Mark Shaw’s book ‘The reporter who knew too much” was an extremely interesting read and it involves the story of one of the biggest female influence of her time, Dorothy Kilgallen. In his book, Mark attempts to draw a connection between Dorothy Kilgallen’s mysterious death and her work in the research of John F. Kennedy’s assassination. It is an attempt on Mark’s part to help provide justice to Dorothy, a woman who had worked really hard to become a ‘somebody’ in a man’s world and accomplished commendable feats like flying around the world, visiting Nazi Germany and coming back unscathed and wooing millions with her newspaper reports and her T.V. show What’s My Line. In this critical book report, we will also be exploring various aspects of …show more content…
victimization that Dorothy faced because of her being a woman at a time when it was hard for women to have as much success as she did and how she was, possibly, not given justice by the forensics department and the criminal justice system after her supposed suicide. The book starts out by giving us an introduction of what Shaw wants to put across in his book followed by a historical look into Dorothy’s life. Shaw tells us how Dorothy was the daughter of a big-time news reporter, James Lawrence Kilgallen, born in Chicago and was an ambitious girl from a young age. Dorothy had an interesting early life and wanted to be a reporter from a young age, she started working as a reporter for New York Evening Journal after she dropped out of The College of New Rochelle. The book tells us that Dorothy travelled around the world on commercial air becoming the first women to do so, broke into the news world with her column called the Voice of Broadway which had millions of readers. She also a lot of success with various media shows, her first being on radio during World War II with her husband Richard Kollmar and five years after that she co hosted a radio show with him called Breakfast with Dorothy and Dick. Dorothy even broke into the television world by becoming a panelist on What’s My Line around 1950 and, as the book reports, was a part of that show till the day she died. She was notably called the “most powerful female voice in America” (New York Times). She was involved with some big names and case investigations of her time like Sam Sheppard’s murder trial, Frank Sinatra and his mafia connections and John F. Kennedy’s assassination. Dorothy was a huge fam of John F. Kennedy, she also got a chance to meet him, and when JFK was assassinated on 22nd November 1963, she was extremely involved into it and could not accept that Oswald, the killer, acted alone. After Oswald was killed by Jack Ruby, Dorothy got involved in his life and case, investigating and trying to uncover who Ruby was involved with and who was responsible for the hit on the president. She was never able to publish her findings, she was found dead on November 8th, 1965 and the cause of death was ruled accidental. Shaw spends the rest of the book pursuing facts that are a little repetitive but are aiming to show how Dorothy’s death required a lot more of an investigation than it got, and so did her findings relating to Kennedy’s assassination, the file of research that Dorothy talked about relating to it was never recovered after her death. Her death was ruled a suicide, a drug and alcohol overdose. The book touches on multiple aspects of victimization that Dorothy had to face in her life, being a successful woman in an age of men. The primary purpose of the book was to be a tribute to Dorothy’s successful life story and an attempt to shed light on her work with the JFK killing and also to provide justice for her death by putting forward the notion that her death was not a suicide, but a murder to stop her from revealing her findings which she had told her lawyer would be ‘the scoop of the century.’ This book relates to the course in aspects of negligence that underwent Dorothy’s forensic examination, as we learned that there is a process and a lot of ethics involved in forensic nursing practices.
A lot of them were not followed while conducting the forensic diagnostic of Dorothy. Even the investigation was quickly shut down not super long after her death and the ruling of suicide was pretty quick as well. We can see the routine activity theory come into play, as Dorothy, having notable lifestyle factors by being as successful as she was as a reporter and a TV panelist, put herself in a position which increases the exposure and vulnerability of a victim to harm. Her involvement with an alarming amount of cases, makes sense as she wrote about a lot of crime and criminology, and her peeking interest in dangerous people/incidents like Frank Sinatra and JFK’s assassin’s assassin put her in a place of high exposure to becoming a victim even though all she wanted was justice for the …show more content…
deceased. The two research articles I chose are by Speriglio and Hamblett who talk about the mysterious death of Marilyn Monroe.
