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Studying gender roles in literature and life
Gender issues in literature
Gender issues in literature
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Recommended: Studying gender roles in literature and life
“Do You Know Me?” In life some people wear masks never revealing their true nature to even their closest friends or spouse; however, upon removal of the mask the revelation of the true person that lies beneath can be shocking. Dominated women are more likely to wear a mask in order to hide the reality of their dark, oppressive world in which they live. This allows the women to maintain what little self-esteem they have left, while at the same time they are screaming on the inside yearning for freedom. A prime example of such a woman would be, Nora Helmer, in Henrik Ibsen’s play, A Doll House, she wears the mask of a submissive, loving, housewife but in reality she only wishes for freedom and independence. Even though, her husband, Torvald …show more content…
Rank is one that appears to have the most honesty. Dr. Rank may be the only person to see Nora for whom she is, their visits together shows a side of her that not even Torvald is able to see until the play’s end. The communication between them has an air of equality in which he views Nora as an adult with valuable opinions, and Dr. Rank, being so taken with her, hangs on her every word. Therefore, revelation of their close relationship occurs when Nora introduces Dr. Rank to Kristine and he replies, “Well now, that’s a name much heard in this house” unlike when she is introduced to Torvald and he has no idea who she is he just assumes Kristine is a childhood friend of Nora’s (Ibsen 796). For the first time in Nora’s life she has found someone to communicate with and there is significance in their conversation for both of them. This type of relationship sheds light on the fact that Nora and Torvald have an extreme lack of communication, one which Nora would love to achieve but has no idea how to remove the mask she has worn for so long. With Dr. Rank being a rich, sickly widower Nora could have taken advantage of his love, and asked him for money, but she refrains which presents a certain amount of moral quality to her sketchy character. Therefore, Dr. Rank “plays a pivotal role in her choice to leave her family and in the long-term success of her liberation” (DeVaull 275). By the end of the play it is implied that upon …show more content…
Thus, Nora was reared to be submissive to her husband, caretaker of their children, and to maintain a spirit of grace and beauty throughout. Consequently, education, equality, and involvement in financial matters were unnecessary for a married woman to partake of. Although, when one gets a taste of freedom and independence it burns within their soul until the fire is quenched. The revelation of Nora’s unhappiness for more than eight years was a bitter shock to Torvald unfortunately too late for him to change and learn to love the person and not the idea of her. Still, one cannot love a person they do not know. Relationships that are built on deceit and manipulation will never stand the test of time, honesty friendship, and equality are the ingredients to a successful
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
In Henry Ibsen’s play the Doll House, Torvald restraints Nora Helmer’s freedom. Torvald sees Nora as a doll and a child instead of an equal partner or wife. When Torvald does not sacrifice his reputation to save her, Nora realizes that “[she] had been living all these years with a strange man, and [she] had born him three children.” After years of having to live as a doll, Nora has an awakening that kindles her passion for freedom.
Nora and Torvald lack one of the key elements needed to make a marriage work. Good communication allows you to better understand your partners needs and to unite as a team to solve problems or comply. When Torvald got sick and the only thing to save his life was to move to the south; Nora found a way to procure the money and forged her father’s signature to obtain the loan. The most heroic action of her life is an unforgivable crime in the eyes of society. Nora has kept this a secret from Torvald. “A man who has such strong opinions about these things! And besides, how painfully and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything! It would upset our mutual relations altogether; our beautiful happy home would no longer be what it is now.”(12) To pay back the loan, Nora has worked without her husband’s consent, staying up late nights copying, to earn money and saving a bit from what Torvald gives her. “Whenever Torvald has given me money for new dresses and such things I have never spent more than half of it; I have always bought the simplest and cheapest things.”(13) Without trust, honesty can never be obtained. There was poor communication throughout their entire marriage and only at the end, after eight years of being married d...
Kristine, Nora's childhood friend, is the wisdom and support Nora needs to grow up. Kristine is a woman who has been in the real world, unlike other wives of Torvald's friends. At the same time, Kristine is a friend from Nora's childhood, a person who she can tell her problems to and relate to in some way. Also, unlike everyone else who surrounds Nora, Kristine tells her the truth, she does not pamper her.
