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Relationship between science and religion
The influence of religion on science
Romanticism in society
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In the 19th century, the Realism Movement started which was when people started to see life in a realistic way and did not look past all the negative aspects. The realism movement had an effect on music and literature. Famous plays like The Cherry Orchard, Ghosts, and Hedda Gabler, were heavily influenced by Realism. Musicians like Dmitry Bortniansky, Alexander Scriabin, Dmitri Shostakovich, Vasily Alexeievich Pashkevich, and Lera Auerbach from the 21st, 20th ,19th, 18th century were influenced by the Realism Movement. From the 18th century to the 21st century, the Realism Movement has changed the way that musicians and writers compose their works, which caused people to go from thinking that life is perfect and it does not have any negative aspects, to seeing that life is not perfect and acknowledging the negative aspects of life. Before the Realism Movement, another movement that happened was called the romantic period. Romanticism was a style that stretches the imagination, emotions, and the creativity of a musician and a literary writer (“Romanticism”). It was a time when people saw life in a positive way, without acknowledging any negativity. For music and literature, it was a major influence on people. John Synge was majorly influenced by romanticism when he wrote Riders To The Sea. As for musicians like Alexandr Herzen, Ivan Turgenev, and other musicians, they were influenced by Romanticism. Most people in the 18th century believed in romanticism and were religious. They went to a priest or prayed to God asking questions about life and how life came to be. In the 20th century, people started to move away from religion, and started to look towards science to find answers to life (“Romanticism”). Not many people would think ... ... middle of paper ... ...ring her tenure there (Anderson). She wrote twenty-four preludes on the violin and the piano and dedicated them to Angela Yoffe a pianist and Vadim Gluzman a violinist (Anderson). These artists recorded the pieces in 2002, and some of the pieces are less than one minute and some are five and a half minutes (Anderson). Some are dark and gloomy, dramatically dark, and sweet (Anderson). A piece on there is called T'filah, which means prayer in Hebrew. It was dedicated to the victims of the Holocaust, and is a dark but beautiful piece (Anderson). Auerbach was inspired to use realism in her music by writing a piece that was dedicated to the victims of the Holocaust. She saw that the Holocaust actually happened and did not ignore it by seeing viewing life in a romantic way. She saw that life is not full of nothing but happiness, but it can have some negative aspects to it.
The authors of the Realism era wrote most of their stories about everyday middle-class people. Many of the authors wanted to write a story that people could relate to, and make them feel like they were actually in their story. In Leo Tolstoy’s, “The Kruetzer Sonata”, Henrik Ibsen’s “A doll house,” and Anton Chekhov’s “Seagull,” all of the authors tell about the actions and choices that each person has in their lives is what will dictate how their lives will draw out. This in very many ways is something that real everyday middle-class people could relate to, and in doing so, hopefully they could take what they have read and apply it to their lives.
The literary period of Realism began during the nineteenth century in Europe and Britain (“Realism Across the Globe” 625). The transition to this style of writing originated during the time when technological advances in transportation and communication were just beginning, which allowed ideas to spread rapidly throughout the world. Realism focuses on the realistic, truthful, and accurate occurrences in the everyday life of individuals.
Many have condemned realist art for “sacrificing beauty for exactitude and obviating conceptual integrity if favour of in-your-face reality”. They argue that the glorification of ordinary, banal subjects may in fact be a pathetic attempt to ignore the drab realities of contemporary life by attempting to ‘spice up’ commonplace objects. Perhaps they think that modern technology and flashy photographical equipment defeats the purpose of original realist art, and provides a far more accurate reproduction of contemporary life. I however, beg to differ. For the realist artist, the vast world is their subject and their aim is to present this world through their art in what they see as their honest representation of it. To label realism as obsolete is to call these artists’ sincere opinions obsolete. People often fail to remember that the world is constantly changing and the ‘ordinary’ doesn’t always remain so. The writer J.P. Stern remarked once that realism is “the creative acknowledgment of the data of social life at a recognisable moment in history”. True, photography and digital technology may produce a more accurate reproduction of real life but representation-wise, a genuine hand-made artwork may in fact offer a far more meaningful result- not merely due to the allowance for modification and
Realism occurs everyday, one may not know but its the reason why know not everyone gets to live their lives to a happy ending, its the reason why sometimes you can't get everything you want in your life. Realism is the attitude or practice of accepting a situation as it is and being prepared to deal with it accordingly. Realism is a trend which takes place in the nineteenth century during which literature depicted life "as is," and focuses on real life. This literary movement frequently depicted everyday life; it follows the rule of a phenomenal world and that nothing is added to your life. It is the reverse job of what a filter would do to all the troubles that one may encounter later in life. Realism is represented in Kate Chopin's short stories The Story of an Hour and A Pair of Silk Stockings. In both the short stories, the main characters get to face a dream/fantasy that they’ve always wanted to encounter; something rare that lasted only for a short amount of time. The freedom that each character got was some sort of new freedom that they never experienced before. For example in The Story of an Hour, the main character Louise Mallards is feels oppressed because she can't live for herself. She realizes at the end that her husband was alive the whole time and that her short fantasy came to an end. She thought that it would last forever until the death of her but she was wrong. Another example of realism is A Pair of Silk Stockings, the main character of this story was Little Mrs Sommers. She finds fifteen dollars on the floor and this feeling of having this much money eventually controls her until its all gone. Her lack of being able to control herself and curiosity controls her and the money. W...
