Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The yellow wallpaper symbolism essay
The yellow wallpaper symbolism
Gender roles shaped in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The yellow wallpaper symbolism essay
The Repression of Women in Victorian Society as Shown in 19th Century Literature
19th century literature reflects to a certain extent, several ways in
which women were repressed in Victorian society. They were considered
inferior to men, and given a stereotypical image, showing them as
gentle, loyal and angelic. They were rejected of any personal opinions
or independence, for these were only a man’s privilege. Class and
status also affected women of the era. Evidence for these and further
repressions can be found in the short stories of 19th century writers.
Charlotte Perkins Gilman wrote ‘The Yellow Wallpaper’, which relates
partially to her own personal experiences as a woman under her
husbands overwhelming influence. Charles Dickens’ story ‘The Black
Veil’ also displays a view on women, as does ‘The Monkey’s Paw’ by W.
W. Jacobs, which can be portrayed as a male-dominated narrative.
Comparisons and contrasts can be made between these two novels, and
‘The Yellow Wallpaper’.
‘The Yellow Wallpaper’ shows examples of men’s attitudes towards
women, as well as women’s responses to these attitudes. The story is
based on occurrences during Charlotte Perkins Gilman’s own first
marriage. The fact that the narrative is semi-autobiographical
slightly highlights this, as she describes her relationship to ‘the
yellow wallpaper’, as she falls deeper into what we know as post-natal
depression. This use of two narratives emphasises the woman’s mental
decline, as the third person narrative takes over towards the end. The
reader is given an insight into her slowly deteriorating mind as the
first per...
... middle of paper ...
...lpaper, making her rebel mentally against
her husbands influence, so he eventually becomes ‘that man’, instead
of John. He ‘stopped short by the door’ when he saw her improper
state, he had lost his dominant stature, for he could no longer have
any power over her actions or thoughts.
The stories altogether show that Victorian women were very much under
the influence of men and their suggestions in their thoughts and
actions. They were also taught to have certain qualities, expected of
them by men. Several 19th century stories however, although showing
this perception of women, have contributed to an alteration of
attitudes towards women. Writers such as Dickens and Charlotte Perkins
Gilman have helped provide 20th century women onwards, with a fairer,
equal society, by highlighting female repression in their stories.
The time period in which Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” was written, it was during the Victorian time period where a man’s word was law. It was a very patriarchal society where a family, community, or society is based on a system governed by men. Where men were the sole bread winners and forward thinkers. A woman’s role and identity in
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
In the 19th century, women were not seen in society as being an equal to men. Men were responsible for providing and taking care of the family while their wives stayed at home not allowed leaving without their husbands. In The Yellow Wallpaper, Charlotte Perkins Gilman writes about a woman named Jane who is trapped by society’s cage and tries to find herself. Throughout the story, the theme of self-discovery is developed through the symbols of the nursery, the journal and the wallpaper.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Another interesting note to mention is that Mrs. Jellyby is one of the few matriarchs within the Victorian age; her husband is described as a “nonentity” by Richard and literally has no voice, which consequently bequeaths Mrs. Jellyby with the power in the household (44). The dynamic of their relationship thus becomes a transgression of the Victorian feminine archetype also, in which the gender balance is traditionally firmly skewed toward the male spectrum. Through Esther’s interactions with the Jellyby children, the two mother figures are juxtaposed, which consequently works to highlight the maternal qualities of Esther. As Ada says, Esther “would make a home out of even this house” (46). These comparisons also help bring to light the image of the Victorian ideal in
This relationship status was very common between nineteenth-century women and their husbands. In “The Yellow Wallpaper” Gilman presents the behavior of society of the time. The protagonist is suppressed by her husband, John, and her brother, though they both mean well. The way she is treated by her husband and her brother is not outwardly “mean” because they never deal with her in anger, but the way that they suppress her by not letting her express her feelings or do what she wants, is still abuse. Even though, the way that they are treating her is wrong, it does not seem wrong because they both act gentle and kind towards her and make her think that they really do care about her.
Reflecting their role in society, women in literature are often portrayed in a position that is dominated by men. Especially in the nineteenth century, women were repressed and controlled by their husbands as well as other male influences. In "The Yellow WallPaper," by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. This effect is created by the use of complex symbols such as the house, the window, and the wall-paper which facilitate her oppression as well as her self expression.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.
