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Critical analysis of paradise lost
Critical analysis of paradise lost
Milton theodicy on paradise lost
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In order for John Milton’s epic Paradise Lost to fulfill its promise to “justify the ways of God to man,” Milton must prove that man is responsible for his fall from Eden. Throughout the epic, God argues against his culpability in the fall of humanity and insists that Adam and Eve both possess absolute free will. Essentially, the evidence for this idea that his creations held free will concentrates on a connection between reason and the freedom to make informed, correct decisions. This Arminian notion that Man must be responsible for his decision to either accept or refuse to follow God’s instruction because Adam possesses reason and, by extension from this, free will, fails to recognize other factors at play which detract from his ability to exercise his supposedly free will. As an omnipotent being, God would be fully aware of the limitations, desires, and flaws of humanity. Therefore, God’s structuring his creations with potent failings such as …show more content…
In Book 3 of the epic, God exclaims that “[Adam] had of Me / All he could have” (2.97-98) and that Adam was “Sufficient to have stood, though free to fall” (3.99). In these lines, God argues that Adam bears sole responsibility for his fall and that God can in no way be blamed for the events to unfold. Shortly following this declaration, God emphasizes that no one “can justly accuse / Their Maker or their making” (3.112-113). These two lines reiterate that God as the creator bears no responsibility for the fall of mankind and introduce the idea that the making of both Adam and Eve also failed to influence their decision. Although God vehemently defends his position against his culpability, and even sends Raphael to Adam and Eve to emphasize this, this argument blatantly ignores factors that directly resulted in the fall of
In his essay, "The Magnitude, Duration, and Distribution of Evil: a Theodicy," Peter van Inwagen alleges a set of reasons that God may have for allowing evil to exist on earth. Inwagen proposes the following story – throughout which there is an implicit assumption that God is all-good (perfectly benevolent, omnipotent, and omniscient) and deserving of all our love. God created humans in his own likeness and fit for His love. In order to enable humans to return this love, He had to give them the ability to freely choose. That is, Inwagen holds that the ability to love implies free will. By giving humans free will, God was taking a risk. As Inwagen argues, not even an omnipotent being can ensure that "a creature who has a free choice between x and y choose x rather than y" (197)1. (X in Inwagen’s story is ‘to turn its love to God’ and y is ‘to turn its love away from God,’ towards itself or other things.) So it happened that humans did in fact rebel and turn away from God. The first instance of this turning away is referred to as "the Fall." The ruin of the Fall was inherited by all humans to follow and is the source of evil in the world. But God did not leave humans without hope. He has a plan "whose working will one day eventuate in the Atonement (at-one-ment) of His human creatures with Himself," or at least some of His human creatures (198). This plan somehow involves humans realizing the wretchedness of a world without God and turning to God for help.
...to mankind in Paradise Lost - one of the fundamental concepts in Christianity and vital to Milton's objective to "justify the ways of God to men" (1, 26) - the gods in the Aeneid are continually reminding Aeneas that he cannot afford to be distractive by the temptresses that are women because the future of Rome lays in his hands. Milton's God, on the other hand, allows Eve to fall and her blatant transgression caused the loss of paradise and all of creation has to experience the consequences of original sin. In Paradise Lost Eve was expected to submit to her ultimate authority, Adam. Rather, it is Adam in Book IX who submits to Eve's unreasonable discourse on separation. Indeed, the implication of a man (as a superior being) succumbing to feminine wiles and passion is an intense concept which - for both Virgil and Milton - threatened the very basis of their society.
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
In Paradise Lost, the consequences of the fall and the change in relations between man and nature can best be discussed when we look at Milton's pre-fall descriptions of Eden and its inhabitants. Believing that fallen humans could never fully understand what life was like in Eden and the relationships purely innocent beings shared, Milton begins his depiction of Paradise and Adam and Eve through the fallen eyes of Satan:
If God knows the actions of his creations such as humans before they are done, and God has commands these creations how could they refuse their creator? This is brought up in William Walkers “On Reason, Faith, and Freedom in Paradise Lost”. Walker argues that although God commands Adam and Eve to worship him, ultimately it is their choice to worship him and thus they are employing their free will he writes “I will further argue, does not mean that, in requiring that man have faith in him, Milton 's God is requiring him to do something he is not free to do” (Walker 143). I would disagree with this argument, I believe in this story humankind has no free will. I believe when God made Adam and Eve he gave them the illusion of free will, how could Adam and Eve refuse their creator, especially if their creator made them to worship him. I believe that God knew mankind would worship him before he even before he created them and therefore he has true free will while mankind does
John Milton’s Paradise Lost is a great story about the creation of mankind and their ultimate downfall. It heavily depicts Satan’s fall from heaven, along with the other angels that revolted against him. Milton depicts a few phenomena that drastically changed after the fall of man. The single action of Adam and Eve eating the apple caused the what many view as the biggest swing in human history. The one thing that could be most heavily altered is the knowledge of mankind, their surroundings and what makes up the world.
