Truest Intentions
“So it came to pass that as he trudged from the place of blood and wrath his soul changed.”
― Stephen Crane The essence of war surrounds the population in an eternal loop, a constant battle is always arise within human nature. Whether the war is between countries or internal desires, the battle affects all those surrounding it’s brutal side effects. Stephen Crane, author of the Red Badge of Courage, wrote his novel having never experienced the most literal form of war. However, Crane chooses to starkly contrast the romantic views of war directly uses his main character’s internal struggles to call fool to those believing a war’s default is to create hero’s. Crane emphasizes the ignorance of youth through Henry Fleming’s,
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Nature’s portrayal is found within scenes of birth, death, and rebirth. In the scene of the first battle, Henry sees the blanket of bodies covering the land as “the sun spread disclosing rays, and, one by one, regiments burst into view like armed men just born of the earth” (Crane 22). The cycle of death, while found throughout the novel, is seen in parallel with nature when Henry comes face to face with the corpse. The body is lifeless yet ants crawl on it as a source of survival and the earth flourishes in the nutrients as the body decomposes. Crane acknowledges nature’s dominance over humans though he has not been caught in death’s line of vision as directly as Henry. Crane’s acknowledgement of rebirth remains to be the strongest contrast to the stereotype of a civilian writing of war. The novel’s ending lines, “Over the river a golden ray of sun came through the hosts of leaden rain clouds” (Crane 100), appear to express relief from battle and a pleasant rejoice for the reader’s young heroes. However, Crane means the quote to forebode the constant rebirth of battle and the never ending reality of war. The final words of Crane correlates with Robert Frost’s most famous …show more content…
Ernest Hemingway, even after is death, remains one of America’s most successful writers. His novel, A Farewell to Arms, is set during the Italian campaign of World War I based off of his own service experience first published in 1929. Though the title of the novel is based off a poem, everything within the novel is directly related to the author’s life at the time. Each of the characters were inspired from real people: “Catherine Barkley was a nurse in a hospital in Milan; Kitty Cannell, a Paris-based fashion correspondent; the unnamed priest was the priest of the 69th and 70th regiments of the Brigata Ancona” (“A Farewell to Arms”). Hemingway’s depiction of war in the novel contrasts Crane’s work by providing realistic relationships other than those of a regiment and involving romance in addition to the battle scenes rarely seen by Ernest himself. In contrast to Hemingway’s enlistment experience, Margaret Mitchell’s work of Gone with the Wind was written by a non veteran. Mitchell’s novel is set during the Civil War era, much like Crane’s novel. However, this also contrast’s Crane’s writing due to the fact that she was a woman. Mitchell began writing the novel due to an injury to fill time. Her novel relates to the romanticism and personalization of Hemingway’s war novel, and even though she had never seen battle, her scenes of war can be compared to both Crane and
In The Red Badge of Courage, Henry Fleming was drawn to enlist by his boyhood dreams. His highly romanticized notion of war was eclectic, borrowing from various classical and medieval sources. Nevertheless, his exalted, almost deified, conception of the life of a soldier at rest and in combat began to deflate before the even the ink had dried on his enlistment signature. Soon the army ceased to possess any personal characteristics Henry had once envisioned, becoming an unthinking, dispas...
Author Stephen Crane attended many schools through out his life, but writing came to be his profession. The Red Badge of Courage, Crane’s most successful novel, was considered one of the first forms of realistic war fiction written on the Civil War. Some critics say that the unknown battle in Chancellorsville influenced Crane to write this novel. Through out the novel Crane’s shows how Henry Fleming transformed from a cowardly teenage recruit to a hero of war. This novel proved that any soldier, whether he is a sergeant or private, can pull through at the right moment, and be seen as a hero.
The Red Badge of Courage is not a war novel. It is a novel about life. This novel illustrates the trials and tribulations of everyday life. Stephen Crane uses the war as a comparison to everyday life. He is semi-saying that life is like a war. It is a struggle of warriors—the every day people—against the odds. In these battles of everyday life, people can change. In The Red Badge of Courage, the main character, Henry Fleming, undergoes a character change that shows how people must overcome their fears and the invisible barriers that hold them back from being the best people—warriors, in the sense that life is war—they can be. Henry has a character change that represents how all humans have general sense of fear of the unknown that must be overcome.
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
War is not meant to be glorified. War is not meant to look easy. Stephen Crane was one of the few authors during his era who realized this fantasy-like aura around war and battles and decided to do something about it. The Red Badge of Courage, by Stephen Crane, was inspired by Crane’s life and his desire to portray the realistic side of war.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Bloom, Harold, ed. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New Yourk: Chelsea House Publishers, 1987.
Ernest Hemingway used his experiences from World War I to enhance the plot of A Farewell to Arms. Parallels can be drawn throughout the entire novel between Henry's and Hemingway's experiences. Both were Americans serving in the Italian army; both were wounded and went to Milan; both fell in love with a nurse. These many similarities, however, also contain slight differences. There is no real question that Hemingway based events in the novel off of his real experiences, but A Farewell to Arms is by no means an autobiography. The book does not focus on the experience of war. Instead, it is more focused on the after-effects. Minor changes to the events themselves make the novel unique, while the factual basis strengthens the plot with authentic feeling.
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.
113-117. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New York: Chelsea House Publishers, 1987. Cody, Edwin H. Stephen Crane. Revised Edition.
Bloom, Harold. Introduction. Ernest Hemingway's A Farewell to Arms. Ed. Harold Bloom. New York: Chelsea, 1987.
The Red Badge of Courage by Stephen Crane, one of the most significant and renowned books in American literature, defies outright classification, showing traits of both the realist and naturalist movements. It is a classic, however, precisely because it does so without sacrificing unity or poignancy. The Red Badge of Courage belongs unequivocally to the naturalist genre, but realism is also present and used to great effect. The conflict between these styles mirrors the bloody clash of the war described in the book – and the eternal struggle between good and evil in human nature.
In the Red Badge of Courage, by Stephen Crane, the main character Henry Fleming joins the army as a young fledging and ultimately matures to a courageous soldier ready for battle. The Red Badge of Courage is considered a Bildungsroman since the reader traces Henry’s development morally, psychologically, and intellectually. Henry progresses from a feared youth who in the course of a couple of days, in the line of fire, has crossed the threshold to manhood.
middle of paper ... ... so provided the reader with realistic descriptions of the warfront. Ernest Hemingway’s A Farewell to Arms realistically explores the inglorious and brutal truths of war, and idealistically analyzes the power of true love. Works Cited “A Farewell to Arms Essay – A Farewell to Arms, Ernest Hemingway.”
Written just after the first global war, Hemingway delivers a subtle anti-war novel. World War I ended in 1918; A Farewell to Arms was published eleven years later. Although eleven years seems as if it would be enough time to forget, no time span can allow Hemingway to forget the effects of World War I. After World War I, Hemingway is struck with countless nightmares. Hemingway uses these nightmares and flashbacks to write A Farewell to Arms (Analysis 1). When reflecting on the novel, a blogger writes, “A Farewell to Arms is a war novel, not in the sense that it glorifies the war, but as all know, it describes the cruelty, madness of the war which deprives human life and happiness” (Analysis 1). During the novel, Hemingway displays his anti-war message by showing how the characters indulge in distractions to escape the reality of war. Love and sex, alcohol, and religion are all ways characters distracted themselves.