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Henry james the art of fiction summary
Henry james the art of fiction summary
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The Representation of Tone in The Turn of the Screw
The purpose of tone is to express the author’s attitude toward elements of a story, such as characters, setting, or a situation. This literary device sets the mood of the story for the reader. Henry James uses tone effectively in the novel, The Turn of the Screw. The mood of the story shifts three times as the story progresses. It begins by being cheerful, then hostile and ends being depressing. The tone shifts due to the changes in the attitude and actions by the governess.
The beginning of The Turn of The Screw, the tone is overall cheerful. Two specific tones that stand out are joyful and dreamy. The tone is joyful as the story begins with Douglas and friends sitting around a campfire telling each other stories and having a good time. Everyone is having fun and it appears no one wants to go even though Douglas is unable to tell his story which is the governess’s tale of when she was hired to work at Bly till later. He asks “Is n’t anybody going? It was almost the tone of hope. Everybody will stay!” (James 6). This proves the get together is too wonderful to leave and everyone is enjoying the scary stories being told. The tone here represents the mood of the characters around the campfire, however shifts to the governess as her story begins. Despite the shift, the tone remains positive. The governess arrives at the house named Bly and sees this beautiful girl who is extraordinarily polite and is too good for her own self. She believes that the house and the girl are a dream. This is proven when the governess says, “such a place as would somehow, for diversion of the young idea, take all colour out of story-books and fairy-tales” (James 16). This shows that the governess believe...
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... is reminiscing about the fact that she messed up and it cost the boy’s life. The overall tone in the end of the novel is depressing as the governess’s actions and attitudes about current events tend to reflect the tone of the situation.
In conclusion, the changes in the actions and attitudes of the governess cause the tone to shift throughout the novel. The tone begins with being cheerful, changing to hostile and ending with sorrow. This concludes, that the literary device tone, effectively portrays the mood of the story through the governess to the reader. Tone is perhaps the best literary device’s author’s use, to connect the mood of the story to one’s heart. That in turn makes a reader feel closer to the characters in a story.
Works Cited
James, Henry. The turn of the screw and other short fiction. Bantam classic ed. Toronto: Bantam Books, 1983. Print.
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The Turn of the Screw by Henry James is usually read as a ghost story in which the central character, the governess, tries to save the souls of two children possessed by evil. However, the short-story can be also analyzed from many different perspectives, as we come upon a number of hints that lead to various understanding of certain scenes. One of the possible interpretations is the psychoanalytical one, in which we interpret the events either from the point of view of the governess or from the perspective of the two children. I will concentrate on the problem of the governess who, restricted by her own problems and moral dilemmas, projects her fears on her pupils and in this way harms the children. What causes her moral corruption and gradual maddening lies deep in her psyche. Both the Victorian upbringing and the social isolation of a poor village tell her to restrict her sexual desires evoked by the romance reading. The result is tragic. The governess becomes mad and the children psychologically destabilized and scared of the adults. The story ends with the governess strangling the boy in a hysteric fit. The Turn of the Screw is a very popular work of literature, with reach history of critical interpretations where not much can be added, therefore my essay is mostly based on The Turn of the Screw. A History of Its Critical Interpretations 1898 1979 by Edward J. Parkinson.
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Throughout his life, American born writer, Henry James, was not only a novelist, He was also a playwright and a short story author. He is known, mainly, for his novels that depict young girls in oppressive situations and his use of vague details and hints to force the reader to make his/her own assumptions as to what is ultimately happening in the world around them and what could be causing it. The Turn of the Screw is no different in that it depicts a young girl that is being put into a situation that could, in the end, be actual madness brought upon by the situation or something a little more supernatural all together. Critiques and fans of James’ work have poured countless hours into the analyzing and determining of the “truth” of the book. However, even with all of the time and effort that has been poured into uncovering the underlying story in the book, there are two widely regarded “Issues of controversy to date has concerned, of course, the reality of the ghosts and the sanity of the governess” (Bontly 721). The first explanation is essentially that the apparitions that are mentioned in the book are real and could be actually physically present at the manor. The second is that the ghosts are figments of the governess’ imagination brought upon by personal and cultural factors, common in the late Victorian period, for young women. The second explanation, being based in logic, reasoning, and an understanding of the Victorian era time period, is a much more plausible theory than the first explanation (involving actual ghosts) when the evidence and subtle hints that were left from Henry James are brought forth.
Throughout The turn of the Screw by Henry James, the theme of ambiguous issues is constantly leaving the reader on their own. The ambiguity and uncertainty within this text causes the readers to come up with their own theories as to what the text really means. The ghost story perspective only adds to the infuriating vagueness. The title itself is about all of the twists within this story and basically foreshadows the confusion that the text will cause.
One example of tone that is displayed in White’s essay is nostalgia: “It seemed to me, as I kept remembering all this, that those ties and those summers have been infinitely precious and worth saving.” This passage describes as if White is longing to relive the sacred summer still close to his heart, but something still remains missing. Another example of tone that is exemplified is peace: “This seemed an utterly enchanted sea, this lake you could leave to its own devices for a few hours and come back to, and find that it had not stirred, this constant and trustworthy body of water.” This passage sets the tone thoroughly. As White describes how the lake is trustworthy and persistent, he is portraying the idea of the memories he once experienced remain unchanged. The change of tone helps connect both positive and negative emotions
In a short story, tone is the mood setter of the character's personality, situation, or the seriousness of writing. Tone is extremely crucial to any piece of literature because the tone can not only set up the ethos, logos and pathos, but enhance the overall experience for the reader. Without tone in any piece of literature would be monotonous; just a complete dead piece of work. Tone can help the development of the circumstances and the character’s persona by giving clues to the emotions and thinkings of said characters, and thus, giving credibility to the story. One short story that is a perfect example of tone enhancement can be found in this textbook, Literature and Its Writers by Ann Charter and Samuel Charters, would be the Orientation by Daniel Orozco.
Henry James’ the Turn of the Screw, written in the Victoria era, tells a ghost story of a governess’s experience with two children in the house. By presenting the story in a symbolic way, the ambiguous narrative of the ghost story suggests an inner conflict of immorality and innocence in the governess. It also seems to imply a loss of insanity and a tragedy as a result of the oppression of desire. This paper will argue that chapter 23 is the most crucial part of the story, because it is the first moment the Governess found the weakness of the ghosts and has a real confrontation with the ghost indirectly through Miles. Miles’ suggestion of going out drives her to the wall, which leads to the tragic end that the only way for governess to protect Miles is to hold him in her, even it is too tight to kill him. The paper will first analyze important scenes in chapter 23. Then it will reveal the symbolic meanings and the latent conflicts in the story, which is significant to their “battle” in chapter 23 and the ending.
the end of the novel as both the women in his life have other men at