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The Representation of Male and Female Characters in Two Comedies
Situation comedies as a whole are a conservative representation of
life mainly due to the fact they are screened at prime family times
and want as large an audience as possible so try not to be too
controversial. This means they very rarely challenge the status quo
and re-enforce stereotypes. I am looking at how male and female
characters are represented and whether the way they are represented
challenges the stereotypes associated with gender differences.
The two situation comedies I have chosen are ‘Friends’ and ‘Man About
The House’. As Friends was made decades after Man About The House it
gives us a good insight into how male and female representations and
attitudes towards the roles of males and females has changed over the
last 30 years. Man about the house was produced during a time of
women’s liberation whereas Friends is set in post-feminine times. As
well as showing us the difference in attitudes towards gender over
time they also show us the difference in opinion from one side of the
Atlantic to the other. Friends is set in the heart of New York and Man
About the House is set in London, giving two different cultural
perspectives. Despite their cultural and time differences Friends and
Man About The House are comparable because they have a similar theme,
male and female characters living in the same house. This means that
they are both domestic sitcoms and show ‘the not quietness of
domesticity’ as John Hartley put it. They are also both hybrid
sit-coms, both are heavily centred round sex and relationships which
is more a trait of a work sitcom. Friends also...
... middle of paper ...
...constant references of going to bed with Chrissy. This again suggests
men only think about sex and see women as sex objects.
Both sitcoms were run at prime times so perhaps if they had tried to
be more controversial and attempt to challenge more stereotypes they
would never have become the popular shows they did. They could not
afford to alienate any part of their audience because of economic
imperative, at the end of the day both shows were made for one reason,
making money. Man About the House attempts in a number of areas to
challenge perceived gender roles but essentially it reinforces them
and the few areas it does challenge them it is insignificant compared
to the amount of times they don’t. Friends, despite set in a time we
women are meant to be equal, still backs the old fashioned stereotypes
of gender roles.
Johnson, Nelson. Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City. Atlantic City, NJ: Ebury Press, 2011.
The Way the Male Characters are Presented in Tony Kytes, the arch-deceiver and Alison Ashworth by Nick Hornby
Like a contemporary Dorothy, Romancing the Stone's Joan Wilder must travel to Columbia and survive incredible adventures to learn that she had always been a capable and valuable person. Romancing the Stone (Robert Zemeckis, 1984) is part of a series of 1980s action comedies that disrupted previous expectations for female heroines. These female protagonists manage to subvert the standard action narrative and filmic gaze, learning to rescue themselves and to resist others' limited vision of them. Not only did these action comedies present strong female characters, they also offered a new filmic experience for female audiences. The commercial success of comic action heroines paved the way for women to appear in serious action roles--without the personal sacrifices required of Sigourney Weaver’s Ripley. Figures like Joan Wilder serve as an important link between previous strong yet feminine screen personas and current female stars.
Both show the idea that even though the people that come to New York have many bad
Roles of Women in A Raisin In the Sun, The House On Mango Street, and A Yellow Raft In Blue Water
The play Twelfth Night, or What You Will by William Shakespeare is a 1601 comedy that has proven to be the source of experimentation in gender casting in the early twenty-first century due to its portrayal of gender in love and identity. The play centrally revolves around the love triangle between Orsino, Olivia, and Viola. However, Olivia and Orsino both believe Viola is a boy named Cesario. Ironically, only male actors were on the stage in Shakespeare’s time. This means that Olivia, Viola, and other female characters were played by young boys who still had voices at higher pitches than older males.
"As truly as God is our Father, so truly is God our Mother, and he revealed that in everything, and especially in these sweet words where he says:... I am he, the power and goodness of fatherhood; I am he, the wisdom and the lovingness of motherhood"(Damarosch,478). In today's society it is commonplace, even routine to think of Christian divinity in terms of male gender. How amazing it seems then, to be presented with medieval language which portrays God as a female gendered divinity. Where did the idea arise to portray God as feminine? And what purpose does it serve? This essay seeks to examine whether Julian of Norwich's gender construction of the divine is subversive and radical in light of the reduced power of women in medieval Christianity.
Guys and Dolls a charming classical musical, known for it’s catchy soundtrack, humorous dialogue and heartwarming plot, is likely to be produced at Signature Theatre in the future.
