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Reinventing the horror genre
Essays the the genre horror
Essays the the genre horror
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Recommended: Reinventing the horror genre
Examine what aspects of the The Red Room by H.G.Wells and A
Vendetta by Guy De Maupassant are typical of the horror and ghost
story genre.
At first look, both of these stories appear to be alike. One is a
horror story and one is a ghost story. To most people these are
extremely similar. These two stories however do not fulfil the
stereotypical expectations of a typical ‘scary story’; one of them
examines psychological fear and the thoughts in the mind of a victim,
the internal feelings of horror and fear. The other is a cold, dark
horror in which we are separated from the main character by use of the
third person.
‘The Red Room’ by H.G.Wells is very effective in setting up a
structure to create and sustain suspense. The story opens with a word
from the narrator, ‘I can assure you that it will take a very tangible
ghost story to frighten me’. From the first paragraph we can make an
instant assumption about the main character (the narrator). We can see
that he is a confident, scientific and dismissive young man. In the
opening paragraph we also see the residents of the house; they are
portrayed as old, decrepit people who seem to fear the young man and
everything about him. They are almost ‘consumed’ by this symbolic
house .The residents are used to show the contrasts between youth and
old age, innocence and truth. The introductions of these characters
also develop the plot more and more. It does this by exaggerating the
young man’s confidence and leads the reader to believe that something
will happen to him. For example, when the old woman says ‘tonight of
all nights’ and when the old man says ‘if you stay her to tonight,
it’s at your own risk’, it makes the reader suspect the worst.
The setting of ...
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...mbolic in that most humans have warm lips as they have
blood running through them, suggesting that she is dead inside. ‘Day
by day the old woman plotted revenge against her son’s killer’. The
revenge scene is very odd, I say this because it is the only scene in
which she shows emotion. The emotion she shows is hard to describe,
sickening is the word that first came to mind. She is excited by this
horrible killing. ‘That night she slept well’ is the closing sentence,
This suggests that her task has been fulfilled and she can die
peacefully.
In conclusion, both are typical of the ghost story genre in that they
both have the right sort of setting. The ‘Red Room’ uses lots of
description and personification to create psychological fear and ‘A
Vendetta’ uses small amounts of horrific imagery in an otherwise bare
and minimalist storyline to shock the reader.
Murder is a reprobate action that is an inevitable part of war. It forces humans into immoral acts, which can manifest in the forms such as shooting or close combat. The life of a soldier is ultimately decided from the killer, whether or not he follows through with his actions. In the short stories The Sniper by Liam O'Flaherty and Just Lather, That's All by Hernando Téllez, the killer must decide the fate of their victims under circumstantial constraints. The two story explore the difference between killing at a close proximity compared to killing at a distance, and how they affect the killer's final decision.
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
The Assault by Harry Mulisch, The Remains of the Day by Kazuo Ishiguro and 1984 by George Orwell
One Flew Over the Cuckoo’s Nest and Fahrenheit 451 share two main characters that are seemingly lost in the unknown. Both Chief Bromden and Guy Montag are protagonist in the respective novels. These two characters both have a false sense of reality; however, this is the only reality they know. Bromden and Montag have little sense of what the world they live in has to offer. However things start to change for both of these men when they start to receive guidance from their counterparts, Randle McMurphy and Clarisse McClellan. Both of these characters become the catalyst for the freedom and liberation that Bromden and Montag come to find.
experiences with revenge what his actions caused. It shows that getting revenge is never the
The Manchurian Candidate, Johnathan Demme directed the remake. Both films portray paranoia, mind control, and conspiracy. Frankenheimer utilizes satire, humor, and symbolism to convey the themes, whereas, Demme uses modern fears, camera angles and focus, and mental illness to achieve similar results.
The time and way people are brought up in society makes a huge difference on how they will climb up the social scale in life. In the classic novel House of Mirth, by Edith Wharton and Call it Sleep, by Henry Roth the main characters experience totally different upbringings into society. While Lily Bart is brought up into a high class society, David is born into an immigrant family in a part of the city, which has similar people as his own country. The two characters in the novels both have different and some similar views on how to climb up on the social scale. Although they would give different advice to each other on how to climb the social scale, and have different views on life, one thing that would be common would be to have money.