The main book by Shaw made us aware of the connection between Marilyn and Dorothy, Dorothy had once bashed Marilyn hinting at her affair with JFK and once Marilyn was found dead a few days later she had published her shock and tried to spur a debate about the fact that her death seemed to have too many off factors which point away from an accidental overdose and more towards a staged murder. It is a sad irony that both women died in somewhat a similar manner and the debate behind the deaths of these female super-giants of their time is extremely controversial in a similar manner. In their research, Speriglio and Hamblett divulge into multiple possibilities of Marilyn’s death being more than accidental, even touching on suicide, but one thing that stands out in both of their research is a possibility of an assassination setup of Marilyn by JFK’s brother Bobby to silence her before she can make her affair with the president public. Hamblett’s research is more focused on her life and Speriglio’s research is more focused on her ‘supposed murder.’
The likely effect of this kind of victimization is difficult to divulge into, as the way media has blown up these deaths as accidents doesn’t help the case that the research and the main book are trying to put forward, that being an assassination of ‘someone who did something that did not please someone else.’ The only recommendation
I can provide for future research in this type of victimization scenario is that policy’s need to be enforced a lot more if there is evidence of foul play involved in someone’s death, it doesn’t matter if it is a big-time celebrity or a normal member of the society. The research on this book and the articles on the death of these amazing women was fun and gave me an interesting perspective on the way victimization occurs for someone who is indulging in the notable aspects of routine theory. It gives us an opportunity to dive more into the aspects of Cohen and Felson’s theory which is based on the understanding that ‘victimization is a consequence of opportunities’ (Turvey). We can look at how these women indulged in routine activities, more Dorothy then Marilyn, that resulted in them being victims of ‘alleged’ assassination. The concept from our text of Differential Association can be see here, ‘People who associate regularly with others engaged in unlawful behavior are more likely to be victimized, because of their increased exposure to high-risk situations and environments’ (Turvey). All in all, this was a very interesting book.
There are similarities and differences in how the authors of “American History” and “ TV Coverage of JFK’s Death Forged Mediums’ Role” use Kennedy’s assassination in their writing.
Susan Griffin’s “Our Secret” is an essay in which she carefully constructs and describes history, particularly World War II, through the lives of several different people. Taken from her book A Chorus of Stones, her concepts may at first be difficult to grasp; however David Bartholomae and Anthony Petrosky say that, “Griffin writes about the past - how we can know it, what its relation to the present, why we should care. In the way she writes, she is also making an argument about how we can know and understand the past…”
Walton, Anthony. Hilda Solis. Kennedy, Caroline, ed. Profiles in Courage for Our Time. New York: Hyperion, 2002. 269-292. Print.
Some Like It Hot, Gentleman Prefer Blondes, and The Seven Year Itch are just a few of the movies that the actress Marilyn Monroe is known for. However the life of the movie star was cut short when she died at age 36 from an acute barbiturate poisoning. It was suspected that Marilyn took her own life, however she could have just as easily been taken out by the Kennedy family to prevent her from spilling all the dirty secrets she knew because of her alleged affairs with John and Robert Kennedy. Monroe was murdered by the Kennedy family in order to keep her from revealing government secrets that she gained knowledge of during the affairs she has with John and Robert Kennedy, which she threatened to make public after both
As an essay, “Our Secret” shows the power of a writer’s voice—the scenes are few and spare in its forty-eight pages—but it’s mesmerizing. Despite its innovative braided structure, Griffin’s essay is much like a rather classical reflective essay. Somehow Griffin achieves narrative drive with her segmented approach, perhaps because of her interesting juxtapositions, intense focus, and the quiet power of her language as her family’s own story unfolds alongside those of war criminals and victims.
Kelley, Mary. Introduction. The Power of Her Sympathy. By Catharine Maria Sedgwick. Boston: Massachusetts Historical Society, 1993.
Moran, Mickey. “1930s, America- Feminist Void?” Loyno. Department of History, 1988. Web. 11 May. 2014.
Glaspell spent more than forty years working as a journalist, fiction writer, playwright and promoter of various artistic. She is a woman who lived in a male dominated society. She is the author of a short story titled A Jury of Her Peers. She was inspired to write this story when she investigated in the homicide of John Hossack, a prosperous county warren who had been killed in his sleep(1).Such experience in Glaspell’s life stimulated inspiration. The fact that she was the first reporter on scene, explains that she must have found everything still in place, that makes an incredible impression. She feels what Margaret (who is Minnie Wright in the story) had gone through, that is, she has sympathy for her. What will she say about Margaret? Will she portray Margaret as the criminal or the woman who’s life has been taken away? In the short story Minnie Wright was the victim. Based on evidence at the crime scene, it is clear that Minnie has killed her husband; however, the women have several reasons for finding her “not guilty” of the murder of John Wright.
