In one of his last short stories, “The Rocking-Horse Winner”, D. H. Lawrence tells a story about the life of a young boy, Paul, who has the ability to name the winner of any horse race by simply riding on his toy rocking horse. The short story is reminiscent to that of a Fairy Tale. Lawrence's simple style, coupled with elements of the supernatural suggest as much. However, this fable is not your average fairy tale. The text utilizes two reoccurring motifs: the eyes and hardness of the heart, to indicate a symbolic connection between Paul and his mother. This connection is essential in developing the irony of the text. The irony of the ill-fated characters produces a deeply sardonic fairy tale on the consequences of the never ending race for material wealth.
The mother of the tale is a person who lives in what can be described as genteel poverty. She is a woman who is said to have “started with all the advantages” (750), but she threw away all of her prospects when she married her husband, who is apparently unlucky. However, she is unable to let that lifestyle go and their family is left with a constant shortage of money. The mother is said to have married for love, but in the time since then it has “turned to dust”. She also has three children, but she does not love them either. She knows that her heart has a “hard little place that could not feel love...” (Lawrence, 750). In order to cover up this flaw she pretends as though she loves her children so the other parents within her social circle believe that she is a great mother. This artificial love manifests itself in the form of expensive gifts, servants, and a nurse (or nanny). However, in the privacy of their own home she is cold and distant from her children, and they know...
... middle of paper ...
...ne out of a life where he rides his rocking horse to find a winner. (Lawrence, 760)
Uncle Oscar, in saying this, is actually reiterating the thought process that brought Hester to the brink of her own undoing. Telling her that Paul is “best gone” from a life where he had to try so hard to please his own mother is bringing the materialistic notion full circle. Sure, his mother gets the money that she has always wanted, but at what price? The text is a cruel twist on the phrase “Lucky in money, unlucky in love”; she got the money that she's always wanted (because of her son's luck), but only after forfeiting the life of her only son. But who's to say this new sum will satisfy her thirst for money? The final ambiguity of the passage sheds light on the destructive power of the ill-contrived belief that the possession of money and material wealth is a necessity of life.
Are all mothers fit for motherhood? The concept of motherhood is scrutinized in the stories “The Rocking Horse Winner” and “Tears Idle Tears”. In “The Rocking Horse Winner” by D.H Lawrence the mother, Hester, unpremeditatedly provokes her son into providing for her through gambling. In the story “Tears Idle Tears” by Elizabeth Bowen, Mrs. Dickinson disregards her son’s emotions and puts more emphasis in her appearance than her son’s wellbeing. Hester and Mrs. Dickinson both were inadequate mothers. Both the mothers were materialistic, pretended to love their offspring, and their dominance hindered their children’s progress in life.
Although, a mother’s determination in the short story “I Stand Here Ironing” mother face with an intense internal conflict involving her oldest daughter Emily. As a single mother struggle, narrator need to work long hours every day in order to support her family. Despite these criticisms, narrator leaves Emily frequently in daycare close to her neighbor, where Emily missing the lack of a family support and loves. According to the neighbor states, “You should smile at Emily more when you look at her” (Olsen 225). On the other hand, neighbor gives the reader a sense that the narrator didn’t show much affection toward Emily as a child. The narrator even comments, “I loved her. There were all the acts of love” (Olsen 225). At the same time, narrator expresses her feeling that she love her daughter. Until, she was not be able to give Emily as much care as she desire and that gives her a sense of guilt, because she ends up remarrying again. Meanwhile narrator having another child named Susan, and life gets more compli...
In order to sustain her indulgence for the finer conditions, her hunger for moneys grows so much that even the house whispers about it because there is never enough. Hester's anxiety over wealth affects her children to the point they feel as if they can hear the house constantly saying they need money: "And so the house came to be haunted by the unspoken phrase: There must be more money! There must be more money!" (Lawerence 411). Children feed off their parent's energy. In the mother's constant state of distress, Paul feels trapped by the overwhelming cries that flow throughout what should be his safe haven. In an attempt to quiet the voices, Paul secretly gives money to Hester to be distributed over a span of 5 years. Unappreciative of this
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
Luck and love have always been two very important and contradicting themes in many stories. Children and adults would go above and beyond to receive their parent’s affection and approval even to the point of death and isolation. At times this creates a dysfunctional aspect in the family’s lives. “A Rose for Emily” and “The Rocking Horse Winner” have very similar symbol meanings and themes explaining the dysfunctional family, love and luck.
