Comparing Hercules Furens And Aristotle's Poetics

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The Relation between Seneca’s Hercules Furens and Aristotle’s Poetics

The intent of this paper is to discuss Seneca’s Hercules Furens in relation to Aristotle’s description of tragedy as outlined in the Poetics. It begins by discussing character, and attempts to determine the nature of Hercules’ error (a(marti/a).1[1] The paper then discusses matters of plot (mu~qoj), attempting to determine the degree to which Hercules Furens meets Aristotle’s requirements for good tragedy in this regard.

According to Aristotle, the best tragedy evokes feelings of fear and pity.2[2] Since characters in a tragedy must perform action (pra~cij), it follows that the best tragedy must contain some action that is repugnant (mia&ron) or terrible, so as …show more content…

Yet the answer may in fact be quite simple: Hercules commits an error when he murders his wife and children. This act comes closest to Aristotle’s examples of Oedipus and Thyestes8[8] who, like Hercules, were unaware of their crimes while they were committing them, but extremely remorseful when they discovered what they had done. Hercules cannot be held accountable for the murders he commits, for they are the result of a mistake, as Amphitrion says: luctus est istic tuus, / crimen novercae (1200-01), “sorrow in this is yours, the crime is your stepmother’s.” Later Amphitrion says: quis nomen usquam sceleris errori addidit (1337), “who ever gave the name of crime to an error?”

Thus the murders are not the result of any “vice or wickedness” that Hercules may have, but rather they are the simply the result of an error that he makes while he is mad. The result of this error is in keeping with Aristotle’s definition: Hercules suffers a change of fortune for the worse. Furthermore, the madness comes upon him through no fault of his own but by the anger of Juno. G. Lawall makes this clear with a …show more content…

Aristotle believes that the plot is the most important part of a tragedy. The best kind of plot, he says, is a complex rather than a simple plot. A complex plot is “one in which a change of fortune occurs with reversal or recognition or both.”10[10] Reversal (peripe/teia) is “a change of things being done to a contrary [from what is expected].”11[11] Recognition (a)nagnw&rosij), is “a change from ignorance to knowledge”12[12] Aristotle also believes that, of complex plots, the best are those which include both reversal and recognition, and that these occur at the same moment in the play. Furthermore, these aspects of the plot (reversal and recognition) should logically follow from the preceding events, and the whole play should inspire a sense of pity and fear. Let us begin by seeing if Hercules Furens meets these criteria regarding

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