Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines, and funk. Records in the genre typically feature drum machines and heavy electronic sounds, usually without vocals, although if vocals are present they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. This is the main distinction between electro and previously prominent genres such as disco, in which the electronic sound was only part of the instrumentation. Following the decline of disco music in the United States, electro emerged as a fusion of funk and New York boogie. Early hip hop and rap combined with German and Japanese electropop influences such as Kraftwerk …show more content…
Through the use of samples, the Roland TR-808 remains popular in electro and other genres to the present day. Other electro instrumentation was generally electronic, favoring analog synthesis, programmed bass lines, sequenced or arpeggiated synthetic riffs, and atonal sound effects all created with synthesizers. Heavy use of effects such as reverbs, delays, chorus or phasers along with eerie synthetic ensemble strings or pad sounds emphasized the science fiction or futuristic themes of classic electro, represented in the lyrics and/or music. Electro hip hop group Warp 9's 1983 single, Light Years Away, produced and written by Lotti Golden and Richard Scher, exemplifies the Sci-Fi, afrofuturist aspect of electro, reflected in both the lyrics and instrumentation. Most electro is instrumental, but a common element is vocals processed through a vocoder. Early electro utilized rap. Male rap dominated the genre, however female rappers are an integral part of the electro tradition, whether featured in a group as in Warp 9 or as solo performers like Roxanne …show more content…
Early producers in the electro genre later featured prominently in the Latin Freestyle movement, along with Lotti Golden and Richard Scher fusing electro, funk, and hip hop with elements of Latin music. Detroit techno DJ Eddie Fowlkes shaped a style called electro-soul, which was characterized by a predominant bass line and a chopped up electro breakbeat contrasted with soulful male vocals. 151 Rock samples replaced synthesizers that had figured so prominently in electro, and rap styles and techniques evolved in tandem, anchoring rap to the changing hip hop culture. Although the early 1980s were electro's heyday in the mainstream, it enjoyed renewed popularity in the late 1990s with artists such as Anthony Rother and DJs such as Dave Clarke, and has made yet another comeback for a third wave of popularity in 2007. The continued interest in electro, though influenced to a great degree by Florida, Detroit, Miami, Los Angeles and New York styles, has primarily taken hold in Florida and Europe with electro club nights becoming commonplace
The biggest difference between old school rap and today’s popular hip hop is the message.
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
If we hark back to the history of hip-hop music, we will find that the culture of this music dates back to early 1970s. It came
It was the first time I had ever been to a party. I had just graduated high school, and did not have nor ever did have any sort of interest in going to a party. One of my fellow classmates had invited me to her party on the night of graduation, and I decided why not? I was told growing up that I would never have contact with most of my classmates after graduation ever again, so I wanted to have one last fun moment with the graduating class of 2013. I arrived at my classmate’s house around nine, and immediately was overwhelmed by the makeshift dance floor in the backyard, the loud, unfamiliar music, and the disco lights. Growing up, I had never been introduced to rap music, so I did not enjoy it as much as my fellow classmates did. It did not take long for the party to get started. Boys and girls alike started to make their way to the makeshift dance floor, immediately dancing on one another. I was absolutely taken away as girls that I had known for four years bent over and began to press their backsides up against boys, grinding on the boys as if it were an everyday activity as degrading music blared out of the speakers, as if they were not aware of the actual lyrics of the song. I was not sure what made me feel sicker to my stomach: the way the girls moved their behinds in ways that I found impossible, which I later learned was called ‘twerking’, or the misogynistic rap music that my classmates danced to. I have not been to a party since then, and I do not think I ever will go to one again. It did not take me long to understand why my parents never let me listen to rap music before: it is this misogynistic, or a hatred towards women, type of music. Rap music clearly portrays women in several, negative ways, such as re...
Music is one of the most powerful and influential language which to many people in
Hip hop was spurred in the late 70’s. The man credited as being the first rapper ever, DJ Afrika Bambataa, was the first to “talk” to his music. His unorthodox style quickly became very popular in the disco and funk clubs. For the lack of a better word,
Hip-hop contains of a stylized rhythmic music normally goes along with rapping, a rhythmic and rhyming speech that is sung. In 1970, the Last Poets released their eponymous debut album; this was the first hip-hop to ever be released to the public. Their music was mixed with funk and aggressive, socially-conscious spoken words that became a primary brick in the foundation of what would come to be hip-hop. The 70’s also played a big part in the evolution of this funky music, which became the new sensation. Bringing forth dozens of excellent new releases, the future was looking bright for hip-hop. Unfortunately, the growing popularity of funk coincided with the rise of disco, the bland Ritchie Family/ Donna Surnmer School of dance music, where string sections, thudding drum machine beats and sentimental vocals replaced percussion, horn sections and urban funk.