In John Milton’s Paradise Lost, he makes God the all-powerful, trusted and feared force. His theodicy creates God as a good force, not an evil one, but the way he writes Paradise Lost and the fall of mankind suggests that either Milton did not think God was all that powerful or turned his cheek when evil plotted against Him.God is trusted by humans in this epic poem because Milton writes that Adam and Eve pray often and trust all God has done for them. But once again, the trust was broken when Eve listened to what the serpent had to say about God deceiving the humans by telling them He didn’t want them eating the forbidden fruit from the Tree of Knowledge when He really did want them
The attention Milton gives to each character, and their specific personality, allows us to interpret their actions as consciously chosen deeds within the larger framework of the poem. Great detail is given to the idea of "creation". Beyond that of the creation of the world in Book I, there are many instances where the act of creation itself becomes an act of endowing power on some object or person. The most obvious example would be the creation of Adam and Eve by God. By creating the pair, God, desires them to glorify His ways through their praises and deeds. He gives them enough power over their destiny to choose to worship Him as the Almighty. The fact that they have free will is important to God because they choose to give Him praise despite any outside temptation. There is one obvious drawback to this kind of power. They chose to follow Satan’s beguiling words. The fact that they had the free will to follow Satan’s words meant that their decision was cosmically more important because it was arrived at through conscious thought. We can see this idea of power demonstrated throughout Paradise Lost. The dual relationship between the beneficial act of bestowing power at the time of creation and the negative side of the free will to use that power freely, shows up within every character. Instances of creation appear in every book, and can be associated with every character. Some of the first appearances of the word "author" are connected with the idea of creation. In Book III, the throngs of assembled angels say,"Eternal King, the Author of all being/Fountain of light, thyself invisible/..." (III, 376-7) Here God is portrayed as the great originator of everything in all of creation. To be the "author" of something is to be the creator, much the same way as Milton himself is creating the world of the poem. In virtually every instance the act of "authoring", is associated with images of primacy and legitimacy. The ultimate act of creation, that of shaping the physical world itself, brings about another reference to this idea.
John Milton’s Samson Agonistes is based on the story of Samson, an Israelite hero in the Old Testament who falls from grace. In this work Milton shapes his version around the issue of accountability, whether Samson or God is responsible for his actions. Milton displays Samson’s accountability by contrasting his God-given strength with his self-effected weakness.
The classic tragedy Paradise Lost, written by John Milton, demonstrates how the fallen angels lose the paradise they have been given, and how this fall directly effects the downfall of man as well.
After the fall in Milton’s Paradise Lost, Adam and Eve bicker and blame one another for their decent. First, Adam accuses Eve for her physical act of accepting the apple from Satan and eating it, thus defying God’s decree not to eat from the Tree of Knowledge. In retaliation, Eve responds and attempts to not only justify her act, but also to place the blame on Adam. Eve’s reaction is typical of someone who does not like to admit he is wrong.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
In the opening lines of Paradise Lost, Milton wastes no time conveying to his readers what his purpose in writing the epic is. He writes in the beginning that he intends to “assert Eternal Providence, / and justifie the wayes of God to men” (I. 25-26). What exactly does this mean though? In order to be able to clearly judge and evaluate what these lines imply, it is important that one understands what exactly Milton’s thoughts we regarding “Eternal Providence” and the “wayes of God”. Stemming from this idea, it is important to also realize how the idea of free will intertwines with the omniscience of God. For Milton, God’s omniscient did not constrain the free will of Adam and Eve. However, this idea presents the reader with a paradoxical situation that Milton as an author was fully aware of. Paradise Lost presents the reader with eternal providence and free will as being part and parcel of each other, neither constrains the other, and it is these two aspects, along with that of knowledge that lay the groundwork in understanding Paradise Lost.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)