The Romantic period is chronologically defined by the 19th century. It was an era of great turmoil. With the French Revolution, the American Civil War, the Franco-Prussian War, the Crimean War, the Spanish-American War and various revolutions across Europe, a great sense of upheaval was felt by the bourgeoisie and upper class struggling to maintain their affluent lifestyle during this time period. The revolutionaries who were fighting for their rights and independence felt a great sense of freedom, pride and other intense emotions. These intense emotions helped identify the Romantic period. Characteristics of the Romantic period help define it as a whole, and allow for the overall appreciation for the music ...
Romanticism was a genre created as an upheaval against the political and social restrictions of its time. Because romanticism emphasized emotions, imagination, and the arts, it was seen as the complete opposite of the style of writing at the time, labelled neoclassicism, which depended solely on the ideas of logic, reason, and conformity.
The term Romantic is “Term applied to music of the 19th century. Romantic music had looser and more extended forms, greater experimentation with harmony and texture, richly expressive and memorable melodies, improved musical instruments, an interest in musical nationalism, and a view of music as a moral force, in which there was a link between the artist’ inner lives and the world around them” (Burkholder, p. A16). With Romanticism, composers looked for ways to express intense emotions through their music. At this time, many people were proud of their countries and wanted to reflect their country in their music and art.
“The Real Thing” is about a couple who are in times of desperate need. They are struggling to find work to continue living the life they have lived and stay in their social class. The only thing they have going for them is their noble looks and sophisticated manners. They have no real talents deeper than what meets the eye. They meet with an artist who tries to use a real lady and gentlemen in an art work striving to portray a lady and gentlemen, but he realizes “The Real Thing” is not what the viewers find interesting or attractive. After much criticism, the artist decides to paint the models who are not actually ladies or gentleman at all, but they are more aesthetically pleasing to the viewers. The lady and gentlemen finally put
someone who was influential to the realism era was Mark Twain. Twain captured everyday life. He used elements such as common diction because it helped capture the vernacular of this time. Someone who interested me while during research was W. E.B Dubois. He was a civil rights activist, who captured the racial tension during the 19th century. Dubois 's goal was to tackle a depiction of unjust treatment of African Americans. He obtained his doctorate degree from Harvard. Doing so, he became the first African American to graduate from that institute.
...f Realism came about. Realism wanted to truthfully represent the circumstances and hardships of the deprived with hopes and dreams of altering the social order. In dissimilarity through Romanticism, which was fundamentally hopeful about humans and how they function, Realism presented a harsh idea of deficiency and misery. Likewise, while Romanticism overvalued life, Realism displayed life in the lowest position of an inner-city harsh environment. The Realism era opened the eyes of many people worldwide. Realism in fine art and writing correlates to the effort to be a symbol of recognizable and daily people and dilemmas in a precise, unpleasant approach. It is vital for readers to be familiar with and recognize the people and the humanity they dwell in. The realists wanted to admire what they thought was the honest self-respect of modest citizens leading plain lives.
Romanticism was a reaction to the Enlightenment as a cultural movement, an aesthetic style, and an attitude of mind (210). Culturally, Romanticism freed people from the limitations and rules of the Enlightenment. The music of the Enlightenment was orderly and restrained, while the music of the Romantic period was emotional. As an aesthetic style, Romanticism was very imaginative while the art of the Enlightenment was realistic and ornate. The Romanticism as an attitude of mind was characterized by transcendental idealism, where experience was obtained through the gathering and processing of information. The idealism of the Enlightenment defined experience as something that was just gathered.
The Romanticism the nineteenth century is often called “The Romantic era.” The “Romanticism” defines a movement in the history of culture, an artistic style, attitude of mind and it describes the aesthetic, antique artworks of history. The Romanticism era was before the modernism era, during this time, many artists show their talents to the world. Romanticism is easy to understand, and it provides a lot of information of that era. The Romantic movement is uprising against academic convention and freedom of personal.political, and artistic life. John Constable, The Haywain, 1821, Francisco Goya, The Third of May, 1808: The Execution of the Defenders of Madrid 1814, and The John Nash, the Royal Pavilion, Brighton, the Northeast, 1815-1821 are the passionate and incredible artworks in the masterpiece of Romanticism, Realism, and the Nineteenth- Century World. This era was an artistic and creative era of the art history.
In Music and Art As intellectual and artistic movements 19th-Century Realism and Naturalism are both responses to Romanticism but are not really comparable to it in scope or influence. For one thing, "realism" is not a term strictly applicable to music. There are verismo (realistic) operas like Umberto Giordano's Andrea Chénier created in the last decade of the 19th century in Italy, but it is their plots rather than their music which can be said to participate in the movement toward realism. Since "pure" untexted music is not usually representational (with the controversial exception of "program" music), it cannot be said to be more or less realistic. In contrast, art may be said to have had many realistic aspects before this time. The still lifes and domestic art of Jean-Baptiste-Siméon Chardin1 (1699-1779) anticipate many of the concerns of the 19th-Century Realists, and he in turn owes a debt to the Netherland school of still-life painting of the century before him, and one can find similar detailed renderings of everyday objects even on the walls of 1st-century Pompeii. Realism is a recurrent theme in art which becomes a coherent movement only after 1850; and even then it struggles against the overwhelming popularity of Romanticism. In mid-19th century France, Gustave Courbet2 set forth a program of realistic painting as a self-conscious alternative to the dominant Romantic style, building on earlier work by the painters of the Barbizon School (of which the most famous member was Jean-François Millet), which had attempted to reproduce landscapes and village life as directly and accurately as possible.
Romanticism in philosophy is a movement within a much larger and incredibly complex tradition in philosophy that was developing during the Modern period—the Age of Enlightenment.
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).