“The final years of the 1970’s saw the emergence of a new style of pop music that would continue in popularity into the early 1980’s. This music was known, by its fans at that time, as New Wave” (http://www.erols.com/alloyd/adam2.htm). “New Wave” had a particular style that utilized the synthesizer as a main instrument. The synthesizer was a machine that electronically produced music. It gave a certain artificial and metallic feel to the music.
Rap music became popularized in Atlanta and the rest of the South in the early to mid-1980s. The first rap to come out of the city of Atlanta was uptempo party music with heavy bass and very obvious Florida influence. Hits like “Whoomp! (There It Is)” by Tag Team, and “Jump” by Kriss Kross defined the pre-Outkast era of Atlanta hip-hop. While these songs were immensely popular (“Whoomp!” is ranked by Billboard as one of the greatest songs of all time (“Greatest of All Time”) while “Jump” was one of the top 3 selling songs of 1992 (“Week Ending May”), groups from the city, for the most part, were commonly seen as “novelty” and “kiddie crews” (“Kriss Kross: Da Bomb”). While the emergence of relatively simple but enjoyable music was going on in Atlanta, rap as a whole began to truly explode. The newest major music genre entered its golden era; “Ready to Die” by Biggie Smalls, “Illmatic” by Nas, and “Me Against The World” by 2Pac were all albums that were rated “five mics” by The Source (“5 Mics?”) The “five mic” rating from The Source indicated an exceptional and rare hip-hop album. In this time of growth in hip-hop culture Atlanta, and the South as a whole was in large part left out. People were enthralled by cross country feuds between rap superstars; but just when it seemed like there was no space at the time for rap from anywhere but New York or California, the duo of Andre “3000” Benjamin and Antwan “Big Boi” Patton, better known as Outkast single-handedly redefined rap music. Andre 3000 played an instrumental role in defining not just rap, but music as a whole in the 1990s and 2000s. His presence transitioned Southern rap from being viewed as nothing more than exciting, throw away party music to music that could be timeless an...
“Hip hop has been named the most influential musical genre to emerge since 1960, beating the British invasion of the Rolling Stones and The Beatles, soul, punk, prog rock, heavy metal, disco and many more in a new study” (Von Radowitz and Webb).
Rap music was first a cross-cultural product. Most of its important early practitioners, Kool Herc, DJ Hollywood, and Afrika Bambaataa, were either first- or second-generation Americans of Caribbean background. Kool Herc and DJ Hollywood are given credit for introducing the Jamaican style of cutting and mixing into the musical culture of the South Bronx. Herc was the first DJ to buy two copies of the same record for just a 15-second break (instrumental segment) in the middle. By mixing back and forth between the two copies he was able to double, triple, or endlessly extend the break.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Unlike Chicago House, which has a lingering obsession with seventies Philly, and unlike New York Hip Hop with its deconstructive attack on James Brown's back catalogue, Detroit Techno refutes the past. Techno is a post-soul sound...For the young black underground in Detroit, emotion crumbles at the feet of technology. Despite Detroit's rich musical history, the young techno stars have little time for the golden era of Motown. As the 1980s came to a close, the difference between techno and house music became increasingly pronounced, with techno's instrumentation growing more and more adventurous. Presenting themselves as a sort of techno Public Enemy, Underground Resistance were dedicated to 'fighting the power' not just through rhetoric but through fostering their own autonomy. Any form of electronica genealogically related to Techno but departing from it in one way or
Hip Hop and Rap music from the latest decades indicated slavery as well as the emancipation with the purpose of making people conscious about the similarities in the American society between the past and the present. Slavery contributed in the creation and the advancement of Rap music.
The music performed by DJs at EDM festivals consist of remixed songs and some that are original. The beats, bass, and rhythms are what people seem to really enjoy about this type of music, myself included. Because EDM is so different from conventional music, it is in some ways, breaking normal conventions that surround “typical” music. For example, some songs focus so much on the bass and sound, that there are no lyrics or singing at all. Although this aspect can be said about other genres of music, EDM is still quite different. Over the past few years, EDM has slowly started to enter mainstream music as well. Perhaps, this has helped with the surge of EDM festival popularity. Although the festivals are now quite large, one of the most popular festivals, EDC (Electric Daisy Carnival), took quite a few years to gain the popularity it has today. The popularity of these festivals has also lead to EDC festivals being held in Europe, Mexico, and other countries.