“If you’re a bird, then I’m a bird” (The Notebook). This quotation by Ryan Gosling in the popular movie The Notebook offers romance and comedy combined. Where did this mix of comedy and romance originate? Romantic comedies were developed through art, poetry, and literature. It has urbanized over the years from several cultural influences such as war and the Renaissance, which happened throughout Europe beginning in the fourteenth century and lasting into the seventeenth century (Spielvogel). There were many artistic influences throughout the history of the European Renaissance that have helped create and increased the need for romantic comedies.
Emilia in Othello confronts gender roles when she exploits the method introduced by Christine de Pizan in The Book of the City of Ladies. Christine’s realization of women’s oppression in her journey with the Ladies allows her to view life with a new perspective. Likewise, Emilia demonstrates the same ideals from The Book of the City of Ladies with her opinionated mindset and deviation from the women’s social norms of the time. Furthermore, Emilia develops in a similar progression as Christine, especially in the deconstruction of the men’s manipulation. Even though they go against gender stereotypes, complete equality is one battle avoided by Christine and Emilia. In Shakespeare’s Othello, Emilia defies gender norms when she employs a speculative mindset introduced by the character Christine in The Book of the City of Ladies.
Society has set certain standards that women are supposed to follow. The most common image of women is that they are very passive and try to avoid conflict in any situation. More and more in society women are breaking down the social barriers that confine them to their specific roles. The movies The Graduate and The Last Picture Show reveal to viewers a side to females that is very nontraditional. These two movies help to show how women are rebelling against sexual social norms, and they are taking a more active and aggressive role when dealing with heterosexual relationships.
‘Turned’ by Charlotte Perkins Gilman, and ‘Tony kytes, the arch-deceiver’ by Thomas Hardy, are both short stories. They are about the relationships between men and women. ‘Turned’ is a more severe story. It is about a man called Mr Marroner going abroad for work, and his wife finding out that Mr Marroner had slept with their servant Gerta. Gerta then becomes pregnant and, consequently Mrs Marroner tells Gerta to leave. However, Mrs Marroner soon realises that it was Mr Marroner’s fault, and therefore Mrs Marroner and Gerta leave before Mr Marroner returns home. ‘Tony Kytes, the arch deceiver’ is a more light-hearted story. Tony is a man that likes a lot of women, and there are a lot of women that like Tony. Tony is supposed to be engaged to a young women named Milly, however on a journey home from town he meets two other girls. Both are previous girlfriends and they start flirting with him. Tony ends up with two girls hiding in the back of his wagon and one sitting beside him. He gets in a bit of a muddle. However he ends marrying Milly. This story is about a man who is unsure about how he feels towards his fiancé.
In the plays A Doll's House, by Henrik Ibsen, and Trifles, by Susan Glaspell, the male characters propagate stereotypes and make assumptions concerning the female characters. These assumptions deal with the way in which the male characters see the female characters, on a purely stereotypical, gender-related level. The stereotypes and assumptions made in A Doll's House are manifest in the way Torvald Helmer treats his wife, Nora, and in the way Nora acts to please her husband. These include the beliefs that women are lesser people, childlike in their actions and in need of being controlled. Nora knows as long as she acts in accordance with the way she is expected, she will get what she wants from Torvald. The stereotypes and assumptions made in Trifles are those of the women being concerned only with trifling things, that they are loyal to the feminine gender, and that women are subservient to their spouses.
Femininity Versus Androgyny in The Laugh of the Medusa and A Room of One's Own
The way that this scene plays out is really meant to be a comedy and I think one of these plays makes that seem a bit more apparent. One scene takes it to a more serious point, and to be fair, I don’t think Shakespeare was known for being serious. Every single one of his plays is a comedy or a “tragedy” if you can call something taken so lightly a tragedy. “it shall be written in 8 and 6. No let it be two more, let it be written in 8 and 8.” (3.1 16-17) This is an example on why I think this play is a comedy, they cannot even decide how to write the play. This particular part of the play “A Midsummer Night’s Dream” was one of my favorite scenes in any of the plays that we have read. It’s so very sarcastic and quite funny. The scene is a group