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Conclusion/reflection on gender bias
Treatment of women in literature
Introduction to feminist literary criticism
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One Night with my Daughter for Two Bags of Corn:
A Feminist Analysis of Objectification and Traditional Gender Roles in “The Reeve’s Tale”.
The impact of taking away a character’s voice and actions results in dehumanizing that character. Within “The Reeve’s Tale”, the two women in this tale are not equals to the men of the story and are interchangeable with a few bags of corn. This is noted by the constant objectification of women and traditional gender roles that do not allow for a female voice. The dehumanization of women allow the reader to feel little to no sympathy when they are the equivalent to an object. In “The Reeve’s Tale” of The Canterbury Tales by Geoffery Chaucer, the use of fungibility, ownership, and traditional gender roles
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If a woman that is older is looking for a man that is younger to sexually partner with than she is hated for sinful behavior, however an older man looking for a younger woman to be with is more than acceptable, it is almost praised. The gender biased double standard is produced by the patriarch; “thus by definition, sexist, which means it promotes the belief that women are innately inferior to men” (85 Tyson). An example of traditional gender roles comes into play during the Reeve’s tap of life speech in “The Reeve’s Prologue”; “oure olde lemes mowe wel been unweelde, but wyl ne shal nat faillen, that is sooth. And yet ik have alwey a coltes tooth” (3886-3888). By saying this, he is admitting to the group of pilgrims that he would gladly like to be with a young woman, though he is old and gray. The Reeve may be past his prime, but he still admits to having urges and a few kicks left in him for a young woman, had this been a female character the reaction would have been unwelcomed. This shows that with traditional gender roles comes a double standard that allows men to have more freedom in their actions and preferences than women …show more content…
For instance when Alayn and John, being law students, recall a law that allows them to legally rape Symkyn’s daughter or wife in exchange for their lost grain; “gif a man in a point be agreved, that in another he sal be releved” (4181-4183). The two student’s intentions to rape Symkyn’s daughter in exchange for the lost corn are revealed by “syn I sal have neen amendement agayn my los, I will have esement, by Goddes sale, it sal neen other bee” (4185-4187). Later on John will also rape Symkyn’s wife in order to appear as just as much of a man as Alayn is after copulating Malyne. In this tale, the interaction between the students and the women is not scrutinized as rape. This is because legally “in a case that would otherwise constitute rape under prevailing law, there is no rape is the perpetrator is married to (or co-habiting with) the victim” (1-2 Burgess-Jackson), and now John and Alayn are technically co-habiting Symkyn’s house where the women they ‘raped’
Such comments as, “I pray to God his nekke mote to-breke” quickly reveal that the ver-bal game of “quite” involves much more than a free meal to the Reeve in “The Canterbury Tales” (I 3918). This overreaction, which grabs the attention of the audience and gives it pause, is characteristic of the Reeve’s ostensibly odd behavior, being given to morose speeches followed by violent outbursts, all the while harboring spiteful desires. Anger typifies the Reeve’s dialogue and his tale, which begs the question why. It appears to be a reaction to the Miller’s insults, but they are not extreme enough to provoke such resentment. He seem-ingly has no hesitation in articulating his bitterness, yet he and his story are as much marked by suppression as expression. Silence resounds as loudly as any noise in the Reeve’s Prologue and Tale. The reader is as puzzled by his utterances as the lack of them: his sudden sermon on death is matched by the quietness of two couples copulating in a small room of five, none of which are able to hear what the others are doing. The reality is that the behavior of the Reeve and the characters in his tale are not random or unaccountable. The Reeve is continually si-lenced by other pilgrims and himself, which is paralleled in his tale, and in turn suppresses his emotions, which leads to even more explosive conduct.
As Estrich demonstrates, the law on rape has major flaws. The law exposes traditions and attitudes that surround women and sex. It condones the idea that sex contains male aggression and female passivity. The law uses three different criteria to label an act of sex as rape: mens rea, force, and consent. Estrich feels that these features demonstrate sexist attitudes within the law. Our legal system abandon’s mens rea which is Latin for “guilty state of the mind.” It is the perpetrator’s ability to understand force and non-consent. A woman must demonstrate resistance. The man can escape by stating he did not realize the woman was not consenting. So, the court turns to the woman to see if she provided proper evidence that she did not consent to the sex.
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Before the Middle Ages, women were societally submissive to male supremacy. As the Middle Ages progressed, one develops a sense that women sought a change in societal order. Upset that they are not able to share their beliefs due to their position, women began to become more vocal. In comparing two great poets Geoffrey Chaucer and William Shakespeare, one sees a connection in their most well known works. Chaucer's view on women, demonstrated by the “Wife of Bath’s Tale” and the Wife’s belief that all women desire sovereignty, is welcomed by William Shakespeare but not achievable by Hamlet’s female protagonists, Gertrude and Ophelia.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
“The life so short, the craft so long to learn” (Famous Quotes). The Canterbury Tales is enriched with humanistic merit that allows the reader to sharpen his or her own craft of life. Specifically, “The Wife of Bath’s Tale” and “The Clerk’s Tale” are embodied with multiple struggles of life that pertain to life in the present. Despite seven centuries of society constantly evolving, the two stories’ plots can still be further analyzed through similar themes about relationships that pertain to modern society and how rhetorical strategy allows the audience to relate to the narrative characters.
Men should cherish women, not seek to own them. In The Reeve’s Tale it is not possible to escape realization that gender ownership exists. There are many situations in the tale that strips the two female characters of their identity. Symkyn’s wife and daughter, Malyne, lack their own voice making it easy for them to become victims of the patriarchal ideology, that females have to be obedient and subordinate. In The Reeve’s Tale, Geoffrey Chaucer initiates the theme of ownership which is used to objectify the two female characters by treating them like interchangeable pieces of property. The men mistreat Malyne and her mother further proving how powerless they are when seen as something owned. In their assumed, roles both women appear to be
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
... allows the present day reader to gain insight into commonly held beliefs regarding women during the 14th century. By allowing Alison to have a sense of humor and joke about aspects of her marriage, Chaucer was able to make numerous points regarding women that would not have been acknowledged had a female author created them. By making Alison a laughable character, Chaucer was able to make points about women such as the unfairness of double standards, the acknowledgement of female desire, and the reality of women marrying well to improve their economic situations. Chaucer also provides us with detailed examples of commonly held stereotypes regarding women that are still relevant approximately seven centuries later.