“The Love of My Life,” by T.C. Boyle, tells a love story about a teen couple who has to go on separate ways to attend college. Earlier, they go on a camping trip and have unprotected sex. China finds out she is pregnant and tells Jeremy about it. Jeremy tells China to terminate her pregnancy, but China refuses to see a doctor and lets her pregnancy advance. She ends having her baby in a motel room without any medical assistance; just with Jeremy’s help she delivers her baby. The couple decides to dump the baby in a dumpster, and later they get arrested for their crime.
Before World War I, the literary term known as the Utopia emerged. Many people believed that society would be happier if the individual made sacrifices for the “common good”. However, the war changed all of that. Society began to fear governments in which everyone was the same and was ruled by a dictator. Thus, the genre of the dystopian novel emerged. “Dystopian novels show that any attempt at establishing utopia will only make matters much worse.” (Dietz, 1996) Fahrenheit 451 by Ray Bradbury and 1984 by George Orwell are considered classic examples of this genre by such critics as Frank Dietz, Beaird Glover, and Donald Watt. These distinct novels both warn against utopia through the portrayal of the protagonist begins as part of a society in which the individual is non-existent, come into contact with influences that cause their rebellions, and eventually come into contact with some upper hand of the government.
The Signalman by Charles Dickens, The Adventure of the Speckled Band by Sir Arthur Conan Doyle, and The Yellow Wallpaper by Charlotte Perkins Gilman
Allen Moore’s sordid depiction of twentieth century life presents a complex world, where the distinction between a virtuous hero and a villainous wrongdoer is often blurred. In stark contrast to the traditionally popularized portrayal of superheroes, whose unquestionably altruistic motives ultimately produce unrealistically idealized results; the realistically flawed characters of Watchmen exist in a multi faceted world characterized by moral ambiguity. America’s imperialistic ambitions have long been justified as an expression of American idealism. Much like the portrayal of superheroes in popular culture, America’s intervention in foreign affairs was portrayed as the result of a clearly defined problem, where American intervention was necessary and consensual. The Watchmen exist in an American reality that does not depend on them as the archetypal hero as demonstrated by the fact that their presence is not necessary to the survival of the world. Collectively the characters of Watchmen parallel the tumultuous relationship that as a superpower the United States of America has with the rest of the world.
War of the Worlds by H. G. Wells Homo - Superior or not? War of the Worlds by H. G. Wells is a fictional story about war and mankind’s coming of age. It is also a philosophical novel with many deep meanings underlying the shallow looking one-hundred-eighty-eight page book. The subject of this novel is Science Fiction and there are not many that can even compete with Wells in terms of how superior his word descriptions are. He simply does wonders with the imagination of the reader.
H.G. Wells, author of mind blowing novel The War of The Worlds, used foreshadowing and both external and internal conflicts to show the theme those humans should not assume that they are the superior race. Wells was the author of more than 100 books, almost half of them nonfiction, published over a span of 52 years.
The book that I read was called The Stranger written by Albert Camus. The book is globally famous and was translated to many different languages and texts. The original was called L’Étranger which was written in French in 1942. The plot of this story involved a man in his late twenties or early thirties. The man's name is Meursault. In the beginning of the novel, Meursault is notified that his mother had passed away in the nursing home that he occupied her to. Meursault’s income could not afford to take care of his mother any longer; therefore, he put her in a nursing home. Meursault took off of work and went to the nursing home where she passed away to pay his respects and attend the funeral ceremonies. When he arrived at the nursing home, the funeral director brought Meursault to his mother’s coffin. The director asked if he wanted to see her and he quickly replied to keep the coffin shut. Meursault sat in the room and nearly went through an entire pack of cigarettes while blankly watching his mother’s coffin. At the actual funeral, Meursault shows no signs of normal emotion which would normally be induced at such an event.
suffered her entire life and what she did; she did for love of one man