Due to Robert Kennedy being in town on the day that Marilyn died, suspicions arose that after one of Marilyn and Robert’s affair happened that night, Marilyn overdosed and was rushed to the hospital. In the ambulance ride, Marilyn passed away and Robert Kennedy took her back to her home and proceeded to cover it up as a suicide in order to hide the affair. In other words, “Summers claims Monroe accidentally OD’d, but died in an ambulance on the way to the hospital, so her body was returned to her home where Lawford, Kennedy, and FBI Director J. Edgar Hoover staged her death as a suicide”
Kaufman, Debra R. and Richardson, Barbara L. Achievement and Women, Challenging the Assumptions: The Free Press, New York 1982
In her essay ‘Marilyn Monroe: The Woman Who Died Too Soon,’ the question is asked what it was that made Marilyn Monroe such an uncomfortable figurehead for women at the time, and why her overwhelming desire for approval only developed her tragedy in the end. Steinem admits that she “walked out on Marilyn Monroe,” and she wonders if the support and friendship of other women could have brought her to a better end. She also interviewed both Patricia Nixon (‘Patricia Nixon Flying’) and Jackie Kennedy (‘Jackie Reconsidered’) and analyzed their attachments in the media to their husbands. Patricia was refined, and took several questions to get to really talk. She remained in her husband’s, President Richard Nixon, shadow throughout his campaign, and Steinem found her difficult to interview. However, after she was asked about what made Mrs. Mamie Eisenhower so popular with the youth of the time, “the dam broke,” admitting that her popularity came from her strength during the war, provoking another story- the story of Patricia- to be told. She had worked more than she had considered what she wanted out of life. She worked to stay afloat and go to school. She said she had never had it easy. This is where Steinem finally makes the real connection between Richard and Pat Nixon: they both had great drive with an even greater suspicion that some people
Even though she has been deceased for more than fifty years, people today still are interested in Marilyn Monroe's childhood, love stories, and whether she died by suicide or not. ...
Specific Stages of Erik Erickson’s Stage Theory greatly exemplify the deeply confused individual of Marilyn Monroe. The most predominant features of Marilyn Monroe’s personality can be explained by Erikson’s psychosocial stages of “Identity versus Role Confusion”, “Intimacy versus Isolation”, and “Generativity versus Stagnation” (Howard & Shustack, 2009, p. 134-139). During Marilyn Monroe’s most critical period of her life, childhood, she was neither exposed to a stable mother and father figure, nor a balanced environment. Those who did love her did not remain for long enough periods to have a substantial effect on Marilyn’s life. The closest mother-type present in her life, Grace McKee, did not possess the resources needed to raise a child and thus had to withdraw as permanent stature in Marilyn’s life (Learning, 1998, p. 64-76). Aside from Grace, Marilyn also never experienced the protection and love of a father figure, or arbitrary male in her life.
Ulrich, Laurel Thatcher. Well-Behaved Women Seldom Make History. New York: Random House, Inc., 2007. Print.
The dark, ominous alleyways of London’s East End divulge a very gruesome history of women “ripped up like [pigs] in a market” (Grose). The area, once littered with the torn up remains of brutally murdered prostitutes, looms over the city as symbol for the story of one of the most notorious serial killers: Jack the Ripper. The case enthralls and captivates people’s minds even today, over 100 years later (BBC). This begs the question of how serial killers become part of history, an answer found in extensive media coverage. Time Magazine describes the phenomena Jack the Ripper left behind as a “rich legacy” and a “multi-million dollar industry,” eerily analogous to today’s coverage of serial killings (Grose). Jack the Ripper’s case provides an early example of the issues that arose with the advent of the serial killer—issues that still exist. The press has a unique role to play in serial killer investigations, but the line between helping and hurting society is often blurred. While the press has a responsibility to inform society of such serial killings in order to keep them informed and safe, publishing killer communiqués crosses ethical boundaries concerning the investigations and society.