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Asian stereotypes in US Hollywood films essay
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The Rush Hour films are a progression of hand to hand fighting/activity comic drama films featuring Jackie Chan, Chris Tucker and fundamentally two cops that wouldn't ordinarily be collaborated up together. One Hong Kong police force inspector and an American LAPD officer that goes on a great deal of misfortune, yet winds up cooperating very well. Practically in each film, there is a Caucasian and African American male continually assuming in a humorist part, yet not in the Rush Hour films. It is abnormal to have a foreign Asian and African American being in a film this way; however, it started an evolution trend. Jackie Chan has this humorist side of himself which pull in more Asian American and Chris Tucker that is generally known for being super funny. …show more content…
In America things are altogether different like the standards for example; the tenets are considerably stricter than other nation. Even the littlest standards that some individual breaks will cause you harm. In Rush Hour 2 the setting happens in Hong Kong. Hong Kong is known for being in the busiest nation in Asia, while in Rush Hour 3 the setting happens in Paris which is all the more unwinding and quiet. Hong Kong is a quick pace place and it doesn't make a difference on the off chance that it is night or day; the city is constantly alive and will continue moving. At whatever point you heard the words "Paris" that word should fly into someone brain is the amazing pinnacle. Paris one of the calmest and excellent city on the planet and other call it the city of light or the city of affection. Rush Hour 2 and 3 have one reason to influence everyone to laugh and to appreciate the motion pictures regardless of their race. Jackie and Chris have two different societies, yet all things being equal, they cooperate paying little respect to their experience and make their motion pictures
The movie and the book “Big Driver” by Stephen King are very similar to each other. It is difficult to spot the differences. The movie/book is about a woman named Tess, she is a well-known writer. She went a reading/signing for her books and got told to try a new route home, because it would take ten miles off her drive. She put the address into her gps and started her way back home. She started to drive through an area that was not very populated and in the middle of the road were pieces of wood with nails in it. Tess did not see the wood, and hit one and the nail went right into her tire giving her a flat. She pulled over and looked, so she then realized she needed help. She stood by the road waiting for people to pass, when this man started to pass her and realized she was flagging him down. He pulled over and she asked if he could change her tire, and he replied he wouldn’t mind helping. He went to start changing the tire and turned and said, “why don’t I fuck you instead,” which he then began raping her, dragged her body into a tunnel and left. She woke up under water and realized she was alive and needed to get out. Tess walked on the side of the road until she found a gas station to use a phone. She found a phone and called for a ride home and started to plan her revenge to find out who he was and what she was going to
It is for this reason that laws were made to increase punishment against what was known as “urban” crime. Although times has changed, there are still many stereotypes around both white and black individuals. Society has filled television shows as well as movies with content that exposes the tension and humor between the African-American and Caucasian race. Films were being made where two males of different races would develop an everlasting friendship, which was a rare occurrence in the 1900s. However nowadays, racial animosities are being shown in film for the reason that it would attracts audiences to buddy films, even though inequality is still present. For instance, in the movie “Get Hard”, Kevin Hart’s character Darnell, is an African-American man, who is struggling to expand his car washing business as well as to provide a better education and home for his daughter. It is also shown that Darnell’s cousin is an ex-convict living in what is known as “the hood”. Whereas, Will Ferrell’s character James, is shown as an extremely wealthy man, who is a senior fund manager that has tons of money to spend. As one can tell, instantly the movie demonstrates the inequality between the two races, demonstrating that Caucasian are generally more well off in comparison to
Sitting in the movie theater, I was baffled to see so many stereotypes touched on in one single film. These stereotypes were not just any kind of stereotype – they were those pertaining to Asians in particular. The obviousness and sheer transparency of the stereotypes made the movie look like a complete joke. The film? Kill Bill.
The movie Crash educates the viewers on the effects of racism, and the negativity it places in our society. The interpersonal communication that was played out throughout the movie, made me more conscientiously aware, of how I interact with different ethnicities, so as not to offend
Kate Chopin’s “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” are both centralized on the feministic views of women coming out to the world. Aside from the many differences within the two short stories, there is also similarities contained in Chopin’s “The Story of an Hour” and Gilman’s “The Yellow Wallpaper,” such as the same concept of the “rest treatment” was prescribed as medicine to help deal with their sickness, society’s views on the main character’s illness, and both stories parallel in the main character finding freedom in the locked rooms that they contain themselves in.
Back in the 1800’s, when calculating the population, African Americans were counted as 3/5 of a person (Antonia, p2). One would think that in the past two hundred years people’s beliefs would have changed a little bit, but the general white public are stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. Two black men are shown breaking into a white man’s car. People see this, and in turn believe that all black men will try and steal their car; as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz states in Lyon’s piece, “We [blacks] are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the ‘70s.” By making a barrier to entry for minorities in the film industry, it’s almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more apparent in America’s mainstream media culture, particularly in action movies.
