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Story of bartleby
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The narrator of “Bartleby, the Scrivener” spends a large portion of the story covering his tracks in terms of guilt by adding long paragraphs of reflection and analysis not only on Bartleby, but also in justification of his own actions. Since the narrator is recounting a story from memory, these divergences from the basic storyline can be read as factual memory; however, given the subjective nature of memory, they provide more insight to the reader through the lens of analysis on the authenticity of the narrator’s voice. Throughout the entire piece, there are subtle implications of the narrator’s superior nature and self-righteous perception of himself and this specific passage concretely illuminates his manipulation of words in order to cast himself in the best light. By actively demeaning and belittling Bartleby by saying that he has no control over himself and, therefore, cannot be punished for his actions, the narrator attempts to cover up his clear superiority complex towards Bartleby by giving him the role of the helpless victim. The narrator does the same with himself, using the positive language of friendship and value in order to paint the otherwise complex emotion of pity into something clean-cut like benevolence. He employs the subtle implication of his kindness through hypothetical comparisons and objective observation. The narrator uses the language of incapability to take Bartleby’s agency away and create a victim-hero dynamic in which he can justify his actions throughout the piece as not only necessary, but also selfless. A closer extrapolation of the language used to describe Bartleby’s passivity will reveal that under the shroud of sincere observation, the narrator is subtly creating a simply superficial shell ... ... middle of paper ... ...tive set up of himself as the infallible hero and then eventual, but subtle, admittance to selfish gain, mirror’s the larger progression within the entire story. By opening up with the objective scenario of “an earnest person” and an individual with an “inhumane temper”, the narrator sets up the biases of the situation early on by placing himself and Bartleby into set roles. He then moves on to say that he will act “charitably” towards the “poor fellow,” creating a victim-hero dynamic. He comes around at the end, however, and reveals his true intention of preserving “a sweet morsel for my conscience” in that by attempting to delude himself, and hopefully the reader, into believing his sincerity in helping Bartleby, he inadvertently points directly to his insincerity by citing a healthy conscience has one of his key motivators in his supposed tolerance for Bartleby.
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into for a deeper understanding of the choice death for these characters.
of a conscience in the story are the ways that Sarty compliments and admires his
The author of the story presents the questions of what is valuable in society and how those that resist these values are dealt with and answers them through Bartleby's actions from his life to his death. Society values things such as money and working to make money where human things such as sentimentalities and emotions are not worth holding onto and when one refuses to work he is left with choices of imprisonment in a cell or imprisonment in a job where Bartleby instead chose to die, to be free of such a world that does not value freedoms and humanity.
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
In Melville’s, “Bartleby the Scrivener,” a lawyer’s idea of relationships is tested. As a bachelor, his disconnection with people is an obstacle he has to overcome. The relationships between his coworkers and himself are simple and detached until Bartleby is introduced. The lawyer is befuddled at the unique behavior that this character displays and cannot help but take particular interest in him. When Bartleby is asked to work, he simply says, “I would prefer not to,” and when he quits working, he begins to stare at the wall (1112). This wall may symbolize the wall that the lawyer has built up in an attempt to ward off relationships, or it may simple symbolize Wall Street. When the lawyer finds out that Bartleby is l...
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
My conclusion, then, is that the lawyer strays from the zone of comfort to only lead him back to it. For instance, he does not try to understand Bartleby through Bartleby’s perspective, but he wants to understand who Bartleby is so that Bartleby will conform to the way he is. The lawyer’s empathy that he shows towards Bartleby is not a genuine display for Bartleby, but as a selfish way to restore the order in which he does not have to deal with this conflict.
Herman Melville uses a first person point of view to show the narrator’s first hand fascination with his employee Bartleby, as well as Bartleby’s strange behavior and insubordination.
To begin, the focus will be set on the issues posed by the story of Bartleby. The audience may wonder why Bartleby goes from the employee who does his work without being problematic, to one who repetitively
...irony, the corruption he believes can be found in the Church, pointing at its common tendency in this time to take advantage of the people through its power. He also shows through the Pardoner that perhaps immoral people cannot guide people to morality, through subtle lines such as “For though myself be a ful vicious man,/ A moral tale yit I you telle can” (GP 171-172). Through Chaucer’s portrayal of the Pardoner in this tale, the audience is able to see that the Pardoner is a self-absorbed, greedy man that mirrors what the author thinks of the Church, and that the Pardoner is the exact opposite of what he preaches, which also points towards the supposed corruption of the Church. The irony found throughout this work serves the important purpose of bringing attention to the dishonesty and fraud Chaucer believes can be found in the Roman Catholic Church at this time.
This leads to the lawyer to grow increasingly curious about Bartleby. The idea of capitalist values in “Bartleby the Scrivener” are supported through the way the narrator, the lawyer, presents his employees to the reader, describes meeting Bartleby and Bartleby’s
Melville intends something less black and white with more gray shading. Melville uses dramatic irony and grim humor in “Bartleby, the Scrivener: A Story of Wall Street. This is to show the reader how the Lawyer assumes he is a safe, successful and powerful man with extensive control in his polite society until he hires a man named Bartleby. This relationship is slowly revealed to be quite a conundrum for the Lawyer and the reader. Melville shows how the Lawyer never had any power or control over Bartleby but quite the opposite; Bartleby held all the power and control in this relationship. I will explore the important of the power struggle and the fight to maintain control between the Lawyer and Bartleby.
His efforts though are fruitless because he was not able to get to Bartleby and never truly understood him, even in prison as the man eventually dies of starvation. Although after his death the lawyer does learn of Bartleby’s previous and listless job at a ‘Dead Letter Office’ which made the lawyer sympathize for him and wonder if that job is what made Bartleby so distant. Bartleby was a loner who distanced himself from everyone, even in death, he was aloof and never interacted with anyone which is not considered normal human behavior because humans are supposed to be social. This story went a little deeper and gave the idea of humanity as a whole being apathetic towards each other, because only the lawyer showed any sort of humane concern for Bartleby while the others cared less. Bartleby himself displayed apathetic behavior as he showed little to no care for how his behavior affected others or even himself. Outside in the world, many people who are stressed out and constantly working tend to only focus on themselves and have little to no care for other people most of the time. It’s another negative view on humanity, but at the same time it’s not that wrong, as society made by humans also makes others so busy and stuck in tedious schedules that they gradually become more jaded and some even become distant and