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Importance of the chorus in media
What role does the chorus play in Medea
What role does the chorus play in Medea
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The Role of Chorus in Medea
In section 18 of the Poetics Aristotle criticizes Euripides for not allowing "the chorus to be one of the actors and to be a part of the whole and to share in the dramatic action, . . . as in Sophocles." Aristotle may be thinking of the embolima of Euripides' later plays (satirized also by Aristophanes), but he is certainly wrong about the Medea. Its choral odes are not only all intimately related to the action but are also essential for the meaning of the play, particularly because here, as elsewhere (e.g. Hecuba), Euripides forces us reevaluate his main protagonist in midstream and uses the chorus (in part) to indicate that change.
In her first speech Medea wins over the chorus by a plea to solidarity in the face of women's victimization by a male-dominated society, and this response by the chorus is an essential step in the poet's paradoxical task of winning sympathy and understanding for a mother who kills her children. But as that first speech itself indicates, Medea both is and is not a typical (Greek) woman: she is a foreig...
Her hatred toward Greek women continues as she discusses the fact that she should not have to bear children or have a strong maternal instinct in order to be considered a woman of societal worth. Women should be as important in battle as men are, as she states on page 195 when she says “They say that we have a safe life at home, whereas men must go to war. Nonsense! I had rather fight three battles than bear one child. But be that as it may, you and I are not in the same case.” The gender imbalance in the ancient Greek civilization is greatly upsetting to Medea, creating her mindset that Greek women are weak and simple minded while Greek men are oppressive and inequitable. Medea shares
In the novel Frankenstein, Mary Shelley tells us a story about a man called Victor Frankenstein who creates a Creature which he later decides he does not like. The novel Frankenstein is written in an Epistolary form - a story which is written in a letter form - and the letters are written from an English explorer, Robert Walton, to his sister Margaret Saville. Robert is on an expedition to the North Pole, whilst on the expedition; Robert is completely surrounded by ice and finds a man who is in very poor shape and taken on board: Victor Frankenstein. As soon as Victor’s health improves, he tells Robert his story of his life. Victor describes how he discovers the secret of bringing to life lifeless matter and, by assembling different body parts, creates a monster who guaranteed revenge on his creator after being unwanted from humanity.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Frankenstein might have been one of the most monotonous texts to read. The words were outside of my vocabulary, things were dragged on and it was a lot of reading, but beside all of those things, the structure of this story is very fascinating. The very concept of it is outstanding. To have the imagination and writing skills to pull something out like this is truly amazing. I respect Shelly highly of this, even if I found the book torturous to read. When an author composes a literary work, he or she must make many decisions. One of which concerns how to structure specific parts of the text. They have to decided where to begin or end a story, how to order the events, and whether or not to provide a comedic or tragic resolution, like Shakespeare for example, but I 'm not here to talk about him, I 'm here to talk about Mary Shelly 's Frankenstein! In this essay, I will analyze her
An Analysis of Chapter Five of Mary Shelley's Frankenstein Mary Shelley's 'Frankenstein' is an important novel in the history of English literature, and the warning it poses is still relevant, with science making many fictions become fact. This novel is about the struggle of Dr. Frankenstein to create the perfect person and his anguish when he realises he has created a monster. Chapter Five is a pivotal point in the novel: all the chapters before were leading up to the creation, and all the chapters after are as a result of the creation. It is also a key chapter in the novel as it encapsulates many of the features, characteristics and themes of the novel. In Chapter Five the characters are described in detail giving an accurate reflection of their personality.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Though Medea is a foreigner, her first few lines (214-224) present us, nevertheless, with an arresting flexibility and adaptability to the Greeks and to their unique social and political creation, the polis. Similarly, her language reveals the kind of adroitness that is characteristic of the sophistication born out of the town life of the fifth-century Greek aristocrat. (115).
This philosophical analysis focuses on the main character of Mary Shelley’s Frankenstein, the Monster, and how his crime of killing a young boy and framing an innocent bystander is explained through the arguments made by Mengzi concerning evil natures. This parallel will be made by showing the progression of the Monster from good to evil nature and how his motivation to ruin his creator’s life tainted his fundamental heart. I will first briefly address the action as portrayed in Frankenstein and then discuss how Mengzi’s ideas explain the change in the Monster’s nature.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
As shown in the Bible, Adam committed a huge sin by eating the apple from the forbidden tree and when he got caught by God his creator he tried to blame Eve for the evil actions that they committed although both of them were at fault. In the horror-science novel Frankenstein, Mary Shelley writes a story of a man 's ambition to play the role of God and tries to create another human being instead he creates a monster that acts like a human that faces many human trials. Mary Shelley relates this to Frankenstein, and in real life, in that, you can not abandon and mistreat things because it does not turn out or look how you wanted to because that may lead to consequences that you were not expecting.
Schaps, David M. “For All That A Woman: Medea 1250.” The Classical Quarterly 56.02 (2006): 590. Print
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
The Chorus is very much an important part of Euripedes’ Medea, and indeed many other works written in the ancient Greek style. In this play, it follows the journey Medea makes, and not only narrates, but commentates on what is happening. Euripedes uses the Chorus as a literary device to raise certain issues, and to influence where the sympathies of the audience lie.
The novel Frankenstein by Mary Shelley demonstrates how science does not create monsters, society creates monsters. Shelley portrays the creature as Satan, as well as, Adam using dialogue and characterization.