downfall resulted because of his fear of social judgement and the consequences for committing such a crime. His choice to hide his dishonorable actions from society worsened his physical and mental health as he lived in constant angst of someone uncovering his scandalous secret and consequently leading to his passing away. As demonstrated by Oedipus and Dimmesdale, it is not one’s crime that leads them into misery; it is the emotional distress and guilt that tortures them and brings upon their greatest
As we reach the finally of the story Dimmsdale confesses his sin and he has a sense of happness and self peace almost immedietly. Pearl has longed for his public love and affection and in the closing scenes she receives it.
The next area is a symbol in the heavens. This occurs during the second famous scaffold scene. Dimmesdale, Hester, and Pearl are on the scaffold when, “a light gleamed far and wide over all the muffled sky. It was doubtless caused by one of those meteors” (150). “The minister looking upward to the zenith, beheld there the appearance of an immense letter-the letter ‘A’- marked out in lines of dull red light” (152).
The first scaffold scene takes place at the very beginning of the story. In this particular scene, Hester has moments before walked from the prison door carrying her baby and donning the scarlet letter, which stands for adultery. She must make this procession in front of the entire town. After the march, Hester is forced to stand alone on the scaffold until an hour past noon.
He explains that the scaffold that Hester is sentenced to stand upon as punishment is meant to be a comparison to the famous weapon in the French Revolution, the guillotine. Reynolds points out that it was custom in Puritan New England to refer to such places as to where Hester stood as the gallows, not scaffolds. “[…] the central setting of the novel, the scaffold, is, I believe, an historical inaccuracy intentionally used by Hawthorne to develop the theme of revolution” (619). Here he is saying that Hawthorne purposely misused the term in order to spur up themes of revolution. Although he fails to mention Hawthorne’s motive in doing so, it does credibly show the reader that there are possible and deliberate connections made between the French Revolution and The Scarlet
Ironically, he shows up on the day that Hester is publicly punished for her sin of adultery. It is the first of the three scaffold scenes. Hester stands alone, clutching her infant. Chillingworth and Dimmesdale stand in the crowd watching her. Chillingworth is incensed over her sinfulness and vows to find out the identity of her partner so that he can have his revenge.
The Scarlet Letter, a classic American novel written by Nathaniel Hawthorne, contains a plot that follows the controversial life of Hester Prynne, the main protagonist of the story. Set in the mid 1600’s in Boston, Massachusetts, it represented the Puritan society and its ideals at that time. Its rich plot has enticed and enraptured readers for many years, while Historical elements have allowed readers to analyze and understand the content better. The Scarlet Letter is a piece of historical fiction that contains a real representation of the period in which it is set in and is mostly historically accurate, barring a few minor inaccuracies.
The Scarlet Letter is a fictional novel that begins with an introductory passage titled ‘The Custom-House’. This passage gives a historical background of the novel and conveys the narrator’s purpose for writing about the legend of Hester Prynne even though the narrator envisions his ancestors criticizing him and calling him a “degenerate” because his career was not “glorifying God”, which is very typical of the strict, moralistic Puritans. Also, although Hawthorne is a Romantic writer, he incorporates properties of Realism into his novel by not idealizing the characters and by representing them in a more authentic manner. He does this by using very formal dialogue common to the harsh Puritan society of the seventeenth century and reflecting their ideals through this dialogue. The Puritans held somewhat similar views as the Transcendentalists in that they believed in the unity of God and the world and saw signs and symbols in human events, such as when the citizens related the meteo...