The Record Companies' Decrease in Sales
The music business is experiencing a recession where record sales are
reaching all-time lows. All record companies have in the last few years
experienced a considerable decrease in sales. Finding the cause or causes
of this has naturally become a major concern for all of them.
Some blame the recession in the West in general, but that can hardly
explain why one industry is losing out so much more than others.
Music today is less from the heart than it used to be only ten years
ago. It is mostly a purely commercial product to be used up and thrown
away. A lot of modern music has a short but intense life span. People are
not prepared to pay as much for a 'disposable' product as they are for a
'reusable'. The hit song of the week is fed to us all through radio and TV
so intensely that we need not buy the record. And when it is no longer
broadcasted no one remembers it.
Attempts to change this and promote more quality, depth and originality
in music have not been very successful. The whole entertainment business
is ruled by trends and, quality seems to have gone out of style
To simply lower the price of a CD is a commonly suggested solution,
naturally advocated by the buyers. But no business favors such a remedy.
Not only since it reduces their income but also because it sends out the
wrong signals to people. It gives the impression that the product is worth
less and that the customers have been charged too much before. And if the
price can drop by ten per cent this year people might expect it to drop
another ten per cent next year.
A better settlement could be enhancing the product and giving people
more for their money. Thanks to modern technology there can be so much
more included on a CD than just music. A computer with a CD-ROM drive,
which is becoming quite common, allows us to read several different kinds
of information off a CD. A short interview with the artist or 'behind the
scenes' features can be included as so called 'Quicktime movies'. Lyric
sheets, discographies, extensive biographies and even sheet music can
also be added easily. Text files have such small memory requirements
compared to sound that the Bible can be stored in less space than a normal
length song! There have already been several Cds released which include a
Most things have their beginnings in something small: a word, a breath, or idea; but not music. Music begins with a single vibration. It explodes and carries on, morphing worlds of unrelated personas. It lives rampantly in the mouths of millions of unruly and free-spirited teenagers, like a fever. The rock 'n roll trend that defiantly rose against the conformist ideology of the mid-twentieth century left remnants that commenced the start of a progressing society: a culture that redefined the rules of society and pushed social and moral limits while addressing social concerns.
and the songs about death and the death of certain performing artists has a great impact on
Ever since humans first learned how to make music with their voices and with instruments thousands of years ago, music has been changing. Some changes took place over hundreds or even thousands of years, stunted by human isolation or by guidelines set in place by religious institutions. The 20th century, in contrast, experienced several rapid, radical changes in the popular genres of music. This made the 20th century a very rich time period for musical culture. These remarkable genres--including, but not limited to jazz, rock and roll, and the music of the “British invasion”--all influenced one another, and all influenced the culture we still live in today.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
Popular music places a premium on accessibility, represents various meanings to boost both instant appeal and memorability - distinctive tunes, novel instrumental flourishes, danceable rhythms, repeated riffs - but its signal feature is melodic emphasis and great vocal gatherings.
If you ask the average young adult what comes to mind when they hear the term “music” they are likely to respond with a fresh singer, band, or genre of “pop” music. Often times society places their opinion of classical music and popular music on completely different wavelengths of importance in the world. The modern perception of classical vs. popular music has led to a heavily decreasing audience for classical groups and performances, a desire for repetitive and simple melodies, and a negative stigma against classical music’s importance.
Existentialism is a term that was coined specifically by Jean-Paul Sartre in regards to his own life. Sartre had adopted the Atheistic approach to life and its meaning, and while he was not the first or only one to do so, was the first and only one to come up with a way to describe it. Under Existentialism, man lives without higher power or guidance and must rely solely on himself and what he is aiming to do in order to lead a fulfilling life. This can be anything. Critics of Sartre propose that, because such a vast array of options exists within the meaningfulness of life, this philosophy is obsolete and trivial in nature. This is not true, as it is seen in everyday examples – celebrities, namely – that a thirst
Through Jean-Paul Sartre’s plays, “No Exit”, “The Flies”, and “The Respectful Prostitute” I have come to the conclusion that Existentialism focuses mainly on a single person taking liability for their own actions, and those actions should be without the influence of society. This includes the idea that Sartre makes present in these plays; there are no easy answers, people must live by their own standards without searching for validation. While this idea seems rational in theory, I think the way Sartre presents it dismisses other people’s views and judges believers for them.