Paul, the child, knew that his family wanted money, and he knew that he was lucky, betting on the horses. Paul became partners with the gardener. He picked the horse, and the gardener placed the bet. Paul had started out with five shillings but his winnings kept adding up. When he had made 10,000 pounds he decided to give his mother 1000 pounds a year for five years. He wanted his winnings to be a secret so a lawyer handled the money. Paul saw the envelope from the lawyer and asked his mother if she had received anything good in the mail. She said "Quite moderately nice" (p. 168) in a cold voice. She liked getting the money, but she wasn't happy. She wanted more.
When this tale is looked at from a deeper perspective, it is learned that the mothers wish is to be loved and not have to worry about her child that has come in the way of her and her
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.
Eva’s lack of value for motherhood shaped the lives of her family as well as her own. Because of her negative feelings toward motherhood, many of the people surrounding her have similar values. Eva reflects her community’s negative perception of motherhood by being straightforward about it and passing it down through her family
Paul was outraged when he confronted his mother about the family’s lack of wealth, and she rejected his statement that he was lucky. After this scene, Paul was easily influenced that he would be able to reach this place of luck and finally satisfy his mother. Her desires for more money and luck are never satisfied, and as a result, lead to tragic consequences when love and money are confused in Paul’s mind. Paul’s heartbreaking attempt to win his mother’s love inevitably leads to his own death. Lawrence’s, The Rocking Horse Winner, exposes the negative qualities associated with modern society and specifically adults.
When women are kept in their classical role of mother and caretaker, all is well and their lives are simple. Children relate positively to their mothers in this typical setting; while Dantés was in prison, during a time of distress, he remembered something his mother had done for him. For example, Dumas writes, “He remembered the prayers his mother had taught him and found meanings in them which he had formerly been unaware.” (41). Mothers teach their children to the best of their ability, evidenced in Dantés, as well as when Caderousse says Mercédès is instructing her son, Albert. It is in these moments that a mother’s love, compassion, and necessity are revealed. Lives are calm and enriched as long as women are in their niche. This includes non-maternal nurturing roles, for example, Mercédès attentiveness to Dantés father and Valentine’s special ability to care for Nortier. This loyalty is valued and shown as essential for the stability of life. Though The Count of Monte Cristo depicted women as best suited to the home, they intermittently stepped further out of that r...
Motherhood is a compassionate kinship between the mother and her offspring. Becoming a mother can be planned or unplanned depending on the person. Families tend to cherish the new beginning to a little human life. When someone decides to have a new life, it isn’t easy, and not only can some women not get pregnant, but the variation your body endures is amazing. The body goes through many life changing experiences. Some women can gain weight, or have a rollercoaster of emotions due to their hormones. Having a child is a very hard thing, because your whole life changes and it’s not all about you anymore. Children cannot control the family or mothers they have when born, they aren’t able to understand the concept of what is happening with their mothers or families until they are older. In novels, Incidents in the Life of a Slave girl, by Harriet A. Jacobs and The Awakening by Kate Chopin motherhood is portrayed in many different ways. The two stories differ in my way but both encounter similarities of motherhood in various ways.
The Rocking Horse Winner - Money for Love In this short story, "The Rocking Horse Winner," there is a little boy. competing for his mother's love, and his mother bringing her son to his. death with her confusing vocabulary. Paul's mother confuses him with her.
The Rocking-Horse Winner is a tragic story that demonstrates how materialism is very destructive in people’s lives. D.H. Lawrence uses one of the main characters, Hester, to symbolize how greed heavily affects the idea of materialism. Hester’s need for money develops the idea that happiness and love is destroyed by the need for money. Lawrence uses money in her short story to convey the idea of how neglect from a mother destroys an innocent, young child such as Paul. Lawrence’s symbolism reveals that children like Paul need love and compassion from their elders. Hester, Paul’s rocking horse and the whispering of the house represent greed, selfishness, and love. They also reveal the character’s real feelings and thoughts of neglect, detachment, greed and selfishness.
Motherhood is a traditional role for women. From the time they are young, girls are taught to grow up, marry and become mothers. Of course they can do other things with their lives like play sports, have careers, and travel, but an overwhelming amount of women want to be mothers no matter what else they accomplish with their lives. It is common knowledge that being a good mother is one of the hardest jobs in the world. It is to forever have a special link with another person or people and have a tremendous influence, maybe the most tremendous influence over their lives. Motherhood is a roller coaster ride for women, full of ups and downs, fears and accomplishments. But what happens when motherhood defines who a woman is? All children grow up, and while a woman is always a mother, children need their mothers less and less until eventually their dependence is very minimal. What happens to the woman whose singular role and purpose is no longer needed? In The Summer Before The Dark, and The Fifth Child, the maternal roles of Kate Brown, and Harriet Lovatt are analyzed and traditional motherhood behavior is deconstructed due to these characters’ experiences and relationships with their children.