Nora decides not to confide in Dr. Rank because he professes his love for her. She realizes that the friendship is not what she thought and feels somewhat of a betrayal and mistrust. Dr. Rank asked if telling Nora of his feelings was mean and Nora explains that it wasn’t, but it was quite unnecessary. Nora explains to Dr. Rank that he filled the position of her childhood maids. She would talk to the maids and they never tried to improve her. Dr. Rank was that friend, but he changed their friendship by wanting more from
At first glance, one might think that the Helmers have a successful marriage—but only at a superficial level. Once we delve beyond the comfort of middle-class security, we see that the foundation of the marriage is built on the utter subservience of the woman. Additionally, Nora’s actions show that—with good reason—she does not truly respect her husband’s value system. Her day is filled with constant acts of subterfuge—some minor, like sneaking macaroons, and some of the utmost importance, like paying back a loan that saved her husband’s life. No matter the level, deceit is a constant in the relationship. This outwardly typical, happy marriage is anything but. In fact, the interactions between husband and wife serve a specific purpose: they illustrate the banality of the discourse between the two. Torvald does not address his wife regarding any subject of substance. Instead, he bestows her with pet names that often begin with the personal pronoun “my” and often include the diminutive “little”: “Is that my little lark?” In this respect, Torvald may think he is flattering his wife. However, he is actually reducing her to a cute, harmless pet—one that is clearly owned. And like a pet, Nora is expected to obey her owner/husband and his petty tyrannical r...
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
Ibsen's character development of Nora is represented by animal imagery. From the beginning of the play, we notice Ibsen's use of animals to describe Nora. In the opening lines, Torvald says, "Is that my little lark twittering out there?" (Wilke 1139). Webster's defines "lark" as a songbird and to play or frolic (Guralnik 340). The reader automatically gets an image of Nora as a carefree, happy person. In the following paragraphs, I will show how animal names are used to paint a portrait of the character of "Nora the Lark."
In Henrik Ibsen’s “A Doll’s House”, characters are constantly changing their identity. Nora opens up the play by presenting her childish mind to Torvald. Always being in control, Torvald see’s Nora only as a child and not ever being serious. Her father and Torvald brainwashed her mind to act like a cute puppet to them. She pretends to be vulnerable to him to receive attention and money. Nora’s true self is hidden deep underneath herself waiting to appear. Because of unfortunate events in the play, Nora will stop at nothing to receive what is rightfully hers as her sense shifts from Torvald’s joking wife, into a self-empowering, prepared woman.
Lastly, the amount of deception and dishonesty between Nora and Torvald would have broken the marriage even without Krogstad’s extortion plot. Both Nora and Torvald are living in a world of lies, and both of them are not honest with each other and themselves. In the beginning of the play, Torvald and Nora are portrayed to be a perfect couple with a perfect life. Nora is seen returning home after a day of shopping and is greeted lovingly by her husband. Even though they seemed to have had some financial troubles in the past, Torvald just received a new job as a bank manager and everything seemed to be alright, but behind the scenes nothing was alright.
Today women are being mistreated for just the gender roles and stereotypes that revolve in the human society. Depending on the time period and culture, women are expected to act in a certain way. Throughout history, many relationships can be found in different cultures regarding the way women were treated. In Ibsen’s A Doll’s house, Nora reflects the responsibilities and roles of Norwegian women during the late 1870s. Torvald, Nora’s husband, also shows the way men treated women and what roles they played in a marriage. Here, women are portrayed as dependent on men, they don’t have much freedom, and they are not allowed to have opinions. Women are taught to rely on men and be acquiescent to their husbands. Many stereotypes and gender roles found in A Doll’s House can also be observed in
Nora shows her resentment towards her father and husband when she says, “I have been performing tricks for you, Torvald. That’s how I’ve survived. You wanted it like that. You and Papa have done me a great wrong. It’s because of you I’ve made nothing of my life”(Ibsen). Nora has come to realize that her whole life spent pleasing her men, has stopped her maturation. While acting as a good wife and daughter, she has never grown into the women she thought she should be. Nora succeeds in fighting the human tendency to think egocentrically. In fact, Nora fights off this tendency so well that she completely ignores herself her whole life and focuses only on the men in it. After realizing that she has made nothing of her life, she decides to leave her husband in attempt to find her self. Nora’s transformation throughout the play is very similar to Rachel’s transformation. They both left all the thinking and decision-making in the hands of their men, and after the dilemmas that they both have faced was resolved, they decided to leave their controlling men behind and think for themselves. However, Nora is not just closing the door on her old life, she’s giving way to a future dedicated to making up for lost time. This becomes evident when Vicki Mahaffey
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...