(125) Privilege is inclined to white males through every facet of our everyday that inconspicuously creates racism through classism. While Crash holds a very touching message on a personal level of human compassion, it unfortunately is also a perfect snapshot Aude Lorde's "'mythical norm,' which each one of us within our hearts knows 'that is not me.'" (178) This is otherwise known in America as "white, thin, male, young, heterosexual, christian and financially secure," where "the trappings of power reside..." (Lorde 178) So why all the fuss about a movie? It's just a film, and some would say that it's not meant to solve the America's issues with racism and classism. While this is true, it is dangerous for such a prevalent film like Crash, which won three Academy Awards including Best Picture in 2005 in addition to a slew of other accolades, to perpetuate that elusive, intangible type of oppression that we all live in, but some still deny. As Langston writes in Tired of Playing
Tension between the African Americans and Caucasians have been present in America since slavery. In the movie Crash (2004), race and culture are major themes that can be seen in the lives of the characters in the film. One character in particular, Cameron, a prestigious color vision director, displays the friction between two cultures. He belongs to the educated, upper class of the Los Angeles area. He is also an African American, yet he seems to have no ties with that class. He has a light-skinned wife, attends award shows, and it appears that his acquaintances are predominately white. When he and his wife, Christine, get pulled over by a racist cop, he experiences emotions of powerlessness and helplessness that he never knew he would experience due to his upbringing and place in society. Cameron goes through a radical transformation where he comes to grips with his background and how he fits into these two clashing cultures.
Public out cry about actors who portray other races has brought attention to the subject and has produced numerous arguments. These actors who portray themselves a different race is something that shouldn’t be viewed as a positive thing that we should continue to do. First of having an actor portray another race usually results in a more stereotypical role. This gives the public a bad image of different ethnicities, which may think that this is that ethnicities normal behavior. Similarly, having an actor portray another ethnicity takes a job away from someone from that race. Actors of other races are under represented in films. By not giving minorities opportunities they can’t prove that they are in fact good actors, limiting them in future roles. By allowing actors to portray a different race we are not respecting minorities as equals.
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
The purpose of the film was to show that no matter what skin color you are what only matters is who you are on the inside. The movie fails in this attempt to display a political statement in a comedic manner in the sense that in reality it depicts that people need to be aware that we should be equal regardless of skin color but it makes a mockery out of the fact that we are not equal in a non-hysterical manner. This movie is not a comedy in the sense that the jokes are funny because they truly are not funny especially for those who face these discrimination issues daily. The movie is basically promoting conformity in the idea that we all know that equality is a far stretch and that we are not there yet so let us just deal with it and turn it into a mockery.
Representation of people of color—even, more so for women of color—in film and media is crucial in paving the path towards equality as a whole. However, the amount of roles, both leading and supporting, for people of color are scarce and borderline nonexistent for some minority groups. In addition, the marginality of roles for people of color versus caucasians in mainstream film and media is extremely disparate and reasserts the inequality in Hollywood. In particular, Asian-Americans are only cast in film and media 1.3% of the time while caucasians lead with a cast rate of 78.2% (Briones 8). With the statistic in mind, when there is representation for Asian-Americans in film, especially mainstream studio films, irony is usually a present factor.
Thus, we see the movie industry is a powerful form of mass media in our society that provide the perception of what American culture looks like and how we treat each other in the society. The Hollywood movie industry is driven by the box office profit and glamour. There is virtually no track record for financially successful films starring an Asian American or any other minority group. The filmmakers do not even consider minorities as potential customers. Even now, most of the time, big corporations are reluctant to investment or promote any movies where they are not making significant amount of return investment. Making money is the underlining theme of these industries.
In the film Crash, directed by Paul Haggis and co-written by Paul Haggis and Robert Moresco, Cameron Thayer, a successful movie director, becomes the object of racial stereotyping. By focusing on the interactions between him and his wife, as well as Officer Ryan, the audience can identify how the concepts of stereotyping and power are correlated with one another. In addition to the life of Cameron Thayer, Crash identifies several different persons who are subjected to stereotyping by those with power throughout the film. As many of the character’s lives crash into one another, issues between race, gender, and ethnicity become key components to the film’s plot, which provokes the audience to question the roles of stereotyping in our daily lives.
Although Hollywood has added in a greater amount of diversity into their #1 blockbusters in the last decade, their motives, while they may be discrete, prove to be profit-induced. While black actors are landing roles