After analyzing Charlotte Perkins Gilman's, "The Yellow Wallpaper", from a feminist perspective it is undoubtedly shown to challenge patriarchal ideals through the stories heavy amounts of symbolism. The story revolves around the thoughts of a woman suffering from hysteria who ultimately loses her sanity due to her interactions with the isolated environment and husband, John. The story does a clear job at showing the oppressions of women in the late nineteenth century through the narrator's conversations with John, the ideas she has written down and in her head, the room in which she is caged in and finally the reflection of the Gilman's life in this story.
Throughout most of history women have been considered to be submissive and weaker than men. Wifehood and motherhood has been viewed amongst women's most meaningful calling to some people. In the short story "The Yellow Wallpaper" author Charlotte Perkins Gilman interprets her own struggle to overcome subordination and dependency to her husband who is also a physician. Through her emotional instability and her trapped mind set, Gilman's "The Yellow Wallpaper" suggests that to find freedom within oneself, like many trapped women in the world, one must liberate the mind and spirit before one can truly be free. The social isolation between Gilman and others in this short story is seen in her deserted upstairs bedroom. Between the atrocious yellow wallpaper and her inability to better her emotinal status, Gilman represented issues that many
Everyday the North American media sends millions of sexually provocative images through the airwaves and onto television screens. According to a recent study, an overwhelming 56% of all television programs contain sexual content (Vieth, 2). Our society has become so immune to the representation of sex that, for the most part, it goes unnoticed. Although concerns regarding sexuality still remain, society's tolerance level has changed dramatically over time. The history of attitudes toward sex and sexuality is a cultural process that can be seen through the literature of an era. The Awakening was the first piece of American fiction to blatantly attack the nineteenth century notion that marriage, emotional intimacy and sexual intimacy were inextricably bound together. Chopin's novel was advanced in theme over other nineteenth century works. Her piece more closely reflects the modern novel. Chopin gives her readers the story of a married woman, Edna Pontellier, as she explores her sexuality and need for emotional intimacy outside her marriage. Edna's need for extramarital relationships challenged the nineteenth century ideas of femininity and propriety.
Charlotte Perkins Gilman was a feminist who advocated for women’s rights, political equality, and equal domestic roles in marriage during the Victorian Era. Gilman was raised by her mother after her father abandoned her at a young age. She struggled with depression for much of her life. Charlotte Gilman committed suicide on August 17, 1935, after being diagnosed with inoperable breast cancer. She published “The Yellow Wallpaper” in 1892, after receiving an unusual treatment for depression. It is believed that Gilman wrote this story to describe one of her treatments. “‘The Yellow Wallpaper’ is generally considered to be Gilman's greatest literary achievement and has been reprinted regularly since its 1899 publication” (Stone). “The Yellow Wallpaper” shows the struggle that women of the 1800s went through to have freedom of thought while being dominated by male figures.
With a sarcastic, monstrous, and angry tone combined with high emotion and sentimentalism, Charlotte Perkins Gilman wrote the short story The Yellow Wallpaper in order to help the oppressed females recover their voice, their rights, and their freedom. She skillfully leaded the reader’s interest from a little horrible opening; then, a curious feeling about Jane’s life immediately became anger because of the unexpected climax of the narrator’s own recognition in the yellow wallpaper. The author tried to show that female would stand up and do whatever they can, even if they lose something to escape the control of male dominance as the narrator did in the story. This story is successful at portraying its authorial purpose because of its setting, types of conflict, character development, and the language effects.
In the nineteenth century, women in literature were often portrayed as submissive to men. Literature of the period often characterized women as oppressed by society, as well as by the male influences in their lives. The Yellow Wallpaper presents the tragic story of a woman's descent into depression and madness. Gilman once wrote "Women's subordination will only end when women lead the struggle for their own autonomy, thereby freeing man as well as themselves, because man suffers from the distortions that come from dominance, just as women are scarred by the subjugation imposed upon them" (Lane 5). The Yellow Wallpaper brilliantly illustrates this philosophy. The narrator's declining mental health is reflected through the characteristics of the house she is trapped in and her husband, while trying to protect her, is actually destroying her.