Jean-Paul Sartre was a notable French philosopher and writer of the 20th century whose literary works have strongly influenced the world of academia and spurred intellectual contest in the Modern era. In Sartre’s 1945 publication, “Existentialism and Humanism,” Sartre had argued extensively about the notion of abandonment – the notion that we live freely in this world without purpose, and his stance on atheistic existentialism. His main argument was that existence precedes essence so humans acquire meaning through lived experiences since humans are free to choose and decide for themselves. From this, he concludes that there exists no such thing as ‘a priori’ morality and that “God is a useless and costly hypothesis” (28). In this paper, I will be rebutting Sartre’s moral nihilism argument since it lacks apparent linkage between the notion of freedom of choice and the idea that ‘a priori’ morality does not exist.
Existentialism could be defined as a philosophical theory that focuses on the individual person being a free and responsible person who determines his or her own development through acts of will. Existentialism is a thesis that has been discussed by some of the greatest philosophical minds ever to live. Minds such as Kierkegaard and Nietzsche all had their own view on what existentialism was and major impact on the development of this thesis. Each of these philosophies played a huge influence on a great mind that would come later on in history. That was the mind of Jean-Paul Sartre. Sartre, who is considered one of the great philosophical minds, based many of his ideas around the idea of existentialism and phenomenology. Throughout this paper we will take an extensive look into the life and mind of Jean-Paul Sartre.
The story really begins with Napster and its free software that allowed users to swap music across the Internet for free using peer-to-peer networks. While Shawn Fanning was attending Northeastern University in Boston, he wanted an easier method of finding music than by searching IRC or Lycos. John Fanning of Hull, Massachusetts, who is Shawn's uncle, struck an agreement which gave Shawn 30% control of the company, with the rest going to his uncle. Napster began to build an office and executive team in San Mateo, California, in September of 1999. Napster was the first of the massively popular peer-to-peer file sharing systems, although it was not fully peer-to-peer since it used central servers to maintain lists of connected systems and the files they provideddirectories, effectivelywhile actual transactions were conducted directly between machines. Although there were already media which facilitated the sharing of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface. The result was a system whose popularity generated an enormous selection of music to download. Napster became the launching pad for the explosive growth of the MP3 format and the proliferation of unlicensed copyrights.
Jean Paul Sartre is a philosopher that supports the philosophy of existentialism. Existentialism is a twentieth century philosophy that denies any crucial human nature and embraces that each of us produces our own essence through our free actions. Existentialists like Sartre believe there isn’t a God that determines people’s nature. So, existentialists believe that humans have no purpose or nature except the ones that they create for themselves. We are free and responsible for what we are and our engagements; even though we are mindful that this can cause agony.
Close Encounters of the Third Kind, a blockbuster film from the 1970’s that utilized drama as a good technique to spread the idea that creatures from beyond our planet could have the healthier qualities of humanity, resembling kindness, compassion, and the pursuit for understanding the universe. However, this plot doesn’t make a thrilling 1990's summer blockbuster. The word of the 1990’s was action, and Independence Day demonstrates that nothing gave quite the movie-going action as planet annihilating, life annihilating aliens. More than likely, differences, however measured, between these films are actually a reflection of the changes in the values of our civilization in the 20 years from the 1970’s to the 1990’s.
Jean Paul Sartre's Existential philosophy posits that is in man, and in man alone, that existence precedes essence. Simply put, Sartre means that man is first, and only subsequently to his “isness” does he become this or that. The implication in Sartre's philosophy is that man must create his own essence: it is in being thrown into the world through consciounsess intent, loving, struggling, experiencing and being in the world that man is alllowed to define itself. Yet, the definition always remains open ended: we cannot say that a human is definitively this or that before its death and indeed, it is the ultimate nothingness of death that being is defined. The concepts that Sartre examines in Being and Nothingness
In Robert Palmer's article “What pop lyrics say to us today”, he explains that music has been much the same for many years.